Human Nature Page #31

Synopsis: A philosophical burlesque, "Human Nature" follows the ups and downs of an obsessive scientist, a female naturalist, and the man they discover, born and raised in the wild. As scientist Nathan (Tim Robbins) trains the wild man (Rhys Ifans) in the ways of the world - starting with table manners - Nathan's lover Lila (Patricia Arquette) fights to preserve the man's simian past, which represents a freedom enviable to most.
Genre: Comedy, Drama
Production: Fine Line Features
  2 wins & 2 nominations.
 
IMDB:
6.4
Metacritic:
56
Rotten Tomatoes:
49%
R
Year:
2001
96 min
$651,165
Website
1,139 Views


We move into an extreme close-up.

NATHAN:

(beginning again)

I don't even know what sorry means

anymore. It's odd. When I was alive

I knew -- maybe it was all I knew...

DISSOLVE TO:

EXT. FOREST - DAY

Lila runs to Nathan. She kneels beside him.

LILA:

He's dead.

PUFF:

(calmly)

We bury the body. We disappear into

the woods. Nobody knows.

LILA:

(beat, then quietly)

No. This is the end of the road.

There's a dead human being here. For

all of his faults, he was a human

being, and certainly a victim of his

culture as much as anybody.

PUFF:

Forget him, Lila. We'll disappear.

We'll never talk about it again.

We'll never talk again period. I

love you.

LILA:

Puff, what happened to you is as

much my fault as Nathan's. Maybe

more so, because I knew it was wrong

and I went along with it anyway. I'm

taking responsibility for the murder.

I want you to go back to your old

life.

PUFF:

I won't let you do that. I shot the

bastard. And I'm glad.

LILA:

No. Go back to the woods. This is a

sacrifice I need to make. In my world

we have something called penance.

It's another abstraction, but I had

the concept drummed into my head

during my years in the convent. It

doesn't exist for you, and it

shouldn't. See, I could never be

free again anyway, so I might as

well be in jail.

PUFF:

(beat)

Then I'll live for both of us, Lila.

I'll be the most free, truest animal

in the whole forest. For both of us.

LILA:

(tearing up)

That's what I'm counting on.

PUFF:

(an idea)

But first I'll live among them, just

long enough to testify before congress

about the waywardness of humankind.

LILA:

(shrugs)

Okay. If you think it will help.

CUT TO:

INT. JAIL - DAY

Lila, now in prison coveralls, sits in a dayroom with other

women convicts. She is watching a TV mounted on the wall.

Puff is testifying.

PUFF:

And so, gentlemen, that is my story.

I agreed to testify before this

committee because I hoped to convey

to the American public that there is

indeed a paradise lost. Human beings

have become so enamored of their

technologies and their intellectual

prowess and their fancy gourmet foods,

that they've forgotten to look to

the Earth as a teacher. This is

hubris, my friends. And my story of

destruction and betrayal is proof of

that. I will keep my promise to Lila.

I will shed this suit and go back

into the wilderness. I will live out

my days naked and free.

CONGRESSMAN:

Thank you, sir. Your story has touched

us all deeply. We will pass some

legislation addressing this problem.

PUFF:

Thank you. That is all I ask.

(to camera)

Good-bye, Lila. I take you with me

in my untamed heart.

Puff stands and exits the auditorium. Flashbulbs flash.

In the prison common room, Lila wipes a tear from her eye.

She seems genuinely happy. She looks out a small barred window

and sees a bluebird light there, then fly away.

CUT TO:

EXT. WASHINGTON STREET - DAY

Puff walks along, a man on a mission. As he walks he sheds

articles of clothing. He is followed by reporters and

cameramen and celebrity hounds. Soon he is naked.

CUT TO:

EXT. SUBURBAN STREET - DAY

Puff walks along, naked. People cheer from porches.

CUT TO:

EXT. RURAL ROAD - DUSK

Puff walks along. He is still followed by reporters. Cows

watch the parade.

CUT TO:

EXT. FOREST - EVENING

Puff walks along a dirt road. He is about to disappear into

the forest. An older woman rushes out from the crowd.

Rate this script:5.0 / 2 votes

Charlie Kaufman

Charles Stuart "Charlie" Kaufman (born November 19, 1958) is an American screenwriter, producer, director, and lyricist. He wrote the films Being John Malkovich (1999), Adaptation (2002), and Eternal Sunshine of the Spotless Mind (2004). He made his directorial debut with Synecdoche, New York (2008), which was also well-received; film critic Roger Ebert named it "the best movie of the decade" in 2009. It was followed by Anomalisa (2015). more…

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Submitted by aviv on November 03, 2016

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