Just Around the Corner Page #5

Synopsis: Shirley helps her idealistic architect father get his dream of a slum clearance project; The little miss dances with bill "Bojangles" robinson. Based on paul gerard smith's book, "Lucky penny".
Genre: Comedy, Musical
Director(s): Irving Cummings
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
6.7
PASSED
Year:
1938
70 min
87 Views


[Clears Throat]

- You tell her, and I'll attend to some other details.

- Mm-hmm.

- Hello, Miss Lola.

- Oh, hello, Penny.

If you're waiting for anybody,

I won't stay.

Oh, no.

I'm not waiting for anybody.

In the moonlight and in that pretty dress,

I thought maybe--

No. I'm supposed to be helping

mother entertain Mr. Waters.

- But he's in there, andand you're out here.

- Not for long, I'm afraid.

All right. Tell me what you've

been doing with yourself.

I've been very busy

taking care of my daddy.

By the way, how is he?

When he's with me, he'she's fine,

but I don't think he's so cheerful inside.

Well, maybe you just imagine that.

Or do you think he has something on his mind?

- I think he's worried.

- Probably because he hasn't any buildings to build.

- I think he's worried about you.

- Oh, Penny, you're just guessing.

- What makes you think so?

- Because he's always asking me

questions about you.

- Just like you're asking me questions about him.

- Oh, Penny!

Goodness, you must

feel better.

Excuse me.

I've got to find Milton.

- [ Knocks]

- Come in.

- What's wrong up here?

- You're wanted on the terrace.

There's a short circuit.

- What's a short circuit?

- I haven't the faintest idea.

[Laughing]

- Good evening.

- Jeff.

Now, what are you doing here?

- You oughta know. You sent for me.

- I sent for you?

- Well, that's pretty thin.

- Sure, it is. It'd be better if I'd made it up myself.

- I wouldn't have come near

if someone hadn't called me.

- Well, before I'd call you, I'd--

I didn't call you, Jeff,

but I'm awfully glad you're here.

- Then there's nothing wrong?

- Nothing that a little common sense won't heal.

- [Laughing]

- Excruciating, Mr. Waters. Excruciating!

Milton, where's Lola?

- Why, she's--

- Lola. Lola.

Lola. Lola.

Yes, Mother?

Oh, she's out in the night air again,

and it isn't good for her.

But then what kind of air can you get at night

but night air? [Laughs]

[Both Laughing]

- [Mrs. Ramsby] Oh, Lola.

- Oh, yes, Mother.

- Mother, you know Mr. Hale.

- Whatever is he dressed like that for?

He he just came from

a masquerade.

Oh. Oh, I love masquerades. I went once

as a New England boiled dinner.

- Mother, Penny's Mr. Hale's little daughter.

- Oh. Oh.

Oh, ho-ho. Oh, it's too amazing.

She's such a busy little thing, isn't she?

When she cut off Milton's curls, I was

so upset that the doctor had to give me--

Uh, um, uh,

what was it, Lola?

- Shots, Mother.

- Oh, yes. Of course. Shots.

And don't they shoot you

in the oddest places. [Laughs]

- Well, out of sight, out of mind,

don't you say, Mr. Gale?

- "Hale," Mother.

Oh. Heh. Oh, yes, of course. Mr. Hale.

Just like "Hail Columbia." [Laughs]

- Shall we all have something to drink?

Oh, yes, of course.

- Oh, yes.

Lola, you ring for it.

Oh, no, my dear. No.

No. You stay here and talk to Mr. Waters

and Mr. "Pale." I'll do it myself.

- Shall we?

- Yes, indeed. [Chuckles]

- You know, I, uh--

- Don't go, Mr. Waters. Stay and play with us.

- [Penny] Yes, Mr. Waters.

We have a new game for you.

- [Protesting]

- Now listen. I-- Now please.

- Come on.

- This is absolutely absurd.

- Oh, now, just come on.

- Sit.

Have you ever played blindman's bluff?

You'll love it. It's a wonderful game.

- Oh, blindman's bluff.

- Now come on.

- Can you see?

- Can I see? Well, of course I can't see.

- No peeking now.

- Now the object of the game is to find Lola.

We'll start you off.

Oh. To find Lola.

Well, it isn't so silly after all, if l--

Now when we say "hot,"

it means you're close.

And when we say "cold," you're far away.

Come on. Put your hands behind your back.

- Round you go. Come on. Whoo!

- Oh! [Chuckling] Oh, stop! [Laughing]

- There you are.

- Oh, am I dizzy.

- [Penny] All right. Come on, Mr. Waters.

- Am l--

Oh. [Chuckles]

All right.

- Aw, you're cold. You're cold. You're freezing.

- You're cold.

- Am I really?

- Cold. You're gettin' warmer.

[Kids] Warmer. Warmer.

You're hot! You're hot! You're hot!

- You're getting colder, colder.

- Oh, you're freezing. You're freezing.

Cold. Cold.

- Aw, you're colder. You're colder.

- Warmer? Oh, you're cold.

- Cold.

- You're freezing.

- Warm! Hot! Hot!

- You're getting hot.

- You're hot!

- You're burning. You're burning.

- Aw, you're cold.

- Oh, you're cold.

[ Kids Laughing]

[Waters Sputtering]

[Coughing, Sputtering]

- Here, old man. Give me your arm. Here. Let me--

- Oh. Oh, thank you.

- [Waters Shivers, Coughs]

- Oh! Well, how did you get in that--Oh!

[Henshaw] Hey, now,

what's going on here? What's all this racket?

- I'll catch pneumonia.

- I never saw--

I know it. I know I'll catch--

Well, you see--

I'll catch pneumonia. I know I will.

I'll catch pneumoYou see, the

the children, they wanted me to play, but--

but of course, l--I couldn't do tha--

- It was your--your daughter!

- I'm sorry, old man. I apologize. I--

And it was your--your son.

You see, th-th-they--

- Oh, just look at my clothes.

- Come on. We'll get some nice dry clothes.

- You must have some dry clothes!

- Ah, yes.

- [Chattering]

- You here again? Get out!

- Jeff!

- Daughter, you stay here.

I forbid you to have anything more to do

with that rat. Those are orders!

- [Stamps Foot]

- The idea of--

Now see here. You've outshouted this family

for years, but you're not going to outshout me.

- I love that man, and I'm going to marry him.

- Over my dead body you'll marry.

- I'm going to marry him

if it's over everybody's dead body.

- You won't marry him!

If you'd only listen to him about that

East Gate project, instead of being

a stupid old--

- old--old--

- Old, uh, what, my dear?

Oh, I'm sorry, Uncle Sam.

Really I am. But I'm not giving in.

- I'm going to marry Jeff Hale.

- Well, you win.

Uh, you wouldn't be my niece

if you didn't have a will of your own.

Uncle Sam,

you don't mean it?

You're going to, uh,

live in the basement, I suppose?

We won't have to live in the basement

if you'll listen to Jeff. He has so much to offer.

All he needs is to have someone

cooperate instead of fighting him.

If you'll just

do something for him.

- Well, maybe I can do something for him.

- Uncle Sam, you're a peach!

[Sputters]

Some change in tone,

my dear.

Yeah. Hello.

Henshaw speaking.

A little matter you can

attend to for me, Black.

Yeah.

The pipeline we propose to lay in Dutch Borneo

will run from here to here.

What is the terrain like,

Mr. Black?

Well, there's a range of mountains here,

and then swamp and jungle.

- Tough going?

- Very tough.

That's why we need a good man

to superintend the job.

- How did you happen to pick me?

- You were highly recommended

by a friend of mine.

- Uh, cigarette?

- Thank you, no.

After all, the man who carried on

with the East Gate project against the

odds that you did--

- It's too bad you couldn't go through with it.

- I will someday.

Mmm. I'm sure of it.

In the meantime, here's a job that needs

Rate this script:0.0 / 0 votes

Ethel Hill

Ethel Hill (April 6, 1898, Sacramento, California – May 17, 1954, Hollywood, California) was an American screenwriter and race horse owner.When Dore Schary first went to work for Columbia Pictures as a new screenwriter, he was paired with the veteran Hill to learn from her; together, they wrote the screenplay for Fury of the Jungle (1933). Hill was described by Marc Norman in his book What Happens Next: A History of American Screenwriting as "an extremely dear and generous woman [who] had an interest in horses and often wore jodhpurs and riding gear to the studio." Perhaps her best known film is The Little Princess (1939), starring Shirley Temple. Hill bought the Thoroughbred race horse War Knight, a son of Preakness winner High Quest, as a foal "with her $1500 life savings". He went on to win 10 of 28 starts, including the 1944 Arlington Handicap. He was injured in 1945 and did not win any of his five 1946 starts leading up to the $100,000 added Santa Anita Handicap, which he proceeded to win in a photo finish. He retired to stud afterward. more…

All Ethel Hill scripts | Ethel Hill Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Just Around the Corner" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/just_around_the_corner_11494>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Just Around the Corner

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed "The Silence of the Lambs"?
    A David Fincher
    B Francis Ford Coppola
    C Stanley Kubrick
    D Jonathan Demme