In Search of Fellini Page #4

Synopsis: A shy small-town Ohio girl who loves movies but dislikes reality, discovers the delightfully bizarre films of Federico Fellini, and sets off on a strange, beautiful journey across Italy to find him.
Director(s): Taron Lexton
Production: AMBI Distribution
  4 wins.
 
IMDB:
6.2
Metacritic:
55
Rotten Tomatoes:
88%
R
Year:
2017
93 min
$10,796
Website
113 Views


This is Lucy.

[speaking in Italian]

[Sylvia] She's from Ohio.

[speaking in Italian]

[chuckles softly] Hi.

Robert.

Guido.

[chuckles]

[Sylvia speaking Italian

on TV]

[dramatic music playing

on television]

There are three things

I like most:

love, love...

and love!

[applause]

Brava.

Oh, it's nothing,

it's nothing.

A memorable performance,

darling,

particularly

by your left breast.

I thought you were beautiful.

Of course you did.

You directed it.

[Robert] Tell me, Guido,

have you ever actually

directed anything

with a plot, hmm?

How about a love story?

Why is European cinema

so obtuse?

Oh, oh! And here's an idea...

clothing!

See, darling, you're clearly

missing the point.

[Robert] Lucy, tell me, what do

you think about Italian cinema?

How would you describe it, hmm?

Hmm?

Oh, I don't know.

That's perfect.

[speaking in Italian]

The beautiful confusion.

[laughs]

There's no lack of

beautiful confusion over here.

You're not supposed

to understand his films.

You're supposed to let them

wash over you like a dream.

Yes, a visionary is

the only true realist.

To overblown,

egotistical films

that make no f***ing sense!

[laughs]

Just to you, maybe.

Time to go. [laughs]

[Robert] Lucy, darling!

It's our song!

[indistinct chattering

and laughter]

[both speaking indistinctly]

[Sylvia] Come on.

[speaking in Italian]

[upbeat music playing

on television]

[Kerri]

What... what's going on?

[Claire] This is so weird.

Did I miss something

in the plot?

- There's no plot.

- There's no plot, right?

Whoo! [laughs]

[applause]

[Guido]

Come here.

["In the Hall of the

Mountain King" playing]

So, tell me.

Do you have a boyfriend?

A husband? No?

Mmm... [kissing]

[laughs]

Make a slutty face for me.

Make a slutty face.

Oh!

No? No?

No?

[laughs]

Okay.

Life is nothing

more than an illusion.

It is a tale told by an idiot,

full of sound and fury,

signifying nothing.

[laughing]

Guido can be such a bear.

Let's drink.

That always helps.

Cheers.

Oh, what's this?

[gasps] Oh, no, no,

please, please...

How cute!

It's little cartoons.

[laughs]

Did you do all these?

They're so adorable!

- They're awful!

- Oh, looks like abstract realism.

Completely derivative.

[Sylvia] Or you could

just say "bad."

[laughter]

Here, Lucy.

[whispers] Draw me.

["In the Hall of the

Mountain King" continues]

[whip cracks]

[whip cracks]

[music stops]

[crickets chirping]

[music box playing]

[distant conversations

and laughter]

[footsteps]

[man speaking in Italian]

I draw you next to the statue,

that is beautiful!

Is that okay?

Uh... I draw you, okay?

[gate creaks]

[whimpers]

[gate creaks]

Okay?

Okay.

Okay.

Um... [speaking in italian]

Thanks.

Um...

Hey.

Hey.

Um... are you...

um, uh...

are you hungry?

Hungry? Eat?

Mm-hmm.

Now?

Yeah.

Um... okay.

Okay.

Okay.

[thunder rumbles]

[rain pattering]

There is bar.

There.

Okay.

[Lucy chuckles softly]

[speaking in Italian]

[speaking in Italian]

Uh... c-cappuccino.

[speaking in Italian]

Can we do three?

[speaking in Italian]

[speaking in Italian]

Two coffee?

This one?

My mama.

She likes three sugars.

Three?

In her coffee, yeah.

Wow.

It's very sweet.

I... I don't like it.

- Sweet. Dolce.

- But...

- Dolce.

- Dolce.

"La Dolce Vita."

You know Fellini?

[chuckles] Yes.

I love Fellini.

I like Fellini.

I want to meet Fellini.

- I love "La Strada."

- "La Strada."

- Gelsomina.

- Gelsomina.

Mm-hmm, Zampano.

He's very...

[laughs] Yes.

You like big man?

[laughs]

No?

[man singing in Italian]

[indistinct conversation]

Mamma mia!

[speaking in Italian]

And most important:

[speaking in Italian]

[speaking in Italian]

[man] My father says,

"Oh, Pietro,

this is stupid."

And I tell him, "F*** off."

And run away crying.

[chuckles]

But I think, this is life.

Um, follow your dreams.

[clears throat]

Thank you.

For showing me.

Oh... pleasure.

You're welcome.

Bye.

- Goodbye.

- Bye.

Hey, um...

Can I show you something?

Yes.

Three... two... one...

Holy sh*t.

Sh*t?

[laughs] Oh my... wow!

Oh, yes.

[clap echoes]

- [gasps]

- You hear?

[echoes] Whoo!

Shh, they might...

they might hear us.

- Yeah!

- [laughs]

[speaking in Italian]

Scream.

No, what if...

we're gonna get in trouble.

[softly] Whoo.

Oh!

What is that?

- Come on. Come on!

- [laughs]

No, I can't.

[speaking in Italian]

Fellini!!

Come on.

Show me.

- No, no. No.

- Show me.

Oh, I think I see someone.

[laughs]

Whoo!

Your lines are beautiful.

And yours?

- You don't wanna see mine.

- Oh, come on!

- They're not... they're not as good.

- Come on. Come on.

- Why is he like...

[gags] - [laughs]

Wow. This is...

[man shouting angrily

in Italian]

[bells tolling]

Fellini!!

Fellini!!

Fellini!! Fellini!!

[man singing in Italian

in distance]

[man singing in Italian

in distance]

[congregation

singing in distance]

[man speaking in Italian

on television]

Who watches this?

Oh, my God, look how short

their skirts are.

[Claire] You can almost see

their balls.

Their balls are coming out

the bottom of their skirts.

Boys, cover up your balls.

[both laugh]

[theme music plays,

music box tinkling]

[Claire] Can you shut that off,

please?

Just trying to remember

what it was like in here.

- When it was my bedroom?

- Yes.

Posters.

- That movie was so wrong.

- "Blue Lagoon"?

It was like light porn.

[Kerri]

You were pretty fun back then.

[Claire]

I was pretty fun, wasn't I?

I'm not so fun anymore.

[glass shatters]

- Sean Cassidy.

- Mmm!

- Mark Hamill.

- [laughs] Mark Hamill.

[Claire] Leif Garrett.

[Kerri] Yes.

[Claire] Who was the other

Hardy Boy?

[Kerri] Parker Stevenson.

The Bay City Rollers.

[Claire]

Woody in the Bay City Rollers.

[Kerri] So hot.

[Claire] So hot.

[Kerri] Is this where

you got knocked up?

- I think so.

- Slut.

- ...than the charcoal.

- You're a pencil person I know that.

I am a pencil person.

The classic...

- Everything has to be at its place.

- Well, I like... Yeah...

and everything

has to be defined.

Your fingers have

to get dirty, come on!

Your fingers don't have

to get dirty.

It's like making love!

Your fingers on the...

- On everything.

- Mm-hmm.

- You have to get messy, come on.

- Very messy.

[stutters]

Charcoal in your bed.

- Charcoal on your floor.

- Yes! You have to touch everything!

- Everything has to touch you!

- Charcoal on your kitchen! Charcoal in your pasta!

Yeah! Charcoal everything!

Why not?

I mean, that's the beauty

of art, come on!

Did you know Fellini

was a cartoonist

before he started

making movies?

- Was he? Really?

- Yeah.

- Wow.

- And he's, like, known for drawing on napkins.

Like, everywhere he is,

he just draws on napkins.

And I know that he prefers

pencils over charcoal.

You love Fellini.

- Yeah.

- Why do you love Fellini? Because he's a big man?

- Powerful man?

- I don't like Fellini that way.

Okay, so you...

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Nancy Cartwright

Nancy Jean Cartwright (born October 25, 1957) is an American actress, voice actress and comedian, known for her long-running role as Bart Simpson on the animated television series The Simpsons. Cartwright also voices other characters for the show, including Nelson Muntz, Ralph Wiggum, Todd Flanders, Kearney and Database. Cartwright was born in Dayton, Ohio. Cartwright moved to Hollywood in 1978 and trained alongside voice actor Daws Butler. Her first professional role was voicing Gloria in the animated series Richie Rich, which she followed with a starring role in the television movie Marian Rose White (1982) and her first feature film, Twilight Zone: The Movie (1983). After continuing to search for acting work, in 1987, Cartwright auditioned for a role in a series of animated shorts about a dysfunctional family that was to appear on The Tracey Ullman Show. Cartwright intended to audition for the role of Lisa Simpson, the middle child; when she arrived at the audition, she found the role of Bart—Lisa's brother—to be more interesting. Matt Groening, the series' creator, allowed her to audition for Bart and offered her the role on the spot. She voiced Bart for three seasons on The Tracey Ullman Show, and in 1989, the shorts were spun off into a half-hour show called The Simpsons. For her subsequent work as Bart, Cartwright received a Primetime Emmy Award for Outstanding Voice-Over Performance in 1992 and an Annie Award for Best Voice Acting in the Field of Animation in 1995. Besides The Simpsons, Cartwright has also voiced numerous other animated characters, including Daffney Gillfin in The Snorks, Rufus in Kim Possible, Mindy in Animaniacs, Pistol in Goof Troop, Margo Sherman in The Critic, Todd Daring in The Replacements, and Charles "Chuckie" Finster, Jr. in Rugrats and All Grown Up! (a role she assumed in 2002, following the retirement of Christine Cavanaugh). In 2000, she published her autobiography, My Life as a 10-Year-Old Boy, and four years later, adapted it into a one-woman play. In 2017, she wrote and produced the film In Search of Fellini. more…

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Submitted on August 05, 2018

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