Just Around the Corner Page #2
- PASSED
- Year:
- 1938
- 70 min
- 87 Views
- [Electric Clippers Whirring]
- Oh, stand still, Corset.
- Why do they call him Corset?
- [Dog Barking]
Well, he's tied in all day,
and they let him loose at night.
- Hello, Penny, darling!
- [Dogs Barking]
- Hello, Miss Lola.
- Welcome home. My goodness,
but it's nice to see you.
Thank you, Miss Lola.
I'm glad I went away.
- It's so much fun to come home again.
- Oh!
Just a minute, please.
What'll we do first?
Go to a movie or take
a drive in the park or--
Well, I may not have much time.
I have a man to take care of.
- And you know how much trouble they can be.
- I certainly do.
We'll talk about it later.
Bye, darling.
- Good-bye, Miss Lola.
- [Dog Barking]
Isn't she nice, Kitty?
When she came up to see me at school
with Daddy, even Miss incent liked her.
She's okay, but believe me,
the rest of her tribe are wacky.
Hey, baby, look. Look what I won
on the punchboard.
Whoo, you didn't do bad
for a punch drunk.
Yeah. I'm goin' back
every day.
Maybe I'll punch out
a swing band.
Keep punchin'.
That's what I always say. [Laughs]
- It's beautiful.
- Yeah.
- What is that thing?
- That ain't a thing.
It's a sax.
A lease breaker.
What do you think of it?
- [Saxophone]
- [Dogs Barking]
[Howling, Barking Continues]
Hey, take it easy.
Old pickle-puss upstairs...
is liable to come down here
all spraddled out.
[Laughing] Pickle-puss?
Is that what you call Mr. Waters?
Yeah. Oh, but I wouldn't
repeat it if I were you.
Why shouldn't she repeat it?
What's the harm in calling
a pickle-puss a pickle-puss?
You might give
the kid ideas.
You know, you're not exactly up
on child psychology.
I ain't down on it.
I KNOW:
THE MUSIC ISN'T PRETTY
YOU KNOW:
CHANGE KEYS:
IT REALLY DOESN'T MATTER
IT'S STILL
HO-HUM
JACK AND JILL:
I MUST SAY:
THE MUSIC ISN'T PRETTY
MUST SAY:
[ Together ]
I KNOW:
THE MUSIC ISN'T PRETTY
YOU KNOW:
CHANGE KEYS:
IT REALLY DOESN'T MATTER
IT'S JUS A LOT OF SILLY CHATTER
HOLD ON, KIDS
IT MUST'VE BEEN
STILL SAY:
THE MUSIC ISN'T PRETTY
STILL SAY:
[ Together ]
[ Big Band ]
[ Together ]
I KNOW:
THE MUSIC ISN'T PRETTY
YOU KNOW:
CHANGE KEYS:
IT REALLY DOESN'T MATTER
IT'S JUS A LOT OF SILLY CHATTER
HOLD ON:
WE'RE COMING
TO THE PATTER:
EARLY TO BED:
EARLY TO RISE:
AND YOUR GAL GOES OU WITH OTHER GUYS
I STILL SAY:
THE MUSIC ISN'T PRETTY
STILL SAY:
[ All ]
FOR YOU CAN SING I ALL DAY LONG
[Ends]
[Dogs Barking]
Retreat now
and explain later.
[ Barking Continues]
[Dogs Barking]
[No Audible Dialogue]
- Uh, Mr. Hale? Mr. Hale? [Clears Throat]
- Yes?
Mr. Hale, I may owe you a debt
of gratitude for past favors, but--
- Now what's happened?
- But I am jeopardizing my position...
by allowing you
to reside here any longer.
- What are you leading up to?
- Your daughter.
She has a capacity for making
otherwise sane individuals go berserk.
Now, unless you teach her to respect
the dignity of the Riverview Arms...
you must go, or I shall have
to get a new engineeengineer.
No, that is final.
Final.
[Door Opens, Closes]
Oh, there you are, Daddy.
I was working so hard,
I didn't even hear you.
Wasn't that funny?
[Laughing]
Penny, what have you
been up to?
Oh, I'm just making
some fudge. Taste?
The girls at school taught me.
It's the best fudge. Now, you just
sit down and wait quietly, and--
And--
Well, you might as well
let me have it.
No, sweetheart, not that.
But what have you
been doing to Mr. Waters?
Oh, don't let's talk
about me all the time.
How about you? I've had my fingers
crossed and my feet crossed.
Did that big banker
listen to our plan?
He did not.
He wouldn't even see me.
Never mind. If he comes here,
we'll throw him out.
We won't be here to throw him out
if you don't behave.
Waters will throw us out.
Why can't people be nice
to other people?
[ Buzzer Buzzing]
- What's that?
- Wait a minute.
- [Buzzing Continues]
- That's it.
- What's it? What's wrong?
- Nothing's wrong.
Everything is gonna be all right now.
I'm gonna see a man...
and when I come back,
everything's gonna be all fixed:
Money, job and everything.
[ Knocking]
- Jeff!
- Lola!
Listen, he's all alone.
There isn't a soul in the house.
Well, you're an angel.
- [Man] Come in. Come in. What do you want?
- Good luck, darling.
[Door Closes]
Well, I've never
seen you before.
I think it's time you did.
I worked for you for two years.
Oh, yeah?
Did I fire ya?
- What's your name?
- Jeff Hale.
- I think you remember the name.
- Oh, Mr. Hale.
Yeah, the expensive Mr. Hale.
[Chuckles]
Yeah, Mr. Hale,
the architect.
Yeah, the man who dreamed of the majestic
East Gate project.
- I worked through Mr. Warner, my attorney.
- Yeah, well, you may have...
worked through him,
but you got to me...
for $10 million!
Yeah, you were the genius that handed me
that $10 million lemon!
It isn't a lemon.
If you had vision?
Vision? Don't you
talk to me about vision.
Come here.
Here, look at that.
Yeah, I don't need
any vision to see that...
but I'll need a lot to see
any of that $ 10 million again.
Who let you in here,
young man?
If you want the truth, Lola did.
She believes in this project.
- She believes in me.
- And I believe that you are the nerviest rascal...
that I ever met
in a life knee-deep in rascals.
Using my niece to get in here, feeding her
your crack-brained schemes.
- Careful. Remember your stomach.
- You leave my stomach out of it.
You leave her out of it too.
She's crack-brained enough without your help.
She's the sanest one
in the family at that.
But they're all Einsteins
compared to you.
Come here.
Now, you git.
- Mr. Henshaw--
- Git!
- Jeff, what happened? How'd it come out?
- Awful.
Oh, darling, sit down,
tell me all about it.
There isn't much to tell.
I told him, and then he told me.
- But he had an edge.
- And he wouldn't even listen
to what you had to say?
Honestly, darling,
even if he is my own uncle--
Don't bother. You can't
call him anything that I haven't.
Jeff, I know how
we can get around him.
- Oh, so, you're quitting?
I'm not quitting,
but what can I do?
Listen, Jeff, I've been
handling him since I was a little girl...
and I've always
gotten what I wanted.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Just Around the Corner" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/just_around_the_corner_11494>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In