I Am Not Your Negro Page #5
You should have got
what was coming to you
after spitting
in that guy's face.
Why you...
It is impossible to
accept the premise of the story,
a premise based on the profound
American misunderstanding
of the nature of the hatred
between black and white.
That time is now.
The root of the black man's
hatred is rage,
and he does not so much
hate white men
as simply wants them
out of his way,
and more than that,
out of his children's way.
The root of the white man's
hatred is terror.
I'm gonna kill you.
A bottomless
and nameless terror,
which focuses
on this dread figure,
an entity which lives
only in his mind.
Run!
Come on!
I can't make it,
I can't make it!
When Sidney
jumps off the train,
the white liberal people
downtown
were much relieved and joyful.
But when black people
saw him jump off the train,
they yelled, "Get back
on the train, you fool!"
The black man
jumps off the train
in order to reassure
white people,
to make them know
that they are not hated,
that though they have made
human errors,
they done nothing
for which to be hated.
I'm Chiquita Banana
And I'm here to say
I am the top banana...
In spite of
the fabulous myths
proliferating in this country
concerning the sexuality
of black people,
black men are still used,
in the popular culture,
as though they had
no sexual equipment at all.
Sidney Poitier,
as a black artist, and a man,
is also up against
the infantile,
furtive sexuality
of this country.
Both he and Harry Belafonte,
for example,
are sex symbols,
though no one dares admit that,
still less to use them as any of
the Hollywood he-men are used.
Black people have been robbed
of everything in this country...
I've got something
to say to you, boy.
...and they don't want to be
robbed of their artist.
Black people
particularly disliked
Guess Who's Coming to Dinner,
because they felt that
Sidney was, in effect,
being used against them.
Guess Who's Coming to Dinner
may prove,
in some bizarre way,
to be a milestone,
because it is really quite
impossible to go any further
in that particular direction.
If you ever plan
to motor West...
The next time,
the kissing will have to start.
Well, you've got your ticket?
Here you are.
Thank you.
I am aware
that men do not kiss each other
in American films, nor,
for the most part, in America
nor do the black detective
and the white Sheriff kiss here.
You take care, you hear?
Yeah.
But the obligatory,
fade-out-kiss,
in the classic American film,
did not speak of love,
and still less of sex.
It spoke of reconciliation,
of all things
now becoming possible.
I knew a blond girl
in the village
a long time ago,
and eventually,
we never walked
out of the house together.
She was far safer
walking the streets alone
than when walking with me.
A brutal and humiliating fact
which thoroughly destroyed
whatever relationship
this girl and I
might have been able to achieve.
This happens
all the time in America,
but Americans
have yet to realize
what a sinister fact this is,
and what it says about them.
When we walked out
in the evening, then,
she would leave
ahead of me, alone.
I would give about five minutes,
and then I would walk out alone,
taking another route, and
meet her on the subway platform.
We would not
acknowledge each other.
We would get into
the subway car,
sitting at opposite ends of it,
and walk, separately,
through the streets
of the free and the brave,
to wherever we were going...
a friend's house, or the movies.
All over the country,
families such this
are enjoying new prosperity.
They have new interests,
news standards of living,
a buying power
they've never enjoyed before.
There are good prospects
for practically all types
of goods and services.
All too often though,
they are overlooked prospects.
Since 1940,
in San Francisco alone,
the Negro market
has increased by 89%.
Here are millions of customers
for what you have to sell.
Customers with
15 billion dollars to spend
Someone once said to me
that the people in general
cannot bear very much reality.
He meant by this
that they prefer fantasy
to a truthful recreation
of their experience.
People have quite enough
reality to bear,
by simply getting
through their lives,
raising their children,
dealing with the eternal
conundrums
of birth, taxes, and death.
Negroes are continuously making
progress here in this country.
The progress in many areas
is not as fast as it should be,
but they are making progress,
and we will continue
to make progress.
There's no reason that they, in
a near and foreseeable future,
that a Negro could also be
president of the United States
I remember, for example,
when the ex-Attorney General,
Mr. Robert Kennedy,
said that it was conceivable
that in 40 years in America,
we might have a Negro president.
And that sounded like
a very emancipated statement,
I suppose, to white people.
They were not in Harlem...
...when this statement
was first heard.
And did not hear,
the laughter and the bitterness
and the scorn
with which this statement
was greeted.
From the point of view of the
man in the Harlem barbershop,
Bobby Kennedy
only got here yesterday.
And now he's already
on his way to the Presidency.
We've been here for 400 years
and now he tells us
that maybe in 40 years,
if you're good,
we may let you become president.
It was a dream,
Just a dream I had on my mind
It was a dream,
Just a dream I had on my mind
And when I woke up, baby
Not a thing could I find
I dreamed I was an angel
And had a good time
I dreamed I was satisfying
And nothin' to worry my mind
But it was a dream
Just a dream
I had on my mind
Let me put it this way,
that from a very literal
point of view,
the harbors and the ports
and the railroads
of the country,
the economy,
especially
in the southern states,
could not conceivably be
what it has become
if they had not had,
and do not still have,
indeed, and for so long,
so many generations,
cheap labor.
It is a terrible thing
for an entire people
to surrender to the notion
that one ninth of its population
is beneath them.
And until that moment,
until the moment comes,
when we, the Americans,
we, the American people,
are able to accept the fact
that I have to accept,
for example,
that my ancestors
are both white and black.
That on that continent we are
trying to forge a new identity
for which we need each other,
and that I am not
a ward of America.
I am not an object
of missionary charity,
I am one of the people
who built the country.
Until this moment,
there is scarcely any hope
for the American Dream,
because people who are denied
participation in it,
by their very presence...
...will wreck it.
And if that happens, it is a
very grave moment for the West.
Thank you.
We're here in the studio today
with seven men who have
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"I Am Not Your Negro" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/i_am_not_your_negro_10455>.
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