Jism 2 Page #6

Synopsis: Izna, a porn star, is tasked by an Indian Intelligence Agency to seduce her ex-boyfriend Kabir, a dreaded assassin, in order to steal vital information relating to his sleeper cell contacts.
Genre: Drama, Thriller
Director(s): Pooja Bhatt
  1 win & 2 nominations.
 
IMDB:
3.0
Year:
2012
130 min
352 Views


Where there's love, peace,

and my absence.

554

00:
58:45,802 -- 00:58:47,497

No, no.

555

00:
58:49,840 -- 00:58:51,307

I cannot do this.

556

00:
58:54,177 -- 00:58:55,769

I can't stop loving you.

557

00:
58:59,516 -- 00:59:01,245

I cannot marry anyone else.

558

00:
59:06,456 -- 00:59:08,481

I can leave everything for you.

559

00:
59:10,660 -- 00:59:13,254

I want your love once again.

560

00:
59:14,831 -- 00:59:15,763

Please.

561

00:
59:16,766 -- 00:59:17,790

Please.

562

00:
59:19,336 -- 00:59:21,361

Don't let me go.

563

00:
59:23,773 -- 00:59:25,138

Stop me, Kabir.

564

00:
59:26,343 -- 00:59:27,241

I love you.

565

00:
59:28,078 -- 00:59:29,067

I love you.

566

00:
59:29,145 -- 00:59:30,772

Please don't leave me.

567

00:
59:31,514 -- 00:59:32,446

Please.

568

01:
02:12,575 -- 01:02:14,099

Izna!

569

01:
02:27,116 -- 01:02:28,879

I told you to keep him busy.

570

01:
02:30,653 -- 01:02:32,086

I could've died.

571

01:
02:33,022 -- 01:02:34,250

Isn't that what you wanted?

572

01:
02:35,758 -- 01:02:36,986

It was fake data.

573

01:
02:37,626 -- 01:02:39,116

The real data is stashed

away somewhere else.

574

01:
02:41,363 -- 01:02:42,921

You will have to find that data...

575

01:
02:43,032 -- 01:02:44,294

...before he grows suspicious.

576

01:
02:45,401 -- 01:02:46,891

Let's meet for strategizing.

577

01:
02:55,678 -- 01:02:56,736

What's wrong with you?

578

01:
02:59,782 -- 01:03:02,717

Kabir. What's wrong with you?

579

01:
03:12,161 -- 01:03:16,860

Your would-be husband... where

did you meet him?

580

01:
03:18,133 -- 01:03:19,100

In Delhi.

581

01:
03:19,735 -- 01:03:20,929

Four years ago.

582

01:
03:21,637 -- 01:03:24,606

In a theater. Why?

583

01:
03:29,111 -- 01:03:30,237

You're lying.

584

01:
03:32,247 -- 01:03:34,010

You've by-hearted all the answers.

585

01:
03:34,984 -- 01:03:36,076

What do you mean?

586

01:
03:36,385 -- 01:03:38,353

They sent you to me, didn't they?

587

01:
03:38,687 -- 01:03:40,052

Who? What's this nonsense?

588

01:
03:40,222 -- 01:03:42,383

Don't pretend.

- I am not pretending.

589

01:
03:44,126 -- 01:03:45,286

Yes, you are.

590

01:
03:46,161 -- 01:03:47,992

Your lover is a intelligent agent...

591

01:
03:48,097 -- 01:03:50,156

...who is pretending to be your fiance

592

01:
03:50,866 -- 01:03:54,666

Yes or no?

- No! He's my fiancee.

593

01:
03:55,270 -- 01:03:56,760

His name is Karan.

594

01:
03:57,006 -- 01:03:58,701

He's the representative of a hotel.

595

01:
03:58,807 -- 01:04:00,775

He's not an intelligence officer.

596

01:
04:02,878 -- 01:04:03,902

10 seconds.

597

01:
04:04,813 -- 01:04:06,804

10 seconds is all you

have to speak the truth.

598

01:
04:07,316 -- 01:04:12,083

If you don't, then I'll

end this story right here.

599

01:
04:12,588 -- 01:04:14,112

Kabir, what is this madness?

- One.

600

01:
04:14,957 -- 01:04:15,889

What's wrong with you?

601

01:
04:15,991 -- 01:04:16,685

Two?

602

01:
04:16,759 -- 01:04:17,783

You shouldn't think like that?

603

01:
04:17,893 -- 01:04:19,360

Three.

- Kabir don't.

604

01:
04:19,695 -- 01:04:21,162

Four.

- Think about it again...

605

01:
04:21,263 -- 01:04:22,753

Five.

606

01:
04:22,931 -- 01:04:25,058

Six.

- You will ruin both of us.

607

01:
04:25,167 -- 01:04:26,828

Seven.

- Kabir, don't.

608

01:
04:26,902 -- 01:04:27,800

Eight.

609

01:
04:28,137 -- 01:04:29,161

Nine.

- No.

610

01:
04:29,838 -- 01:04:30,327

No!

611

01:
04:30,606 -- 01:04:31,334

Ten!

612

01:
04:33,609 -- 01:04:34,337

I am sorry.

613

01:
04:34,943 -- 01:04:36,001

I am sorry.

614

01:
04:39,314 -- 01:04:42,647

I didn't have a choice.

615

01:
04:44,887 -- 01:04:48,323

Like you said,

you're only made for me.

616

01:
04:49,725 -- 01:04:51,215

You cannot marry anyone else.

617

01:
04:54,329 -- 01:04:55,318

Leave him.

618

01:
04:56,965 -- 01:05:00,059

Please. Don't go back to him.

619

01:
05:02,204 -- 01:05:03,193

Leave him.

620

01:
05:05,140 -- 01:05:06,835

And I'll leave everything for you.

621

01:
05:09,278 -- 01:05:10,210

Marry me.

622

01:
05:12,147 -- 01:05:13,114

Marry me.

623

01:
05:14,850 -- 01:05:17,751

So he's directly proposed you.

624

01:
05:19,354 -- 01:05:21,015

If you say yes,

you'll be in trouble.

625

01:
05:22,825 -- 01:05:25,760

If you say no, then it'll be us.

626

01:
05:26,829 -- 01:05:28,319

The game will be over.

627

01:
05:30,632 -- 01:05:31,963

But the truth is...

628

01:
05:34,269 -- 01:05:39,138

...that a wife can

do what a lover can't.

629

01:
05:42,211 -- 01:05:43,701

What do you think?

630

01:
05:44,046 -- 01:05:46,310

Will you marry Kabir?

631

01:
05:46,648 -- 01:05:47,842

What kind of a question is this?

632

01:
05:48,884 -- 01:05:52,285

You think Kabir will forsake

his ways for his old loves story.

633

01:
05:53,021 -- 01:05:54,181

Mend his ways.

634

01:
05:54,823 -- 01:05:56,347

Impossible, sir.

- Karan!

635

01:
05:58,694 -- 01:05:59,752

I understand.

636

01:
06:00,963 -- 01:06:02,191

I am not a fool.

637

01:
06:03,298 -- 01:06:05,163

Kabir has proposed to Izna...

638

01:
06:05,234 -- 01:06:08,135

...only to find out whether

she works for us or not.

639

01:
06:09,138 -- 01:06:10,867

And our motive is

to trap him, right.

640

01:
06:11,273 -- 01:06:13,036

What difference does it make?

- Sir.

641

01:
06:13,876 -- 01:06:15,036

Izna will never say yes.

642

01:
06:16,678 -- 01:06:18,737

Kabir's got a whiff of our plan.

643

01:
06:19,114 -- 01:06:20,843

That's why he has proposed to her.

644

01:
06:21,784 -- 01:06:25,185

After the marriage he'll

get all the information about us...

645

01:
06:25,254 -- 01:06:27,085

...and then kill her, sir.

646

01:
06:27,823 -- 01:06:29,051

And I'm sorry to say this...

647

01:
06:29,358 -- 01:06:31,986

...we cannot put Izna's life

at stake for the 100 million.

648

01:
06:32,060 -- 01:06:32,958

Stop!

649

01:
06:33,762 -- 01:06:34,694

Stop it!

650

01:
06:36,799 -- 01:06:39,597

I'm doing my best to

send this girl in that house...

651

01:
06:40,669 -- 01:06:42,603

...and you want to keep her out.

652

01:
06:43,906 -- 01:06:45,305

An officer like you.

653

01:
06:46,108 -- 01:06:47,735

Deviating from your mission.

654

01:
06:49,778 -- 01:06:51,939

Come on.

Don't put your plan in jeopardy.

655

01:
06:55,717 -- 01:06:59,710

Seeing men out of control

like this must be common for you.

656

01:
07:00,722 -- 01:07:02,622

But don't take him too seriously.

657

01:
07:02,925 -- 01:07:04,654

He's forgotten that's

he's an officer.

658

01:
07:05,627 -- 01:07:06,787

Not lover-boy.

659

01:
07:08,330 -- 01:07:11,766

You... will marry Kabir, won't you?

660

01:
07:14,603 -- 01:07:15,297

Yes.

661

01:
07:19,041 -- 01:07:22,169

I wanted to settle

a old score with Kabir.

662

01:
07:24,079 -- 01:07:27,105

But when he pointed a gun at me.

663

01:
07:29,852 -- 01:07:31,342

Something has changed.

664

01:
07:33,055 -- 01:07:36,286

This isn't just your mission,

but mine too.

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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