Johnny Yuma Page #2

Synopsis: A greedy woman kills her land-owning husband with the aid of her brother. Since the husband's will leaves his land to his nephew, the woman and her brother hire a gunman to eliminate this nephew before he can claim his inheritance. The nephew, however, proves to be a resourceful fighter -- good both with his gun and with his fists -- and he manages not only to close in on his foes but also to form an alliance of sorts with the gunman who's been hired to kill him.
Genre: Action, Drama, Western
Director(s): Romolo Guerrieri
Production: West Film-Tiger Film
 
IMDB:
6.3
Year:
1966
100 min
52 Views


used to be. Ahi!

I need you... I need you to show me the way.

Ah, with your water I may still

get to Santa Margo.

you mean, you leave me...

Me, here, in the desert alone?

No, patron! No.

No! Is not possible with

no water to drink.

No! Don't leave your little Zorito.

No, padron!

No! No! Padron!

Agua. Sorry! Agua.

Oh, Madre de Dios!

Gracias, gracias.

Buenos dias.

Is this the right road to Santa Margo?

The Felton Ranch.

Hey!

-Mh?

Hey, what you got?

No! It's not yours! It's not yours

Let go of me, let go.

You robbed me! They're mine!

They're mine!

Ah, shut up, you sniveling little brat.

-Let go of me. Let go of me.

Ah, go take a bath, you grumpy

little Mexican!

Excuseme, sir.

- It's all right, son.

you don't have to excuse yourself.

They do.

Hey, Hackett where does he come from?

I don't know. It looks like some out of the country.

All right, kid. Go on, go home.

You want me to excuse myself...

then get off your horse.

Excuseme.

What do you want?

A room.

With a bath.

Welcome to Santa Margo.

you'll be our guest now.

This is for you.

You will be our guest for... the

Feast of San Fermino?

No. Why?

-A new Job... worth 5,000 dollars.

Mrs. Felton will explain the

details.

I'm Hans Vander Oder. Mrs. Felton left

word that you should go to her, immediately.

Mister... Carradine.

He is not Mister Carradine.

Drinking again, eh?

I'm sorry, but beers have never

agreed with him.

Thanks.

He's gotten into the hotel.

-Yes, but he ain't coming out alive.

Hey, it's a good idea to

tear the dinero in half, eh?

I'll be damned.

What makes you think so?

Oh, it's simple. You can spend the money twice.

-You're a born Jackass.

One half... Isn't any good without the other.

Como? Where's the other half?

That is something you should ask Carradine.

Ah, Caramba! So, half the money it's

not good then, eh?

Let's see what this thousand dollars is meant to do.

But I'm pretty sure what the5,000 dollars is for.

Except Carradine won't get to cash it in.

Hey!

That money belong to senor Carradine?

Entirely.

-Then Carradine is coming here, now!

Oh, Madre de Dios!

What am I gonna do like this?

Why did you tell me to take a bath?

-Because you stink!

Take your time.

He won't be here before tomorrow.

Ok, bluffer. Start praying.

The boys are paying a social visit upstairs.

They're giving a lesson to him.

you idiot!

What's going on?

Carradine's here now.

- Mh.

I'm Lawrence Jerome Carradine.

There is a room reserved for me.

Well, yes, there is.

Here are your keys.

-Thanks.

He's gone.

C'mon, let's go.

Carradine?

yes?

I think we gotta talk.

C'mon.

Hey!

Wait for me at the fountain in Santa Margo.

But... padron!

-Go on, will you?

your bath is ready, seora.

Oh... if the smoke bothers you, I can always...

put it out.

Who are you?

-I'm Lawrence Jerome Carradine.

-Ah

I've been expecting to see you...

Carradine.

But not here.

Sir, in the parlor.

-Mh?

I never discuss business

in the bedroom.

Oh... what a shame.

Ah...I'm sure we do reach to an

understanding much more easier then

...in here... mh?

Buenos dias, Senor.

Buenas.

Buenos dias, Senor.

Buenos dias, Senor.

But you haven't help yourself

a drink, Mr. Carradine!

Oh, by the way... have you met

my brother, Pedro?

No.

I haven't had the pleasure.

-Oh you...

-Hold it, Hackett!

Get out!

Let him go!

Alright.

Tell them to drop their guns.

Got that?

And give me mine.

Go on... tell them!

Put down the pistols!

Do as I say, go on!

Hackett, give him his gun!

Alright ... get up.

Careful...

...or I splat the ground

with your brains.

Hear me?

Stop ... Alright.

Have a move against the wall.

Bring my gun!

Hacket! He is getting away!

Set all the horses! Hackett!

That was Johnny yuma.

Let's go!

you let him get away.

Ah... don't worry,

he won't get far.

Hackett and the boys are

already on him.

And there's nobody stupid enough

who's gonna risk hiding him.

And you?

What about your Carradine?

Carradine will do his part.

Ain't nothing.

Come on.

you called me.

-I am here.

-you haven't forgotten.

Have you not?

Hm, I might have known.

Coz' of Johnny Yuma?

-How did you know?

I saw your brother.

He offered me $5,000.

-His worth much more than me.

And you, Lawrence.

-And you.

-How?

When he's gone, I'll be rich...

Very rich.

And we can live together again.

We can?

-Don't you remember?

-You weren't happy with me, I think you said.

you can't be poor and happy.

I... I still love you.

But Johnny Yuma has

to die first, right?

There's no another way.

My husband left him everything.

Will you do it, Lawrence?

yes.

But the money... $5,000 is

not enough.

Here's... 10,000.

Half later.

Like always.

you hate me, don't you?

I... I don't feel even that much.

I don't believe you.

Madame Felton, I suppose.

I would liketo finish this business

as soon as possible, Mr. Pete.

yes Madame, but you have got to know

if we had a will to go on,

it would be better.

A will, what for?

If I'm the only here.

Of course, it's only a formality.

My husband was alone in the world,

and he died intestate.

He was gone down... brutally.

Sorry about that, Mrs. Felton.

I certainly didn't mean to...

but you see...

there a certain legal procedure

that we are obliged to...respect.

And I can show you it right now.

Though, ordinarily I'm not supposed to

reveal what my bank has to say, Mrs. Felton.

-Where do I sign?

-Right next to my signature, madame.

Eh...naturally, you realize

this is only an option.

That's the best I can arrange

for now.

We will draw up the final

contract in the office.

Of course.

We will have the files

two weeks a head oftime.

Very well.

Vander Oder, Mr. Pete is

our guest, of course.

Oh, Mrs Felton,there is no need

to put yourself in so much trouble.

It's really kind of you, but...

I will be alright at the hotel.

It's no trouble, I assure you.

Shall we go, Mr. Pete?

Come on.

Hey... Buenos dias,

Buenos dias, padron.

Where the hell have you been?

Pepe has been searching

for you for three days.

You missed me, eh, padron?

-Not you, idiot. My horse.

Ah..

-You feel well enough to leave yet?

-Yeah.

But I'm not leaving.

-Mh?

Aha... you are.

Me? Alone? Without you? Never!

Look Zorito ...

You know Hackett and his boys

are out looking for me?

Fidel Alvarez Cortez Sanchez y Castilla,

never leaves a friend in trouble.

And if they catch me...

They'll try to kill me.

And so... I will always remain

by your side, amigo mio.

And if you are with me...

They'll kill you too.

The first duty of a servant

is to obey his padron.

Adios, senor.

It's pity, I bet we would have done

great things together but...

Adios, amigo demivida.

Hey amigo, I do think

you saw a man alone riding

around this parts, did you?

No,eh?!

Then maybe you can tell me

where this horse came from?

No sabes, senor? I found it by

the Rio Seco! It's the truth.

It's truth, senor.

No! No!

That was very clever of you.

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Fernando Di Leo

Fernando Di Leo (11 January 1932 – 2 December 2003) was an Italian film director and script writer born in San Ferdinando di Puglia, Italy. During his career from 1964 to 1985, Di Leo directed 20 films and was involved in the writing process in 43. His films influenced many popular contemporary directors, such as Quentin Tarantino and John Woo.Di Leo started his career mostly writing scripts for spaghetti westerns. He worked on the script for Per un pugno di dollari (A Fistful of Dollars, 1964) and later as assistant director and assistant to Sergio Leone in Per qualche dollaro in più (For a Few Dollars More, 1965). Later, he wrote scripts for such westerns as Navajo Joe (1966) and Johnny Yuma (1967). Di Leo is now best remembered for his poliziotteschi films, especially the Milieu Trilogy, which he both wrote and directed. The trilogy contains Caliber 9 (1972), La mala ordina (Manhunt, 1972) and Il Boss (The Boss, 1973). more…

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Submitted on August 05, 2018

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    "Johnny Yuma" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/johnny_yuma_11377>.

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