I Am Not Your Negro Page #2
on the American cinema scene.
Can't get him up!
We'll try to get him
on the phone
I was laying down
dreamin'...
No, it's not entirely true.
There were, for example,
Stepin Fetchit and Willie Best
and Mantan Moreland,
all of whom, rightly or wrongly,
I loathed.
It seemed to me that they lied
about the world I knew,
and debased it,
and certainly I did not know
anybody like them,
as far as I could tell.
For it also possible that
their comic, bug-eyed terror
contained the truth
concerning a terror
by which I hoped
never to be engulfed.
Yet, I had no reservations
at all concerning the terror
of the Black janitor
in They Won't Forget.
Give me police!
Give me police!
Give me...
Give me police!
I think that it was
a black actor
named Clinton Rosemond
who played this part,
and he looked
a little like my father.
I didn't do it. I didn't do it!
I didn't do it! I didn't do it!
He is terrified
because a young white girl
in this small Southern town
has been raped and murdered,
and her body has been found
upon the premises
of which he is the janitor.
Good morning, Tump.
The role
of the janitor is small,
yet the man's face
bangs in my memory until today.
- I have done nothing.
- Nobody says you have, Tom.
But they might.
The film's
icy brutality both scared me...
What for?
...and strengthened me.
Because Uncle Tom
refuses to take vengeance
in his own hands,
he was not a hero for me.
Heroes, as far as I could see,
where white,
and not merely
because of the movies,
but because of the land
in which I lived,
of which movies
were simply a reflection.
I despised
and feared those heroes
because they did take vengeance
into their own hands.
They thought vengeance
was theirs to take.
And, yes, I understood that:
my countrymen were my enemy.
I suspect that all these stories
that no crime was committed.
We've made a legend
out of a massacre.
Leaving aside
all the physical facts
which one can quote.
Leaving aside rape or murder.
Leaving aside the bloody catalog
of oppression,
which we are, in one way,
too familiar with already,
what this does
to the subjugated
is to destroy
his sense of reality.
This means, in the case
of an American negro,
born in that
glittering republic,
and in the moment you are born,
since you don't know any better,
every stick and stone
and every face is white,
and since you have not yet
seen a mirror,
you suppose that you are too.
It comes as a great shock
around the age of five,
or six, or seven,
to discover that Gary Cooper
killing off the Indians,
when you were
rooting for Gary Cooper,
that the Indians were you.
to discover the country,
which is your birthplace,
and to which you owe
your life and your identity,
has not, in its whole system
of reality,
evolved any place for you.
I know how to do it,
technically.
It is a matter of research
and journeys.
And with you or without you,
I will do it anyway.
I begin in September,
when I go on the road.
"The road" means
my return to the South.
It means briefly, for example,
seeing Myrlie Evers,
and the children.
Those children
who are children no longer.
It means going back to Atlanta,
to Selma, to Birmingham.
It means seeing
Coretta Scott King,
and Martin's children.
I know that Martin's daughter,
whose name I don't remember,
and Malcolm's oldest daughter,
whose name is Attalah
are both in the theatre,
and apparently are friends.
It means seeing Betty Shabazz,
Malcolm's widow,
and the five younger children.
It means exposing myself
as one of the witnesses
to the lives and deaths
of their famous fathers.
And it means much,
much more than that.
"A clod of witnesses,"
as old St. Paul once put it.
I saw Malcolm before I met him.
I was giving a lecture
somewhere in New York.
Malcolm was sitting
in the first row of the hall,
bending forward at such an angle
that his long arms
nearly caressed the ankles
of his long legs,
staring up at me.
I very nearly panicked.
I knew Malcolm only by legend,
and this legend,
since I was a Harlem street boy,
I was sufficiently astute
to distrust.
Malcolm might be the torch
that white people claim he was,
though, in general,
white America's evaluations
of these matters
would be laughable
and even pathetic
did not these evaluations
have such wicked results.
On the other hand,
Malcolm had no reason
to trust me either.
And so I stumbled
through my lecture,
with Malcolm never
taking his eyes from my face.
Don't know why
There's no sun up in the sky
Stormy weather
Since my man and I
ain't together
Keeps rainin' all the time
As a member
of the NAACP,
Medgar was investigating
the murder of a black man,
which had occurred
months before,
had shown me letters
from black people
asking him to do this,
and he had asked me
to come with him.
Raise up!
Get yourself together,
And drive that funky soul
I was terribly frightened,
but perhaps that fieldtrip
will help us define
what I mean by the word
"witness".
I was to discover that the line
which separates a witness
from an actor
is a very thin line indeed.
Nevertheless, the line is real.
I was not, for example,
a Black Muslim,
in the same way,
though for different reasons,
that I never became
a Black Panther.
Because I did not believe that
all white people were devils,
and I did not want young
I was not a member of any
Christian congregation because
I knew that they had not heard
and did not live
by the commandment,
"Love one another
as I love you."
And I was not a member
of the NAACP
because in the North,
where I grew up,
the NAACP was fatally entangled
with black class distinctions,
or illusions of the same,
which repelled
a shoe-shine boy like me.
I did not have to deal with the
criminal state of Mississippi,
hour by hour and day by day,
to say nothing
of night after night.
I did not have to sweat
cold sweat after decisions
involving hundreds
of thousands of lives.
I was not responsible
for raising money,
or deciding how to use it.
I was not responsible
for strategy
controlling prayer-meetings,
marches,
petitions,
voting registration drives.
I saw the Sheriffs,
the Deputies,
the Storm Troopers,
more or less in passing.
I was never in town to stay.
This was sometimes
hard on my morale,
but I had to accept,
as time wore on,
that part of my responsibility,
as a witness,
was to move as largely
and as freely as possible.
To write the story,
and to get it out.
We should all be concerned
with but one goal,
the eradication of crime.
The Federal Bureau of
Investigation is as close to you
as your nearest telephone.
It seeks to be your protector
in all matters
within its jurisdiction.
It belongs to you.
White people
are astounded by Birmingham.
Black people aren't.
White people are endlessly
demanding to be reassured
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"I Am Not Your Negro" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/i_am_not_your_negro_10455>.
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