Jism 2 Page #5

Synopsis: Izna, a porn star, is tasked by an Indian Intelligence Agency to seduce her ex-boyfriend Kabir, a dreaded assassin, in order to steal vital information relating to his sleeper cell contacts.
Genre: Drama, Thriller
Director(s): Pooja Bhatt
  1 win & 2 nominations.
 
IMDB:
3.0
Year:
2012
130 min
352 Views


Bye.

446

00:
46:48,819 -- 00:46:49,877

I miss you.

447

00:
48:56,213 -- 00:48:58,408

What happened? -

He came till the door.

448

00:
48:59,316 -- 00:49:02,046

Then he received

a call and he left.

449

00:
49:20,404 -- 00:49:21,837

Which one? - Second.

450

00:
49:24,375 -- 00:49:25,706

Listen, listen, listen.

451

00:
49:26,377 -- 00:49:28,607

Cook the food in oil, don't

soak the food in it.

452

00:
49:36,587 -- 00:49:37,519

Yes, Ayaan.

453

00:
49:37,655 -- 00:49:39,714

Sir, Izna's first try

was unsuccessful.

454

00:
49:40,224 -- 00:49:41,691

Wonder where he is now.

455

00:
49:45,396 -- 00:49:46,522

Back off.

456

00:
49:48,832 -- 00:49:50,732

Sir, sir.

457

00:
49:53,170 -- 00:49:54,535

Cake of.

- Yes, sir.

458

00:
50:02,146 -- 00:50:02,840

Sir.

459

00:
50:05,349 -- 00:50:06,839

Sir, are you okay. Sir.

460

00:
50:07,685 -- 00:50:09,277

Sir, answer me please.

461

00:
50:09,787 -- 00:50:10,719

Sir!

462

00:
50:11,522 -- 00:50:12,750

Sir what's matter?

463

00:
50:13,257 -- 00:50:14,155

Sir.

464

00:
50:15,125 -- 00:50:15,819

Sir.

465

00:
50:16,293 -- 00:50:17,692

You scoundrels will never learn.

466

00:
50:18,128 -- 00:50:19,254

You think I am a kindergarten kid...

467

00:
50:19,363 -- 00:50:20,591

...who you can do away with.

468

00:
50:20,864 -- 00:50:23,355

I'll find each one and kill you...

469

00:
50:29,540 -- 00:50:30,802

But, sir...

- I'll mail.

470

00:
50:30,874 -- 00:50:32,341

We've no other way.

471

00:
50:32,509 -- 00:50:34,238

Sir, please listen to me.

472

00:
50:34,478 -- 00:50:35,376

Here she is.

473

00:
50:41,585 -- 00:50:42,483

Come.

474

00:
50:47,157 -- 00:50:48,749

This mission is off.

475

00:
50:51,195 -- 00:50:52,492

Kabir attacked me.

476

00:
50:53,731 -- 00:50:55,164

Three of my men were killed.

477

00:
50:55,766 -- 00:50:57,290

Luckily I survived.

478

00:
50:58,369 -- 00:51:00,530

It's... getting too dangerous.

479

00:
51:01,438 -- 00:51:03,133

We cannot risk her life anymore

480

00:
51:03,540 -- 00:51:07,533

We have to get him,

sir. We cannot turn back now.

481

00:
51:08,312 -- 00:51:10,143

He's killed our colleagues, sir.

482

00:
51:10,581 -- 00:51:12,572

No need to risk her life, sir.

483

00:
51:12,683 -- 00:51:14,150

Just give the

orders, I'll go kill him.

484

00:
51:14,218 -- 00:51:15,480

Have you lost it?

485

00:
51:16,553 -- 00:51:19,716

Your mission is

to obtain that data.

486

00:
51:20,591 -- 00:51:23,116

Not to avenge your dead comrades.

487

00:
51:23,861 -- 00:51:25,328

I understand, Izna.

488

00:
51:25,429 -- 00:51:29,263

But it's not that easy to

get that data here.

489

00:
51:29,600 -- 00:51:31,124

It isn't impossible either.

490

00:
51:31,602 -- 00:51:34,730

Because now he'll come to me.

491

00:
51:35,205 -- 00:51:36,729

Outside his house.

492

00:
51:37,875 -- 00:51:40,366

You will go in his house, not me.

493

00:
51:41,211 -- 00:51:43,145

You will get that data, not me.

494

00:
51:43,213 -- 00:51:44,840

He slammed the door on your face.

495

00:
51:45,749 -- 00:51:48,183

Remember. He came till

the house and went back.

496

00:
51:49,386 -- 00:51:50,876

And you think you'll call him...

497

00:
51:51,155 -- 00:51:53,749

...and he'll come

running into your arms.

498

00:
51:54,391 -- 00:51:56,325

He'll fall for it so easily.

499

00:
51:56,560 -- 00:51:58,289

He's already taken the bait, Ayaan.

500

00:
52:00,164 -- 00:52:04,362

When he was at the house, the

way he looked at me.

501

00:
52:06,370 -- 00:52:09,134

He cannot stay away from me.

502

00:
52:10,374 -- 00:52:12,308

I might have failed the first time.

503

00:
52:13,243 -- 00:52:15,268

But I won't fail again.

504

00:
52:15,579 -- 00:52:17,206

And that's a promise.

505

00:
52:20,184 -- 00:52:21,242

She's right.

506

00:
52:22,119 -- 00:52:24,349

That animal once

dwelled in her heart.

507

00:
52:25,122 -- 00:52:26,646

She knows him better

than anyone else.

508

00:
52:28,358 -- 00:52:29,484

You can do anything you want.

509

00:
52:29,860 -- 00:52:31,418

We're with you. - But, sir...

510

00:
52:32,396 -- 00:52:33,624

That's an order.

511

00:
52:42,372 -- 00:52:44,135

The information is correct.

512

00:
52:44,341 -- 00:52:46,172

Your neighbor is Karan Rajput.

513

00:
52:46,477 -- 00:52:48,911

PR representative at Devi Hotels.

514

00:
52:49,446 -- 00:52:51,414

His fianc is with him. Izna.

515

00:
52:51,682 -- 00:52:52,876

They are clean.

516

00:
53:19,810 -- 00:53:21,675

'Kabir, I've forgiven you.'

517

00:
53:22,579 -- 00:53:25,104

'But I couldn't stay away from

you as hard as I tried.'

518

00:
53:26,183 -- 00:53:28,879

'And I know your condition

is just like mine.'

519

00:
53:30,220 -- 00:53:32,120

'We can lie to each other... '

520

00:
53:33,123 -- 00:53:37,116

'... but what about

this body that never lies.'

521

00:
53:38,395 -- 00:53:40,829

'So stop pretending and... '

522

00:
53:41,298 -- 00:53:44,392

'... meet me in

jungle near the highway.'

523

00:
53:45,202 -- 00:53:48,603

'If you don't come today, then

you won't see me again.'

524

00:
53:49,239 -- 00:53:50,171

'Izna.'

525

00:
54:09,092 -- 00:54:10,855

Ayaan. - He's left.

526

00:
54:12,596 -- 00:54:14,496

Keep him busy as long as you can.

527

00:
54:16,433 -- 00:54:18,697

Call me when he leaves. - I will.

528

00:
54:20,470 -- 00:54:22,199

Izna. - Yes.

529

00:
54:28,412 -- 00:54:29,344

Nothing.

530

00:
56:44,715 -- 00:56:46,342

I am your culprit.

531

00:
56:48,618 -- 00:56:49,778

I am a coward.

532

00:
56:53,323 -- 00:56:54,722

Love was calling me...

533

00:
56:56,460 -- 00:56:57,620

...and I was trying to avoid it.

534

00:
57:03,800 -- 00:57:05,529

Why do we lose things...

535

00:
57:05,635 -- 00:57:09,799

...which we later realize how

important it really was for us.

536

00:
57:13,310 -- 00:57:16,302

But I still feel

like taking you in my arms.

537

00:
57:18,115 -- 00:57:19,343

Never let you go.

538

00:
57:22,085 -- 00:57:23,382

But what can I do?

539

00:
57:25,522 -- 00:57:29,356

There are other problems in

life other than love.

540

00:
57:33,797 -- 00:57:37,096

You don't know, Izna.

541

00:
57:37,501 -- 00:57:39,401

But I'm neck deep

in the world of crime.

542

00:
57:41,338 -- 00:57:42,737

You cannot save me.

543

00:
57:44,708 -- 00:57:46,232

Nor can I leave it.

544

00:
57:49,846 -- 00:57:53,612

I was helpless to leave

you uninformed.

545

00:
57:57,387 -- 00:57:59,548

Right now my heart says...

546

00:
58:00,357 -- 00:58:02,621

...that you should leave that

man and this world...

547

00:
58:03,360 -- 00:58:04,486

...and come to me.

548

00:
58:06,596 -- 00:58:08,791

But... I won't say it.

549

00:
58:11,168 -- 00:58:12,726

I don't have the right...

550

00:
58:13,570 -- 00:58:17,267

...to trouble you

or your poor fianc.

551

00:
58:26,516 -- 00:58:29,576

We had to meet one last time,

it was certain.

552

00:
58:32,589 -- 00:58:35,683

I want to leave you in your world.

553

00:
58:37,127 -- 00:58:44,158

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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