In the Loop Page #7

Synopsis: In the Loop is a 2009 British satirical black comedy film directed by Armando Iannucci. The film is a spin-off from the BBC Television series The Thick of It and satirizes Anglo-American politics in the 21st century and especially the invasion of Iraq. It was nominated for the 2009 Academy Award for Best Adapted Screenplay. The film stars Peter Capaldi, Tom Hollander, Gina McKee, Chris Addison, David Rasche, and James Gandolfini.
Genre: Comedy
Production: IFC
  Nominated for 1 Oscar. Another 16 wins & 41 nominations.
 
IMDB:
7.5
Metacritic:
83
Rotten Tomatoes:
94%
NOT RATED
Year:
2009
106 min
$2,251,324
3,001 Views


BOB ADRIANO:

Excellent.

LINTON:

And the committee. We need to excise

the reference to the committee. Ah.

Here’s the mention. From you. You did

not mention it was your mention.

BOB ADRIANO:

No sir.

LINTON:

Shall we demention that?

BOB ADRIANO:

Yes sir.

31 INT. STATE DEPARTMENT - DAY 31

Liza is working at her desk, Karen in her office. Chad

comes to Liza’s desk, but keeps peering into Linton’s

office.

CHAD:

Have you got the transcript of

Caulderwood’s ‘transformational

diplomacy’ speech?

LIZA:

No, Linton hasn’t left to play squash

yet. He’s four minutes late, Rainman!

This must play hell with your

Aspergers.

CHAD:

Okay. Does that mean you don’t have

the transcript?

LIZA:

I do have the transcript.

(does some computer stuff)

There, I’ve sent it down to print on

the laser on floor three.

CHAD:

Why didn’t you print it here?

Page 36

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

31 CONTINUED:
31

LIZA:

We have a printer here? Silly me.

Sorry -- my bad, Chad.

Chad looks into Linton’s office. Linton has a squash

racket in his hand and is talking to Bob Adriano. He

looks about to leave.

LIZA (CONT’D)

You not getting your printout?

CHAD:

Sure, I’m getting my printout.

Chad, keeping an eye on Linton, heads for the door.

He’s almost there when Linton starts to leave.

Chad sprints like a lunatic back across the office to

his own desk, picks up a brand-new squash racket in a

brand-new bag, and sprints back to Liza’s desk. Starts

looking at something nonchalantly on the desk.

Linton passes on his way out with his squash stuff.

LINTON:

(re. Chad’s racket)

You play, Chad?

CHAD:

Sorry? Oh, yes sir, matter of fact I

do play.

LIZA:

Really? I never knew that.

LINTON:

How about a game? I like a younger

opponent, it makes me feel like I’m

wearing a hat made of endorphins.

CHAD:

Sure thing sir.

Linton and Chad walk out. Liza calls after Chad.

LIZA:

You’ve still got the price tag on your

squash bag, Chad.

Chad looks at his brand-new bag. The price tag is still

on. He gives Liza the finger. She gives it back.

32 INT. WASHINGTON AIRPORT - DAY 32

SIMON:

There will be a car won’t there?

Page 37

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

32 CONTINUED:
32

TOBY:

Oh God yeah, of course.

They walk slowly looking at the various cabbies and

chauffeurs holding signs.

SIMON:

Did you book a car?

He’s looking panicked - then.

TOBY:

Here we go.

There’s a guy with a sign that says ‘England Government

-Simon Forester’

SIMON:

‘Simon Forester?’

TOBY:

(to the taxi guy)

Hi we’re the Simon Foster party?

The driver takes their bags and they follow him.

SIMON:

It said Forester. What if there is a

Simon Forester?

TOBY:

It’s fine, it’s ours. I mean is there

a Simon Forester in the Government?

The England Government?

33 INT. LIMO - DAY 33

Simon and Toby are heading into Washington. Their car

is accompanied by two police motorcycles.

SIMON:

(re :
the limo)

I almost feel like there should be

hookers. Do you know what I mean?

Really, here, we should have hookers.

TOBY:

(thumbs up, on his mobile)

Hey Gav, I’m in a f***ing motorcade!

DRIVER:

You want girls?

Page 38

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

33 CONTINUED:
33

SIMON:

(terrified of things

getting out of hand)

What? Oh no. God no. No no no no no. I

was just - I was just joking. I don’t

want hookers. I hate hookers. I mean

not in an aggressive way. I’m just not

interested.

(uncomfy beat, then)

But thanks. Thanks very much.

34 EXT. WASHINGTON HOTEL - DAY 34

They get out of the limo, take in the hotel facade. Not

bad. Pretty f***ing good.

TOBY:

(pulling out his mobile)

I'm sending a photo of this to Gav and

those agricultural losers. Remind them

there’s more glamorous things than

trout farms and rabies.

35 INT. WASHINGTON HOTEL - DAY 35

They walk in. Oh. Right. Not so impressive then. Not

crappy. Just very bland and ordinary.

TOBY:

It's like a hangar for businessmen.

36 INT. WASHINGTON HOTEL ROOM 36

Simon and Toby enter hotel room, pay porter, admire

disappointing view from window.

37 INT. STATE DEPARTMENT. KAREN’S OFFICE - DAY 37

Karen, Liza and Linton are among those seated round the

table. Various staffers are standing, including Chad.

And Bob Adriano.

KAREN:

Which brings us on to Any Other

Business.

LINTON:

I actually have another appointment.

KAREN:

‘Appointment?’ You’re playing squash,

not having a CAT scan.

(MORE)

Page 39

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

37 CONTINUED:
37

KAREN (CONT'D)

But, I’ll keep it brief so you can go

play with the boy of your choice.

LINTON:

Don’t cheapen it Karen. It’s a noble

art.

I believe I've flagged everything I

needed to discuss. As I usually do.

KAREN:

(putting her hand over her

mouth, mocking Linton's

gesture from earlier)

Or everything you're prepared to

discuss. I understand you’ve started

up a new committee, what’s it called?

LINTON:

What makes you think that?

KAREN:

It was mentioned in our London

meeting.

LINTON:

You must be mistaken. I've read the

minutes and I’m afraid I’m not aware

of what you’re referring to.

KAREN:

I was there, it's in the minutes.

Liza shows Karen the minutes. Karen realises it’s not

there.

LINTON:

You obviously mis-heard.

KAREN:

I misheard the word ‘committee’?

LINTON:

Karen, I can't vouch for your hearing.

Maybe it was another word. Say...

Khomeini.

KAREN:

You’re sitting on a Khomeni?

LINTON:

There are lots of words. 'Kansas

City'? 'Kitty'?

BOB ADRIANO:

Itty?

LINTON:

'Itty' is not a word, Bob.

Page 40

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

37 CONTINUED:
(2) 37

CHAD:

‘Commissary’?

LINTON:

Very good, Chad.

KAREN:

Okay, why don’t you just recap for me

all the committees you’re on at the

moment?

LINTON:

Sorry, Karen, you appear to be

bleeding from your mouth.

She is. But she doesn’t want to leave the meeting.

LINTON (CONT'D)

I don't mean to be rude Karen but that

is a tad... repulsive.

Karen gets up to go. It’s awkward, she’s boxed in and

has to clamber over the others to get to the door.

LIZA:

Do you want me to come with you?

Liza follows Karen out. Chad takes Liza’s seat.

LINTON:

I don't like to see a woman bleeding

from the mouth.

CHAD:

No.

LINTON:

It makes me think of Country and

Western music. Which I really can't

abide.

CHAD:

(what?)

Yes! Ha ha! Exactly.

Linton sees his chance to take advantage of Karen being

out of the room.

LINTON:

Actually while we're on Any Other

Business I do have a few points I'd

like to resolve.

Page 41

IN THE LOOP SHOOTING SCRIPT @ 11/6/08

38 INT. STATE DEPARTMENT - BATHROOM - DAY 38

Liza is pulling handfuls of tissue. Handing them to

Karen who is dabbing her teeth.

KAREN:

Where are at you at with the

committees?

LIZA:

I got it down to two. The Aims and

Policy Alignment Committee. Here - put

some down your front - you don't want

it to go down your... And the Future

Planning Committee.

KAREN:

Well, it’s not the first one. I set

that one up. Does that really sound

dull to you? I thought that was a good

name.

LIZA:

Right, no, it is a good name.

KAREN:

Okay, find out if it is definitely the

Future Planning Committee.

LIZA:

Okay. Okay. Right, listen, I might go

and do that. You’re not going to shout

at me if I go and do that are you?

KAREN:

I’m not a f***ing monster Liza, okay?

Will you stop implying I’m some kind

of monster. I’m just someone whose

assistant finds it difficult to multi-

task.

39 INT. STATE DEPARTMENT - DAY 39

Liza heads out of the toilets to see Bob Adriano ahead,

quite a long way.

Bob!

LIZA:

Bob Adriano stops and turns.

Liza.

BOB ADRIANO:

Rate this script:5.0 / 3 votes

Jesse Armstrong

Jesse Armstrong is a British comedy writer, best known for the Channel 4 sitcom Peep Show and the BBC political satire The Thick of It. more…

All Jesse Armstrong scripts | Jesse Armstrong Scripts

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Submitted by aviv on February 15, 2017

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    "In the Loop" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/in_the_loop_1032>.

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