Jennifer Falls
- Year:
- 2014
- 30 min
- 373 Views
ACT ONE:
SCENE A:
FADE IN:
INT. CEO’S OFFICE - BLAIR CAPITAL - MORNING
DON HIRSH, (50) AN EMPTY SUIT, ALL TAN, TEETH, AND A
HAIRPIECE, CONFERS WITH CLAY (35) HIS UNDERLING.
DON:
She’s going to yell.
CLAY:
We have to let her go, Don. Half of
Jennifer’s clients won’t work with her.
DON:
I hate it when she yells.
JENNIFER DANTE, (40S) ENTERS. SHE HAS A LOT OF STRENGTHS.
SHE’S BEAUTIFUL, SMART, SUCCESSFUL--BUT ONE WEAKNESS: SHE
HAS A LITTLE BIT OF A SICILIAN TEMPER. WHICH CAN BE CHARMING
AND AMUSING. AS LONG AS IT’S NOT DIRECTED AT YOU.
JENNIFER:
You wanted to see me, Don?
DON:
There she is! You look fantastic!
JENNIFER:
Thanks. I’m having a good day.
DON:
Well, it’s early.
JENNIFER:
What?
"Epidode Title" 2. 2.
DON:
Jennifer, I respect you too much to
pussyfoot around so I’m just going to
say it straight out. Clay?
CLAY:
We’re letting you go.
DON:
That was hard for me.
JENNIFER:
I don’t understand. Why?
CLAY:
You have anger issues. Frankly, it’s
something that’s followed you your whole
career.
JENNIFER:
I don’t have anger issues! Who says I
have anger issues!
DON:
(TO CLAY) She’s yelling.
JENNIFER:
(COMPOSING HERSELF) Okay, I’ve been told,
in the past, that I sometimes speak my
mind too freely. But I’ve been working
on that and I really have a handle on it.
CLAY:
"Epidode Title" 3. 3.
JENNIFER:
He is a dick!
CLAY:
Ted Dawson at Litwel complained about
your attitude.
JENNIFER:
Yeah, my attitude is I don’t do business
meetings in Ted Dawson’s hotel room.
CLAY:
Carter Sims at Dynaflow won’t deal with
you because you treat him like an idiot.
JENNIFER:
Tell him not to act like one. Are you
guys serious?
CLAY:
The point is, you intimidate-JENNIFER
Men?
DON:
You’re a good investment banker,
Jennifer but you have a personality
problem. You’re aggressive, you’re
cocky, you take no prisoners-
JENNIFER:
All qualities that get male VP’s
promotions.
"Epidode Title" 4.
DON:
And you say stuff like that. I’m
sorry but we have to let you go.
JENNIFER:
Unbelievable.
DON:
Hey, take the rest of the day off. Go
to the zoo. They’ve got these new
baby pandas that will melt your heart.
CLAY:
(LEANS OVER TO DON) You’re doing a
great job.
DON:
Thank you, Clay.
JENNIFER:
I made so much money for this company.
DON:
And I think I speak for all of us when
I say how much we appreciate that.
CLAY:
You speak for me, Don.
A WOMAN AND A SECURITY GUARD ENTER.
DON:
Come on in, Guys. Jennifer, you know
Connie from HR and, of course, Larry from
security.
(MORE)
"Epidode Title" 5.
DON (CONT'D)
(TRYING TO BE FUNNY) They’re here to make
sure you don’t shoot the place up. Right
guys? But seriously, you should go now.
CONNIE AND LARRY START TO WALK JENNIFER OUT.
CONNIE:
Sorry, Jennifer. This is hard on all
of us.
JENNIFER:
Little harder on me, Connie.
CONNIE:
You’re probably right.
DON:
(TO JENNIFER, AS SHE GOES) I know it
hurts now but you’re going to learn from
this. You’ll thank me someday. (NOT
SOTTO ENOUGH) Gonna miss that ass.
JENNIFER’S HAD ENOUGH. SHE TURNS AND WALKS BACK IN.
JENNIFER:
Okay, if you’re going to fire me for my
“anger issues” I might as well get my
money’s worth. No one give’s a rat’s ass
about what you shot at Pebble Beach or
anywhere ever! The assistants are all
creeped out by your rape-y back rubs. And
that thing on your head isn’t fooling
anyone. It looks like road kill!
"Epidode Title" 6. 6.
DON:
What? Clay?
CLAY SHAKES HIS HEAD BUT DON’S STILL RATTLED.
JENNIFER:
Sorry. I know it hurts now, but you’ll
thank me someday.
CUT TO:
"Epidode Title" 7. 7.
SCENE B:
EXT. MAGGIE’S HOUSE - CHATSWORTH - DAY
JENNIFER, ONE HER CELL PHONE AND HER DAUGHTER GRETCHEN (16,
ENTITLED BUT REACHABLE) UNLOAD BOXES FROM A SMALL U-HAUL VAN.
JENNIFER:
(ON CELL) Mom... Mom... I don’t want
a party.
GRETCHEN:
I don’t want to live at Grandma’s. How
can we be broke? You made so much money.
JENNIFER:
(TO GRETCHEN) We spent so much more.
Remember all those Christmases in
Aspen and summers in Tuscany? So does
the bank. (ON PHONE) Mom, you’re not
listening.
GRETCHEN:
So we have nothing?
JENNIFER:
No, no. We still have mountains of debt.
(ON CELL) Mom, this is just temporary.
I don’t want you to make a fuss.
THEY ENTER THE HOUSE, CARRYING BOXES.
RESET TO:
INT. MAGGIE’S HOUSE - CONTINUOUS
THERE’S A “WELCOME HOME” BANNER OVER THE MANTLE AND A ROOM
FULL OF PEOPLE. JENNIFER’S MOTHER, MAGGIE (60S, NARCISSIST,
BOUNDARY ISSUES), GREETS THEM WITH OPEN ARMS, BEAMING.
"Epidode Title" 8. 8.
MAGGIE:
You’re back!
JENNIFER:
I thought we agreed, no party.
MAGGIE:
It’s just close family and friends.
Very low key.
JENNIFER:
Is that a mariachi band?
WE HEAR MARIACHI MUSIC DRIFT IN FROM OUTSIDE.
MAGGIE:
Yes! Aren’t they wonderful? This close
to Cinco de Mayo I was so lucky to get
them.
JENNIFER LOOKS TO HER DAUGHTER.
GRETCHEN:
You’re on your own.
SHE PUTS HER IPHONE EARBUDS IN AND PLOPS DOWN IN A CHAIR.
THE MARIACHI MUSIC GETS LOUDER THROUGH THE FOLLOWING.
JENNIFER:
Coward. (THEN) Mom, I so appreciate
you taking us in but this is not
really a party day for me. I can’t
find a job, I’m upside down on my
house, I burned through all my savings
and--Seriously, if they don’t stop
playing La Cucaracha they won’t live
to see Seis de Mayo.
"Epidode Title" 9. 9.
MAGGIE:
I understand, sweetie. I’ll have them
play La Bamba.
MAGGIE CROSSES OFF.
JENNIFER:
Mom, no. That’s not the--(BUT SHE’S
GONE) Aaaaand, I’m home.
JENNIFER AD LIBS “THANKS FOR COMING” AND “NICE TO SEE YOU” AS
SHE MAKES HER WAY THROUGH THE GUESTS. SHE STARTS TO EXIT
TOWARDS THE HALL BUT RUNS INTO HER SISTER-IN LAW, STEPHANIE
(23, BEAUTIFUL, SHALLOW, PASSIVE/AGGRESSIVE AND OPINIONATED).
STEPHANIE:
(WAY TOO CONCERNED) Jennifer.
(WHISPERS) How’s your anger?
JENNIFER:
(WHISPERS BACK) Great, Stephanie.
How’s your passive aggression?
STEPHANIE:
What? (THEN) You’re so funny.
JENNIFER:
Where’s Wayne?
STEPHANIE:
Who knows? You know your brother. We
were both sick about what happened to
you. You lost everything?
JENNIFER:
Yep.
STEPHANIE:
Your beautiful house in Santa Monica?
"Epidode Title" 10. 10.
JENNIFER:
Yep.
STEPHANIE:
JENNIFER:
Yep.
STEPHANIE:
Your incredible-
JENNIFER:
You know “everything” pretty much
covers it, Stephanie.
STEPHANIE:
I admire your courage.
JENNIFER:
It’s mostly Xanex. Excuse me. I have
to put this stuff in my room.
STEPHANIE:
SHOULDERS) You are not a failure,
Jennifer Doyle.
JENNIFER:
(BRIGHTLY) Bite my ass, Stephanie.
STEPHANIE:
You’re hilarious.
CUT TO:
"Epidode Title" 11. 11.
SCENE C:
INT. JENNIFER’S ROOM - MOMENTS LATER
JENNIFER ENTERS. THE ROOM LOOKS JUST THE WAY IT DID THE DAY
SHE LEFT. HER BROTHER WAYNE (40S, BOYISH, BASICALLY GOODNATURED BUT MALLEABLE) IS SITTING ON HER BED, DRINKING A BEERAND WATCHING A FOOTBALL GAME ON JENNIFER’S OLD TV.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Jennifer Falls" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/jennifer_falls_20>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In