I Spit on Your Grave Page #6

Synopsis: Jennifer (Sarah Butler), a writer, rents an isolated cabin in the country so she can work on her latest novel. The peace and quiet is soon shattered by a gang of local thugs who rape and torture her, then leave her for dead. But she returns for vengeance, trapping the men one by one. Jennifer inflicts pain on her attackers with a ferocity that surpasses her own ordeal.
Genre: Horror, Thriller
Production: Anchor Bay Films
  2 nominations.
 
IMDB:
6.3
Metacritic:
27
Rotten Tomatoes:
33%
R
Year:
2010
108 min
$92,401
Website
2,647 Views


JOHNNY:

(SEETHING)

You don't think I could have her

anytime I want?

Andy looks away and begins to reel in his line. Stanley

stuffs his face with some crap so he doesn't have to answer.

JOHNNY (CONT'D)

B*tch like that comes up here for

one reason. Sitting in that

window, tits flapping in the wind

for all to see. You know?

MATTHEW:

Nah... She's not like that, Johnny.

Johnny snorts, condescendingly.

JOHNNY:

How do you know, ya f***in' virgin?

Let me tell you something. They're

all like that! F***ing big city

cock-teasing whore is all she is.

He flicks his cigarette and it sizzles out in the water. Then

he gets right up in Matthew's face.

JOHNNY (CONT'D)

You'd have no idea what to do with

a piece of ass like that. But

luckily I'm your friend.

Johnny hands him a beer and pats him on the back firmly.

23 INT. CABIN - NIGHT 23

Jennifer writes away at the dining room table. She's on a

tear. A "writer's zone" where everything she types is gold.

She hits the "return" key hard, as if to punctuate a

particularly good sentence. She picks up some lip gloss and

puts it on.

ISOYG PINK 10/29/09 20.

She leans back to take a break when her eye catches the cell

phone sitting on the table. She picks the phone up, flips it

open - It's still completely dead.

In frustration, she throws the phone across the room. It

hits the couch right next to the duffle bag. She smiles

mischievously to herself.

Jennifer reaches inside and withdraws a sandwich bag filled

with pot and rolling papers. She expertly rolls herself a

joint and lights it up. She closes her eyes. Bliss.

24 EXT. CABIN - NIGHT -- LATER 24

From a distance, the cabin looks like a star twinkling in the

night sky. Trees sway in the breeze, dappling the light.

25 INT. CABIN - NIGHT 25

Jennifer's head is slouched over her desk. She passed out.

Suddenly, A SCRATCHING NOISE at the front door.

CLOSE ON:
Jennifer's eyes flit open as -

Jennifer jumps awake and walks over to check the door,

glancing at the clock as she goes. 4:14 am.

Jennifer gets to the door and listens, Nothing. She tries

to look out... nothing.

She turns to walk back when the scratching returns -

Jennifer takes a few steps back toward the door. Again, the

noise stops.

JENNIFER:

Hello?

Silence. Jennifer rises up on her toes and looks out the

glass window of the front door. The porch is deserted.

Jennifer opens the door slowly.

26 EXT. CABIN - NIGHT 26

Jennifer looks outside but nothing is there. Just a gentle

breeze and the sway of the trees. Satisfied, she walks out

onto the front porch, then down the steps. She hugs herself

and shivers, then she returns inside.

ISOYG PINK 10/29/09 21.

27 INT. CABIN, FRONT DOOR - NIGHT 27

Jennifer shuts the front door and locks it. Then she yanks

on the door, just to make sure.

28 INT. CABIN - NIGHT 28

She walks back in grabbing her glass and bottle when --

29 INT. CABIN - NIGHT 29

The SCRAPING sound again, but this time, from UPSTAIRS.

Jennifer looks up, hoping that she imagined it. But there it

is again. She sets the bottle and glass down on the end table

next to the couch and then grabs a can of MACE from her purse

on the couch.

30 INT. CABIN, STAIRCASE - NIGHT 30

She walks slowly, holding the mace directly in front of her.

Eventually, Jennifer gets to the top of the stairs.

At the far end of the hallway is an open window. A branch

from outside scrapes against the windowsill.

Jennifer lets out a sigh of relief. She closes the window

and heads back downstairs.

31 INT. CABIN, KITCHEN - NIGHT 31

She puts the mace back in her purse, and then picks up her

drink walking to the kitchen when--

BANG! Something smashes into the sliding glass door--

Jennifer SCREAMS dropping the glass. It SHATTERS.

With more than a hint of trepidation, Jennifer heads towards

THE SIDE DOOR.

With all the courage she can muster up, Jennifer unlocks the

door and steps outside.

ISOYG PINK 10/29/09 22.

32 EXT. CABIN, BACK PORCH - NIGHT 32

The side porch light acts as a spotlight, illuminating the

culprit -- a lone bird lies motionless on the ground.

Jennifer bends down and picks up a small branch from the

porch. She gives the bird a small poke... nothing. But her

uneasiness is growing. Suddenly... SLAM!

She jumps and looks to the shed, the door is open again and

swinging. She looks to it thinking, "I shut that already..."

She moves off the porch and toward the shed.

33 EXT. CABIN, SHED - NIGHT 33

Jennifer walks to the shed, it feels longer in the dark. She

looks around to the tree line, could be something out there,

an animal, who knows.

She reaches the shed and shuts the door again. She searches

the ground and sees a large stone.

She picks up the stone and shoves it against the door.

Satisfied, she heads back.

34 INT. CABIN - NIGHT 34

Jennifer immediately goes over to her table where the laptop

is set up. She shuffles some papers around when-

Something on her laptop screen catches her attention. She

leans forward, brow furrowed.

ON LAPTOP SCREEN: A picture of Johnny, Stanley, and Andy

leering into the laptop's camera. Like a nightmarish photo

booth snapshot.

JOHNNY:

Nice shot huh?

Jennifer shrieks and spins around only to find --

Standing there, right inside the front door, is Johnny. He

smiles.

Johnny shrugs calmly and continues milling about the room.

Jennifer spins around, looking for a way out.

Rate this script:3.7 / 3 votes

Adam Rockoff

Adam Rockoff is the screenwriter of Wicked Lake, a film so depraved it caused Ron Jeremy to storm out of the theater in anger. However, his 2010 adaptation of the classic exploitation film, I Spit on Your Grave, received nearly unanimous praise from horror critics. His first book, Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986, a critical examination of the slasher genre, was made into a documentary which premiered on STARZ. When he’s not getting his hands bloody, Rockoff runs the television production company, FlashRock Films. BECOME A FAN more…

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