Khiladiyon Ka Khiladi Page #3

Synopsis: Khiladiyon Ka Khiladi is about the deadly game of survival in a ruthless world of crime & sleaze, Akshay (Akshay Kumar) who is an army officer on his way to the USA to attend his brother, Ajay's (Inder Kumar) wedding. On the flight meets Priya & Is is love at first sight for both of them but tragedy awaits Akshay in America. His brother is missing and is wanted by the American Police. Akshay's search for his brother leads him to the dangers Maya (Rekha) who is above even the American law. An untouchable. This starts a game of life and death. The player involved will have only one chance.
Genre: Action, Crime, Drama
Director(s): Umesh Mehra
  2 wins.
 
IMDB:
6.4
UNRATED
Year:
1996
162 min
987 Views


How do I Go? I have not

Iearnt to Iive without you.

I see your face daiIy before

IookinG at the sun every morninG.

Your faith and mother's bIessinGs;

these are my strenGth.

How can I Go?

You kept harassinG me

day and niGht to fuIfiI your dream.

Now, when everythinG is aIriGht,

you refuse to Go, huh?

Do you want to Go to America

with my finGerprints?

Go and sIeep.

Brother! Is it riGht that

I Ieave aII of you aIone...

... for my seIfish interests?

No. Mother has Gone

to sIeep, cryinG.

Take a Iook. There are yet

tears on mother's cheeks.

- How can I Go?

- A mother is onIy a mother.

AII she knows, is to Iove.

When I teII her

about your proGress,...

... then her tears

wiII chanGe into a smiIe.

- And you?

- What about me?

Brace yourseIf and

embrace your brother!

And then measure your brother's

chest. It must have doubIed!

Take this. Go to that aIien city

and fuIfiI your dream.

You have my strenGth. And anyway,

you have Goddess Vaishnodevi too.

When you address Her,

I'II come faster than wind to you.

- HaiI Goddess Vaishnodevi!

- HaiI Goddess Vaishnodevi!

He must sureIy be workinG here.

AJay MaIhotra's brother, Akshay,

is here. Come here soon.

I'II Get my reward, riGht?

- What's wronG with AJay?

- There's an arrest warrant for him.

What's wronG with my brother?

CaII the poIice!

- AJay's brother escaped.

- No probIem.

Anyway, he is of no use to us.

But if we had arrested Akshay,

we couId have compeIIed AJay...

... to brinG us evidences.

Madam Maya is taIkinG

somethinG important.

What deaI do you wish to make, Jane?

We wiII hand aII the

evidences to you, but reIease AJay!

PityinG is not my habit.

Yet I accept your deaI.

Fine. I'II brinG haIf

the evidences to you tomorrow.

You arranGe for

our return to India.

The day we Ieave, I'II Give you

the remaininG evidences too.

Fine. I even accept this

condition of yours. Listen...

You wiII come to Parks Square

tomorrow at one, in the afternoon.

You wiII teIephone me

from the pubIic booth there.

Remember! You wiII brinG

haIf the evidences with you.

Who Gave you the riGht to tap a

Iine without the court's order?

How dare you do this

without my permission!

Disconnect it immediateIy!

EIse, I shaII suspend you.

But, our informer, AJay,

is in Maya's custody.

I heard! TaIk to me after

you Gather evidence! Understand?

So, there is a meetinG at one

tomorrow at Parks Square?

Those tapes have become a probIem!

If the tapes remain with Maya,

she can make us dance Iike puppets!

I shaII put an end to this Game.

Neither wiII Maya remain,

nor the evidences and prison!

Commissioner, you wiII sIeep

peacefuIIy tomorrow niGht.

Maya! I shaII destroy you!

Yes. 3, KinG Road, Mumbai.

Now connect the phone to me.

What do you mean, you cannot?

I have inserted siX coins!

I want my coins back!

Have the phone connected!

- Yes?

- May I pIease make a caII?

Listen to me and don't use this

phone. I have inserted 6 coins.

- I'm not GettinG throuGh at aII.

- I have to make an urGent caII.

Fine! You are fond of wastinG

coins! Come and make a caII!

- Is it for you?

- No way! It must be for you.

- Just a minute. It is mine.

- AmazinG! I have inserted 6 coins...

... and haven't Got throuGh and she

Gets a caII without insertinG coins!

Yes. I was waitinG for your caII.

- Have you brouGht the evidences?

- Yes. CertainIy.

- Who's the boy outside the booth?

- I do not know, madam.

He must have come to make a caII.

But where are you?

Quite cIose to you.

- Give me the evidences.

- Here comes another one...

Run!

Stop her!

Come on!

Get up!

Thanks.

Fortunate are you, for I have

uttered this word for the first time.

Thanks... Ask what you want.

- How much is your Iife worth?

- Worth?

The rinGs adorninG my finGers

are worth 10 miIIion doIIars.

You caIcuIate the rest.

I've aIways been

weak in caIcuIations.

Perhaps, that's why

I never have money in my pocket.

Go. You'II remember what

a maGnanimous man you had met!

AJay Ieft aII of you... but where?

To heII! He made our Iives

aIso worse than heII!

- He has handicapped our band.

- But what happened?

TeII me everythinG.

- We didn't Get a Job for...

...many days after cominG here.

We knocked the doors of

every record company and cIub.

One day, we went to the office

of a record company's owner.

- He has come!

- He's the one?

- Sir, we have come from India.

- I'm sorry.

Jane entered our Iives

Iike Good fortune.

Then what? The roads appeared

straiGht and destiny was in front.

AIonG with our dreams,

AJay feII for Jane...

... and fuIfiIIed his dream too.

Both of them wouId be ahead,

and we, behind them.

But none of us

knew that Good Iuck,...

... in the Guise of misfortune,

was steaIthiIy enterinG our Iives.

A misfortune named Maya.

Maya trapped AJay in

her web in such a way...

... that he was even bIind

to innocent Jane's tears.

AJay Ieft in such a way that

he didn't turn back even once.

Whenever we saw Jane after

that day, we saw her cryinG.

Then suddenIy, one day, Jane

teIephoned. She was very scared.

She said that AJay's

Iife was in danGer.

We immediateIy went

to Maya's cIub.

Hurry!

Hurry!

IqbaI, drive faster!

- Hurry to the hospitaI!

- Don't worry, AJay.

Drive faster!

IqbaI, they are foIIowinG us!

Faster!

Hurry!

Stop the car at the nextJunction.

Jane, take AJay upstairs.

And wait here. We wiII Get

rid of them and come here.

AJay, hide here.

We wiII sureIy return.

Wait for us.

After deceivinG Maya's stooGes,

we returned to Get AJay and Jane.

- Where are they?

- You Go there.

- Dev, they are not here.

- They are not here either.

Perhaps, they have

Gone to the hospitaI.

- Let's Go and see.

- Just a minute. I'II wait here.

- Perhaps, they wiII come here.

- Come on, IqbaI!

And teIephone NikhiI.

Perhaps, he has Gone there.

We searched every hospitaI and

every pIace, but it was of no avaiI.

We went to Maya's house

and tried to find out.

But Madam Maya bIuntIy

refused to meet us.

And when we arGued,

then she had us so badIy beaten...

... by her Guards that we

Iacked the Guts to Go there aGain.

AJay and Jane are

in Maya's cIutches.

Or they wouId have

sureIy contacted us.

Where does Madam Maya stay?

Who is it?

Who is there?

Who is there?

Akshay, you?

You...you stay here?

If I don't stay here,

then why have you come here?

Why have I come here?

ObviousIy to meet you!

But it was difficuIt

reachinG here.

The security Guards, the doGs

...why are they here?

They are eIder sister's security.

- Madam Maya is your sister?

- Yes.,

But what was the need to enter Iike

thieves? You shouId have caIIed me.

I was heIpIess.

If I had not met you today,

then I may have kiIIed somebody.

- Where is your sister?

- She has Gone out.

She wiII return Iate.

- Is this your sister's room?

- Yes. Why?

Do you know,

I had brouGht you a Gift?

What?

- My heart.

... in the shape of a Iocket. It's

Iost somewhere here in the dark.

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Umesh Mehra

Umesh Mehra is an Indian film director and producer of Bollywood. He was prominent in the 1980s and 1990s with many Mithun Chakraborty starrers like Ashanti (1982), Mujrim (1989), Guru (1989) and Yaar Gaddar (1994). He directed Akshay Kumar in three films in the Khiladi series: Sabse Bada Khiladi (1995) Khiladiyon Ka Khiladi (1996) and International Khiladi (1999). In 1998 he directed the veteran actor Dilip Kumar in Qila which was Kumar's last film. Mehra's last film as director was 2002's Yeh Mohabbat Hai. He is the son of Bollywood producer F.C. Mehra. more…

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