Human Nature Page #28
LILA:
Out.
Puff gets out casually, then makes a mad dash for the road.
Lila calmly presses the button on her black box. Puff spasms
and falls to the ground.
LILA:
Bad.
Puff stays on the ground, breathing hard.
LILA:
Get up.
Puff does.
LILA:
Take off your clothes.
Puff does. So does Lila. She is covered with hair, except
for her face. But whereas Puff is now white and soft-looking,
Lila is tan and taut and muscular. This is a reversal of the
way both of them were when they first met.
Puff seems taken with her body.
LILA:
We're going back to nature, you and
I. I'm going to retrain you. I'm
going to make you free again if I
have to kill you doing it.
PUFF:
But I like being human now.
Lila shocks Puff. He falls to the ground.
LILA:
You what?
PUFF:
I want to be the way I was before.
LILA:
(sweet)
Good. I'll show you how, apey.
DISSOLVE TO:
EXT. WOODS - A BIT LATER
Puff and Lila have built makeshift shelter out of leaves and
twigs. They are sitting around a campfire, naked and dirty,
roasting a couple of skinned squirrels on sticks. The black
box rests in Lila's lap. Puff looks at the roasting squirrel,
is repulsed.
PUFF:
Nice night.
LILA:
Talking is to be kept to a minimum.
Eventually, when we are ready, there
will be none. Language was invented
so that people could lie to each
other and to themselves. There is no
other reason.
Puff begins to disagree. Lila's hand hovers over the button.
He stops himself.
PUFF:
(confused)
I agree?
Lila shocks Puff.
LILA:
You lose. Any answer is the wrong
answer.
DISSOLVE TO:
INT. MAKESHIFT SHELTER - NIGHT
Puff and Lila lie seperately under blankets of moss. The
breathing is heavy. Both seem to be sleeping. Puff opens his
eyes and tries to extricate himself from the moss without
making any noise. Lila presses the button and Puff falls in
a quivering mess.
LILA:
(whisper)
You'll thank me eventually, Puff.
Well, you won't thank me, because we
won't be speaking, but you'll sort
of thank me with a special look, the
look a dog gives you to let you know
he loves you.
PUFF:
What an enchanting picture you paint
of our future together.
Lila shocks Puff once again. As he spasms, we:
CUT TO:
INT. AUDITORIUM - DAY
Puff testifies.
PUFF:
And so commenced my reeducation,
gentlemen. Lila taught me so much.
She was a stern but fair teacher.
And over time, I began to remember
the carefree joy of living in a pure
state of being. But something else
happened as well, something perhaps
distinctly human... I began to fall
in love with Lila.
DISSOLVE TO:
EXT. WOODS - DAY
Lila and Puff are naked and collecting mushrooms and berries.
Time has passed. Both Lila and Puff are dirtier and hairier.
Puff still wears his collar. Lila bends over to pick a
mushroom. Puff looks at her from behind.
PUFF:
Boy, you look so good from this ang...
Lila turns, puts her finger to her lips in a gentle "no
talking" reminder, then shocks the hell out of Puff. He spasms
and falls on top of her, knocking her to the ground.
He regains his composure, finds himself on top of Lila.
They look at each other for a moment. Then they kiss. It's a
violent kiss. They grope each other. This is primal sex now.
In the dirt. Sweaty. Loud grunting. Lila even presses the
shock button at the right moment. Puff seems to like it in
this context.
CUT TO:
INT. GABRIELLE'S APARTMENT - NIGHT
Nathan and Gabrielle are in bed, making love. It is gentle,
romantic, in good taste -- in direct contrast to the animal,
violent sex Puff and Lila are having. They finish. Nathan
pulls himself off of Gabrielle and falls onto his back,
staring up at the ceiling.
GABRIELLE:
A penny for your thoughts, mon cheri.
NATHAN:
I don't know. Something's missing.
CUT TO:
Gabrielle, Nathan, and Nathan's parents eat dinner.
Nathan's parents are in clown make-up. There is a long
silence. Nathan is still sad. Gabrielle steals glances at
Nathan's parents. Finally Nathan speaks.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Human Nature" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/human_nature_445>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In