It Happens Every Spring Page #5

Synopsis: A college professor is working on a long term experiment when a baseball comes through the window destroying all his glassware. The resultant fluid causes the baseball to be repelled by wood. Suddenly he realizes the possibilities and takes a leave of absence to go to St. Louis to pitch in the big leagues where he becomes a star and propels the team to a World Series appearance.
Genre: Comedy, Sci-Fi, Sport
Director(s): Lloyd Bacon
Production: 20th Century Fox Film Corporation
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
100%
APPROVED
Year:
1949
87 min
86 Views


But he has!

Please call the police, and tell them

to stop their search at once.

I cannot overemphasize the urgency of this.

Why that in itself is suspicious.

My associates are rather rough and ready,

and their peculiar skill is a

constant source of astonishment.

Skill at what?

How should I know?

The work is strenuous and exciting,

but the financial rewards are quite fantastic.

Yes, they must be.

Well, isn't that rather unusual

for scientific demonstrations?

It's not unusual.

Whatever he's doing is not legitimate.

I don't know whether I have chosen wisely

in casting my lot with this particular group.

But whether I have or not,

the die is cast.

Oh dear. That does sound rather ominous, doesn't it?

Certainly does.

I'm sure there's some explanation.

Yes, the explanation's very simple.

He's mixed up with some kind of a racket.

Oh, Father, you've no right to assume that.

Well he certainly got his leave of absence

under false pretenses.

I can't forgive him for that.

Now, now wait, Alfred.

I'm sure he'll clear it all up very soon.

He says I won't hear from him for several months.

Well why not?

He says it'll be too risky.

Debbie, darling, I-

I've always liked Vernon,

but your father's perfectly right.

It all sounds very strange and frightening.

Of course it may not be a real diamond, only glass.

Father, of course it's real.

The box is from Mark's.

Well, I'm going into St. Louis tomorrow,

I'll take it in, and I'll-

-No you're not.

-Why not?

Because I don't care if it's glass or not.

I'm going to wear it.

[Crowd noise and bell ringing]

You just about made it.

What were we expected to do?

Get here early and polish the engine?

Tobacco?

No, thank you.

He's getting old. He can't steal anymore.

Yeah, and poor old Bush last week.

The bums knocked him all over the lot.

Yeah? I'm layin' for him. We'll kill him.

Come on, boys. Let's get on the train.

Hello, Debbie?

Debbie, I've just seen Vernon.

He was taking a train for Chicago.

He was with a lot of men.

Oh, they were very tough-looking, all of them.

They looked like, well, you know-

like gangsters.

Oh, Mother. Gangsters?

How do you know?

Know?

You should've heard what they said!

Oh, you must be wrong, Mother.

It may have looked like him,

but I know it couldn't be Vernon.

[Indistinct chatter]

You're out!

[Crowd cheers]

Kelly's bearing down.

Every pitch counts now.

Last half of the ninth. One out.

One more out is all Kelly needs

to reach the heights.

I won't tell you what those heights are.

That'll jinx him.

You know the ol' baseball superstition.

Nobody ever mentions what Kelly is trying to do.

But the score is one to nothing for St. Louis.

Slugging Sammy Lee is up.

The tension among the crowd is terrific.

They're going wild.

Here comes the pitch.

Strike one!

[Crowd cheers]

Strike one is called.

A few weeks ago, Kelly was unknown,

but tonight he's trying for every pitcher's dream.

But Lee means business.

A hit here could break up this ballgame.

He's not giving away any presents,

and neither is Kelly.

Strike two. This is it.

One more like that is all Kelly needs.

[Whoop]

You're out.

He's done it!

Kelly's done it!

He's pitched a no-hit, no-run game.

Come on, sweetheart. Let's celebrate.

Well, I'm kinda tired, Monk.

And my arm's pretty sore.

Ah, forget it, kid.

This is our big night.

Jimmy says we can have a glass of beer.

Alright.

Here he comes.

Hey, Kelly.

Howdy, Kelly!

Wait, whoa.

No, no, please.

Who does he think he is?

Wait, wait, wait.

Now don't get him wrong.

Kelly's a great guy.

He's just tired.

He was a G.I., see? He had it rough,

and them flash bulbs got him upset, that's all.

He'll talk to you. Wait.

Kelly-

You gotta talk to those guys.

Square yourself.

They can ruin ya.

Exactly, one recognizable

picture in the paper, and I'm-

Look, kid- I'll tell 'em no pictures, see?

But ya gotta talk to 'em.

All right.

Come on in, boys. Kelly's waitin'.

But no flash bulbs, see. No pictures.

Where did Dolan find you, Kelly?

What's your hometown, Kelly?

Where'd you pitch last year?

Gentlemen, gentlemen. Please, one at a time.

Is it true that you're an ex-G.I., Kelly?

Yeah, what about it?

Yes, yes. I was in the service.

As a matter of fact, it was there that I

developed my ability to pitch.

I was stationed on a small island

off in the corner of the Pacific,

and the Army supplied our outfit

with all recreational equipment,

mostly baseball gear.

As a matter of fact,

they sent enough for two full teams,

although there were only ten of us on the island,

and hardly enough flat ground

to put three shacks on.

So, out of sheer desperation and boredom,

I spent months pitching to another lad

on a narrow strip of beach.

And of course you know if you spend that much time

doing anything you're bound

to become quite skillful at it.

What about before the war?

Yeah.

Before the war.

Well, before the war, you see,

my life was extremely colorless and dull.

And as a matter of fact,

I'm really very tired tonight,

gentlemen, so, if you'll excuse me

I'll say goodnight-

Yeah, you boys got your story.

Come on, now. Let's go.

Great game, Kelly.

Hey, that sure was some yarn

you handed them, sweetheart.

I sure gotta give it to ya.

Thanks.

Strangely enough, it happens to be true.

Hey, Monk. You're wanted on telephone.

Long distance.

That's Mabel.

[Crackling noise]

[Crackling]

[Crackling]

How's the arm, kid?

Well, it's still pretty sore, Monk.

I told you not to walk around with

your arm bare like that after I rubbed it.

You gotta keep it warm.

I'm gonna shave!

You're gonna put a sweater on right now.

I don't own one.

Then you'll wear mine, see?

Here, put it on.

Go on. Get into it.

You know, you're pitching today,

you silly cluck.

Yes, I know.

If I don't suffocate first.

How you expect me to shave with a

turtleneck sweater, I don't know.

Hey, today's the second.

I forgot.

I've gotta go downtown.

-We'll stop on the way to the field.

-No.

This is something personal.

I'll see you down at the field.

Hey, wait a minute, Foo-man-choo.

[Phone rings]

Yes, Mabel.

Yes, Mabel.

Here's your receipt for the balance.

Did the lady like the ring?

Oh, I don't know. I hope so.

Would you care to look at some wedding rings?

No, thank you.

Not 'til the end of the season.

Debbie!

Vernon.

Look at you.

Well, I must apologize for my appearance.

What are you doing inside there?

-Well, if you must know, I-

-No, no. Don't tell me.

I know.

I read about Chicago, Vern.

You did?

You're not going to try the same thing here.

You can't right on Locust.

They've got guards and police.

Debbie, what are you talking about?

Oh, don't pretend you're so innocent.

After all, I'm not a child.

Hey, have you seen Kelly?

Kelly who?

Not Kelly Who.

King Kelly the pitcher.

[Crackling]

'Scuse me, boss.

I needs a drink.

You can't expect me to keep on worrying about you.

Not knowing where you are or what you're doing.

Rate this script:0.0 / 0 votes

Valentine Davies

Valentine Loewi Davies (August 25, 1905 – July 23, 1961) was an American film and television writer, producer, and director. His film credits included Miracle on 34th Street (1947), Chicken Every Sunday (1949), It Happens Every Spring (1949), The Bridges at Toko-Ri (1954), and The Benny Goodman Story (1955). He was nominated for the 1954 Academy Award for Best Original Screenplay for The Glenn Miller Story. Davies was born in New York City, served in the Coast Guard, and graduated from the University of Michigan where he developed his writing skill with a column in the Michigan Daily and honed his skills further as a graduate student at Yale Drama School. He walked away from his family's successful real estate business in New York and moved to Hollywood to become a screenwriter. He wrote a number of Broadway plays and was president of the Screen Writers Guild and general chairman of the Academy Awards program. He wrote the story for the 1947 film Miracle on 34th Street, which was given screen treatment by the director, George Seaton. Davies also did a novelization of the story, which was published as a novella by Harcourt Brace & Company in conjunction with the film release. Miracle on 34th Street earned him an Academy Award for Best Story. From 1949-50, he served as President of the Screen Writers Guild. He died in 1961 at his home in Malibu, California when he was fifty-five years old. His secretary at the time of his death, Marian Saphro, recalled many years later that her boss died in the midst of a heavy laugh. The Valentine Davies Award was established in 1962, the year following his death, by the Writers Guild of America, West, in his honor. It has been awarded annually, excepting the years 2006, 2010, and 2015. more…

All Valentine Davies scripts | Valentine Davies Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "It Happens Every Spring" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/it_happens_every_spring_11032>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "subtext" in screenwriting?
    A The underlying meaning behind the dialogue
    B The background music
    C The literal meaning of the dialogue
    D The visual elements of the scene