Into the Woods Page #4
I WISH...
INT. BAKER’S COTTAGE - DAY
The BAKER is trying to clean up the mess when his WIFE races
downstairs holding his FATHER’S HUNTING JACKET. She hands it
to the BAKER.
WIFE:
Here. Take this...
BAKER:
I’m not wearing that.
WIFE:
Why?
BAKER:
It was my father’s. You heard what she
said. This is all his fault.
The BAKER throws the jacket to the ground.
BAKER (CONT’D)
I want nothing to do with him!
The WIFE sees that BEANS have spilled out of the pocket.
WIFE:
Look!
She picks them up.
WIFE (CONT’D)
Beans. The Witch’s beans! We’ll take
them with us.
BAKER:
(realizing)
We? Wait a minute! You’re not coming.
It’s not safe out there.
The BAKER puts a hunting knife in his belt.
WIFE:
I can help you.
BAKER:
No. I can do this on my own.
BAKER:
WIFE:
THE SPELL IS ON MY HOUSE./ NO, NO, THE SPELL IS ON OUR
ONLY I CAN LIFT THE SPELL,/ HOUSE./ WE MUST LIFT THE
THE SPELL IS ON MY HOUSE. SPELL TOGETHER,/ THE SPELL IS
ON OUR HOUSE.
BAKER (CONT’D)
Now tell me. What am I to return with?
WIFE:
You don’t remember?!
THE COW AS WHITE AS MILK,/ THE CAPE AS
RED AS BLOOD,/ THE HAIR AS YELLOW AS
CORN,/ THE SLIPPER AS PURE AS GOLD.
BAKER:
(memorizing)
THE COW AS WHITE AS MILK,/ THE CAPE AS
RED AS BLOOD,/ THE HAIR AS YELLOW AS
CORN,/ THE SLIPPER AS PURE AS GOLD...
EXT. CINDERELLA’S HOUSE - ENTRY COURTYARD - DAY
As CINDERELLA approaches the gate, an old GROUNDSKEEPER
closes and locks it.
CINDERELLA:
I STILL WISH TO GO TO THE FESTIVAL,/
BUT HOW AM I EVER TO GET TO THE
FESTIVAL?
EXT. THE VILLAGE/CINDERELLA’S HOUSE - DAY
With the cottage behind him, the BAKER appears dressed for
his journey. His WIFE hurries towards him with his satchel
and places it around his neck. He proceeds down the
cobblestone lane, his WIFE walking next to him.
CINDERELLA looks through the bars, watching the CARRIAGE
disappear down the road.
BAKER:
THE COW AS WHITE AS MILK,/ THE CAPE AS
RED AS BLOOD,/ THE HAIR AS YELLOW AS
CORN...
WIFE CINDERELLA:
(prompting him)I KNOW -- I’LL VISIT MOTHER’S
THE SLIPPER...
WILLOW TREE,/ AND TELL HER I
JUST WANT TO GO TO THE KING’S
FESTIVAL...
BAKER (CONT’D)WIFE
THE SLIPPER AS PURE AS THE HAIR!
THE SLIPPER AS PURE AS
GOLD...
EXT. CINDERELLA’S HOUSE/EXT. VILLAGE - DAY - INTERCUT
CINDERELLA has thrown a shawl around herself and is heading
out the back of the house. She places a ladder against the
stone wall and begins to climb. The BAKER and his WIFE leave
the village and begin moving towards the woods.
CINDERELLA/BAKER
INTO THE WOODS, IT’S TIME TO GO,/ IT
MAY BE ALL IN VAIN, YOU (I) KNOW./
INTO THE WOODS-- BUT EVEN SO,/ I HAVE
TO TAKE THE JOURNEY.
WIFE:
INTO THE WOODS/ THE PATH IS STRAIGHT,/
YOU KNOW IT WELL,
BAKER:
BUT WHO CAN TELL--?
WIFE:
(giving him a little
push)
INTO THE WOODS TO LIFT THE SPELL-
EXT. CINDERELLA’S HOUSE - DAY
CINDERELLA climbs over the wall.
CINDERELLA:
INTO THE WOODS TO VISIT MOTHER-
EXT. DIRT ROAD BY JACK’S FARMHOUSE - DAY
JACK’S MOTHER watches from the distance as JACK leads MILKY
WHITE up the path.
JACK’S MOTHER
(calling after him)
INTO THE WOODS TO SELL THE COW-
JACK:
TO GET THE MONEY!-
EXT. CINDERELLA’S HOUSE - OTHER SIDE OF THE WALL - DAY
CINDERELLA drops down from the wall and runs off.
CINDERELLA:
TO GO THE FESTIVAL-
EXT. WOODS - NATURAL ARCHWAY/STREAM - DAY
LRRH enters an archway that frames the entrance into the
woods.
LRRH:
INTO THE WOODS TO GRANDMOTHER’S
HOUSE.../ INTO THE WOODS TO
GRANDMOTHER’S HOUSE...
INTERCUTTING:
THE BAKER entering the same archway; CINDERELLAcrossing a stream; and LRRH weaving her way down a gully.
CINDERELLA/BAKER/LRRH
THE WAY IS CLEAR,/ THE LIGHT IS GOOD./
I HAVE NO FEAR,/ NOR NO ONE SHOULD./
THE WOODS ARE JUST TREES,/ THE TREES
ARE JUST WOOD./ NO NEED TO BE AFRAID
THERE-All
THREE of them stop with sudden trepidation.
BAKER:
THERE’S SOMETHING IN THE GLADE THERE.
The BAKER walks deeper into the woods.
EXT. DIRT ROAD BY JACK’S FARMHOUSE - DAY
The carriage carrying the STEPFAMILY crosses a small country
bridge, then passes JACK’S MOTHER. One of the wheels turns in
a puddle and splashes her with mud.
ALL:
INTO THE WOODS WITHOUT DELAY,/ BUT
CAREFUL NOT TO LOSE THE WAY./ INTO THE
WOODS, WHO KNOWS WHAT MAY/ BE LURKING
ON THE JOURNEY?
EXT. WOODS - NATURAL ARCHWAY - DAY
JACK enters the archway into the woods with his COW.
ALL:
INTO THE WOODS TO GET THE THING/
THAT MAKES IT WORTH THE JOURNEYING.
EXT. WOODS - DAY
VARIOUS ANGLES on each of our CHARACTERS in different
woodland surrounds.
STEPS:
INTO THE WOODS:
TO SEE THE KING-
JACK:
TO SELL THE COW-
BAKER:
TO MAKE THE POTION-
QUICK INTERCUTS between the characters:
ALL:
TO SEE--/ TO SELL--/ TO GET--/ TO
BRING/ TO MAKE--/ TO LIFT--/ TO GO TO
THE FESTIVAL--!
The CAMERA slowly rises through the trees as the vast forest
swallows up our intrepid travellers.
ALL (V.O.)
INTO THE WOODS!/ INTO THE WOODS!/ INTO
THE WOODS,/ THEN OUT OF THE WOODS,/
AND HOME BEFORE DARK!
EXT. CINDERELLA’S MOTHER’S GRAVE - DAY
A large willow tree stands tall.
BAKER (V.O.)
Deep within the woods, Cinderella had
planted a branch at the grave of her
mother. And she visited there so
often, and wept so much, that her
tears watered it until it had become a
magnificent tree.
CINDERELLA kneels in prayer.
CINDERELLA:
I WISH...
She begins to cry.
MUSIC.
In the reflection, CINDERELLA sees the tree slowly twist and
turn taking on the shape of her MOTHER, who looks down upon
her.
C’S MOTHER
What is it that you wish, child?
CINDERELLA looks up to see her MOTHER in the tree.
C’S MOTHER (CONT’D)
DO YOU KNOW WHAT YOU WISH?/ ARE YOU
CERTAIN WHAT YOU WISH/ IS WHAT YOU
WANT?/ IF YOU KNOW WHAT YOU WANT,/
THEN MAKE A WISH--/ ASK THE TREE,/ AND
CINDERELLA closes her eyes and makes her wish.
ANOTHER ANGLE:
The wind now blowing the willow tree, its LEAVES begin to
rain down on CINDERELLA, turning gold and silver as they
swirl around her, transforming her clothes into a beautiful
gown.
CINDERELLA looks down to see that she is now wearing a pair
of shoes literally made of gold leaf. When she looks back up,
the tree has now returned to its former shape.
CINDERELLA:
Thank you, Mother.
She dashes into the woods.
EXT. WOODS - FLOWERED PATH - DAY
LRRH walks along the path.
BAKER (V.O.)
On her path to Granny’s, the little
girl suddenly found herself in a very
unusual part of the wood.
WOLF’S POV
Branches and leaves rush by in a blur. Suddenly, the CAMERA
stops, and in the distance we see LRRH strolling down a path
of exotic flowers as she munches on a treat. We hear HEAVY
BREATHING. The CAMERA continues stalking its prey, moving
closer towards LRRH through the brush.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Into the Woods" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/into_the_woods_107>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In