In Which We Serve Page #4

Synopsis: This is the story of a British Naval ship, HMS Torrin, from its construction to its sinking in the Mediterranean during action in World War II. The ship's first and only commanding officer is the experienced Captain E.V. Kinross who trains his men not only to be loyal to him but to the country and most importantly, to themselves. They face challenges at sea and also at home. They lose some of their shipmates in action and some of their loved ones in the devastation that is the blitz. Throughout it all, the men of the Torrin serve valiantly and heroically.
Genre: Drama, War
Director(s): Noël Coward, David Lean
Production: MCA Universal Home Video
  Nominated for 2 Oscars. Another 7 wins & 1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
94%
NOT RATED
Year:
1942
115 min
502 Views


- Happy Christmas.

Come on, now. Silence, everybody.

The Lady Mayoress

is about to declare the bazaar open.

Don't let him get you down, Alix.

Ladies and gentlemen,

I'll begin by taking my husband's advice...

- Hooray!

...and wishing you all a very happy Christmas.

I'm sure Elizabeth and June will back me up

when I say I am going to deliver,

on behalf of all wretched naval wives,

a word of warning to Maureen,

who has been unwise enough

to decide to join our ranks.

Hear hear!

Dear Maureen,

we all wish you every possible happiness,

but I think it only fair to tell you in advance

exactly what you are in for.

Shame, shame.

Speaking from bitter experience,

I can only say that the wife of a sailor

is most profoundly to be pitied.

To begin with, her home life,

what there is of it, has no stability whatever.

She can never really settle down.

She moves through a succession

of other people's houses,

flats and furnished rooms.

She finds herself having to grapple

with domestic problems

in Bermuda, Malta or Weymouth.

We will not deal with the question of pay.

That is altogether too painful.

What we will deal with

is the most important disillusionment of all.

- And that is...

- Stop her, somebody. This is rank mutiny.

And that is, that wherever she goes,

there is always in her life

a permanent and undefeated rival.

Her husband's ship.

Whether it be a battleship or a sloop,

a submarine or a destroyer,

it holds first place in his heart.

It comes before wife, home,

children, everything.

Some of us try to fight this

and get badly mauled in the process.

Others, like myself,

resign themselves to the inevitable.

That is what you will have to do,

my poor Maureen.

That is what we all have to do

if we want any peace of mind at all.

Ladies and gentlemen,

I give you my rival.

It's extraordinary

that anyone could be so fond...

...and so proud of their most implacable enemy.

This ship.

God bless this ship, and all who sail in her.

Well... she did her stuff, sir.

Best ship I ever served in, sir.

That goes for me too, sir.

It makes one feel sort of lost, doesn't it?

A very happy and a very efficient ship, sir.

Thank you.

(Snivels)

Wipe your face, Edgecombe.

You don't want oil fuel in your eyes.

Aye aye, sir.

Well... do you know what I'd like now?

Anice hot cup of tea.

I'd like a nice beer myself.

Look out! Here come the bastards back again.

Koob yo u r h oads dow n as ow as yo u ca n

Missed, butterfingers!

Blimey. I spoke too soon.

- Aargh!

- Did it get you badly?

Don't rightly know, sir.

Knife, somebody.

Cut his sleeve carefully.

Hit a mother with a baby in her arms, you would.

Oh, look, boys.

Shot through the heart.

- I always did hate the sight of blood.

- Give us a rag, somebody.

What's your name? What's your name?

What's your name? What's your name?

What's your name? What's your name?

What's your name?

Quite a loving cup, isn't it?

You never know your luck.

I always say travel broadens the mind.

Now then, saucy.

You keep your hands to yourself.

- Want a drop, dear?

- No, thanks.

Come on. It won't hurt you.

I'd rather not, thanks all the same. I don't like it.

Oh, fancy that, now! Ever so sorry, I'm sure.

If she doesn't want it,

she doesn't have to have it.

Who do you think you are, anyway?

Father Flanagan?

Here, play a hymn, there's a dear.

I didn't know we was in Sunday school.

Some people don't know

when they've had enough.

What was that you said?

You heard. You ain't got cloth ears.

Here, miss, you change places with me.

- It's all right, really.

- You'll be more comfortable in the corner.

I'd be ever so much obliged, I'm sure,

if you'd change places with me, too.

My mother always warned me

never to sit next to sailors.

Pity she didn't warn you

about a few other things while she was at it.

Ah, shut up arguing, pal. Here, have a fag.

Life's too short.

# If you were the only

# Girl in the world

# And I was the only boy

# Nothing else would matter in the world today

# We could go on loving...

Comfy?

Yes, thanks.

What's your name?

Freda. Freda Lewis.

Freda? It's a pretty name, isn't it?

- Is it?

- Do you mind if I smoke?

Of course not.

- Have one?

- I don't mind.

These are special, HM ships only.

We get'em in the canteen.

My uncle by marriage is in the Navy.

He's on a destroyer.

Isn't that a coincidence, now? So am I.

There, now.

He's a petty officer.

They call him by a funny name.

We often call petty officers funny names.

- It begins with a B.

- It generally does.

Oh, you are awful!

What's his ship?

I'm not supposed to tell you that, am I?

It's careless talk.

You can tell me.

I'm in the same firm, as you might say.

Well, chief buffer, that's what he's called.

He's on the Torrin.

Well, it's a small world, and no error!

Here, Joey.

Our chief buffer's her uncle by marriage.

Makes you sort of Siamese twins.

This is my friend Joey Mackeridge.

Miss Lewis.

- How do you do?

- Pleased to meet you, I'm sure

What's your name?

- Funny us meeting like that, wasn't it?

- Yes.

- Sort of... unexpected.

- Yes.

That long train, all them people in it,

and I had to pick on that one carriage.

- It's fate, I shouldn't wonder.

- Yeah, I feel that way, too.

- I suppose we ought really to be going now.

- Yeah, I suppose we ought.

Your family will be wondering

what's happened to you.

- Well, I'm wondering that myself.

- How can you?

Does er... Does your aunt let you go out much?

She doesn't mind,

so long as I don't get back too late.

What about tomorrow?

We might go to the Palais de Danse.

- Do you like dancing?

- Yes.

Well, that's a date, then.

6.30, under the clock, Victoria Station.

You don't waste much time, do you?

- I can't afford to. I've only got weekend leave.

- That's not long.

Well, here we are.

Come in and meet my mum and dad.

No, not now. I'd really rather not.

I've got to be getting along.

- And they wouldn't want a stranger butting in.

- You're not a stranger, not any more.

Ah, but to them I would be.

Give me that bag, there's a dear.

Not until you say it's OK about tomorrow night.

- Oh, you are awful!

- 6.30, under the clock, Victoria Station.

All right.

Cross your heart and hope to die?

I cross my heart and hope to die.

- So long, Freda.

- So long, Shorty.

(Clattering)

(Whistles) Mum.

Shorty Blake!

You ought to be ashamed of yourself,

and no mistake.

Your telegram only arrived half an hour ago.

You never said what time you was coming.

I'm here, aren't I? Sound in wind and limb.

You can't grumble.

Oh, you bad boy, you!

May, Sh o rty's h o m o!

Dad! Dad!

Doesn't he look well?

How's the war going, son?

See any submarines?

Hundreds. Sunk 14 last week,

and a couple of cruisers thrown in.

Oh, Mum, he's fibbing, isn't he?

N t h o ast wa r, was n a convoy onco

Put a sock in it, Fred.

We've heard quite enough

about all what you did in the last war.

- Dad?

- Yes, old man?

Where did you first meet Mum?

Rate this script:0.0 / 0 votes

Noël Coward

Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever, Private Lives, Design for Living, Present Laughter and Blithe Spirit, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues), screenplays, poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride" and "I Went to a Marvellous Party". Coward's plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006. more…

All Noël Coward scripts | Noël Coward Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "In Which We Serve" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/in_which_we_serve_10774>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    In Which We Serve

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does the term "beat" refer to in screenwriting?
    A A musical cue
    B The end of a scene
    C A brief pause in dialogue
    D A type of camera shot