Kinjite: Forbidden Subjects Page #4

Synopsis: A Tokyo businessman (Hiroshi Hada), transferred to L.A, molests a teenage girl on a train. It turns out that the girl is the daughter of a vice cop. But in one of those plot twists that can only occur in the movies, the cop is assigned to find the businessman's own daughter who has been kidnapped and forced into a teen prostitution ring.
Genre: Action, Crime, Drama
Director(s): J. Lee Thompson
Production: Cannon Home Video
 
IMDB:
5.5
Rotten Tomatoes:
0%
R
Year:
1989
97 min
237 Views


You got that?

Am I glad we're out of there.

I don't know how to deal with that sobbing,

tears and all.

I thought these guys had balls of iron...

you know, give your life for the emperor...

committing hara-kiri, that kind of thing.

Now don't make me out to be insensitive,

because I can imagine...

being the father of a teenager...

I can imagine how that guy must feel.

Where do you want to start?

I don't know yet,

but, Eddie, we've got to find that girl...

even if we have to work outside the system.

Bear in mind that I intend to retire on 20...

and I have no plans

to be a Carmel saloon keeper.

So let's not operate

too far out of the system.

Voil!

Baby-San.

You're open for business.

When can I go home? I want to go home.

- Be nice!

- You promised.

Be nice to this man! Do what he says!

Then we'll talk.

- But you promised!

- We'll talk about it!

Now, come on!

But you promised you'd let me go!

My mother doesn't know where I am.

She'll be worried!

- Please, let me go home!

- I will!

All in good time. Now, get in there!

- Let's go home!

- Easy.

Sit down.

Your school called me.

They're very disappointed in your work.

Very disappointed.

The headmistress said

to me that you are tardy...

slovenly...

and impudent.

I told her that I would punish you severely.

I wish it could have been otherwise.

Driver.

Let's go.

Lieutenant Crowe, Fumiko Hada has been

spotted at the Palms Hotel.

Okay. We're on our way.

Good.

That's it.

Good. That's cool.

Now hold it.

Yeah, now make it feel good.

Touch her right there.

Kill the playback.

That's great.

Yeah. And kill this light here, guys.

Here you go.

The rest of the set looks good.

Lets clear out here, guys. Perfect.

I'm rolling now.

And, action! Playback!

Little more smoke

in that shot there, Johnny?

Open up! Police!

That's the way.

You got it now. Come on.

Yes. Now, come on!

Hey!

Sid, it's the cops!

Everybody, on the floor!

- Look at all this sh*t!

- Now!

Let's get out of here!

Call the units. We'll take them in.

That's not Fumiko!

Get me Sergeant Thomas in Vice.

The Japanese Chamber of Commerce

released the text of a letter...

to the mayor's office

voicing apprehension...

at the disappearance of Fumiko Hada...

a Japanese high-school student.

The letter voices fears

of foul play against the teenager.

This comes among recent complaints

of violence...

Fumi-Chan!

Can't stay here doing nothing!

I have to go look for her!

Go with him, please! Quickly!

Hey, come on inside!

There's good stuff in here!

Emmanuelle 4. Maid in Sweden.

Bring her in, and you won't

have to use your hand tonight!

You know it! All right!

Come in! It's only $4.

Come on. Get on up here!

Hey, bring the little lady in.

You'll be coming like mad!

You're old enough. I'll let you in.

I'll stick you in behind somebody!

Fellas! Where you going?

Hey, fellas. Hey! Come on inside!

Come on inside!

No fuckee-suckee like this in Tokyo!

This be some young stuff!

- Bug off!

- 9, 13! Oriental, too!

You'll love it!

Who lives here?

Someone nice.

Someone that I want you to be very nice to.

Duke told me you've just come from Tokyo.

How very interesting.

How do you like it here?

Have you made friends yet?

Oh, poor darling.

It must be hard to leave your friends behind.

When I was a little girl...

that was a long time ago...

my parents put me

in a boarding school in Paris.

I can't tell you how lonely I felt

the first night...

in that dreadful dormitory.

How very, very lonely.

You know Detective Crowe.

Mr. Crowe is a friend of mine.

He needs your help.

I would appreciate it, but it's up to you.

If you feel you're getting in over your head,

come and get me.

I'll be in my office.

DeeDee...

a little girl has been snatched,

and I'd like to talk to Duke about it.

I'd like to get that little girl

back to her parents.

How do you know she wants to go back?

How do you know

she doesn't want to be with Duke...

if it's Duke she's with?

I know her parents.

You don't know sh*t.

I'd rather be with Duke

than with my parents.

DeeDee, it was Duke who put you

out on the street.

He made you turn tricks.

Duke didn't turn me out.

My stepfather did when I was 12.

I did him and his friends

until I was 14 and ran away.

All right, but it was Duke

who started you on drugs.

He made you dependent.

He did.

But if he didn't, somebody else would have.

DeeDee, you know what Duke is.

Why are you trying to protect him?

Duke was good to me.

He bought me nice clothes.

He took me to Jamaica.

We stayed in a classy hotel.

I didn't have to hustle.

It was like being married.

Did you love him?

If that's what love is.

There's a little girl out there.

She's never been away from home.

I'd like to find her

and return her to her parents.

Then I'm going to leave all this behind me.

Duke's a great dresser.

He spends thousands on his clothes.

He might have gone underground,

or moved.

But he would still go to Rosario's

to get his pants made, suits altered.

Rosario's?

He has a shop downtown.

They play dominos there at night.

Duke used to take me there.

That's all I'm going to tell you.

Thanks, DeeDee.

Rosario's.

Mr. Rosario?

Don't settle down yet.

Our customer's arrived.

Gentlemen, can I help you?

Two of your tenants just drove in.

A flashy dresser known as Duke,

and a heavyset man.

Ring a bell?

We have 200 apartments.

You'll have to be more specific.

Some detail, so I can help you.

We think there's a Japanese juvenile

staying with him.

Japanese? Well, let's see.

We have a Matsuda, a Manabe, a Toyama...

Hey!

Listen, shitface.

We're not f***ing around!

What's the apartment number?

Hey, don't get mad!

You're looking for Apartment 906.

Elevator's to your right.

It's Lorenzo. Two cops on the way.

- Get the f*** out!

- Thanks!

- Fumiko, hurry up!

- She's in the bedroom.

I can't get her out!

Here's the last of the money.

Where is Fumiko?

Get her!

Take the back stairs, and use Lorenzo's car.

- I'll stall them, man!

- Hurry up!

Leave the sh*t behind and let's go!

Get your ass out here! You hear me, girl?

Open the door, b*tch.

You better open up, or I'll kick your ass!

Hey, b*tch!

Hurry up, and open the f***ing door!

I'm gonna break your ass if you don't hurry!

Down the stairs!

If you don't open up, I'm gonna...

You could've buzzed.

On the floor, a**hole.

Tampico, Long Beach.

This guy's into Mexican food!

Police brutality is gonna blow your case.

You've heard of

the overworked court system?

There may not be a case.

You tell us where Duke is, we'll let you go.

Duke is long gone.

What about the girls? The Japanese kid?

Duke is a salesman, right?

When he goes on the road,

the inventory goes with him.

You missed him by a p*ssy hair.

P*ssy. Get it?

Let's throw that son of a b*tch

off the balcony.

You guys are bullshitting.

Don't throw me over the balcony!

Jesus, take me back!

No, Jesus, take me back!

When you tell us where Duke is.

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Harold Nebenzal

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Submitted on August 05, 2018

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