L.A. Without a Map Page #2
- UNRATED
- Year:
- 1998
- 107 min
- 131 Views
yes, thank you. Um ...
yes, I ... take
soup, salad ...
A-soup.
Well-cos?.
-Okay, thanks.
-Uh, listen, Julie,
? a little embarrassing, but, uh ...
I was wondering if you could help me, if
can you tell me if Barbara ... ? on duty today?
-Do you know Barbara?
-Yes, I am a friend of his English.
Oh, my God, you are him, Richard ...
-Excuse me?
-You are the famous English writer.
No, I do not think.
No, no, no, I
saw the photos ... See,
? This is not her ... these
tables are not his ...
but when it ends can
e. .. come here you meet.
Thank-you very much.
-Okay ...
Barbara. And 'here.
-God, ? cos? cute.
Julie-Who, who?
The writer, what
English, your friend.
-Here, take this.
Oh, oh my God
... I'll take that.
God com'? cute.
I will, you go.
It looked different from when
we were in Bradford.
Slightly more cold.
But maybe it was just the uniform.
I still could not believe
that a woman attractive cos?
could come right to me,
needing to cross that space
to talk with me.
There you are.
Do not believe my eyes,
?, ?, ? ... surprising.
You left a clue.
You can call me Sherlock.
Richard, what are you doing here?
I wanted to see you smile
bearded men hoping
they were famous directors.
See, I can grow my
I too, look.
-You're crazy.
This ?-safe, do not worry.
Why did not you
called ... first?
-Are not you glad?
Oh, you're saying?
Sorry ... It 'a piece
that Mr. Durgnatter
waiting at the table thirty-five,
I strongly recommend going there.
Oh ... okay.
Thank you, thank Sandra.
When can I see you?
Um ... Well, tomorrow I have a service
photo, you can come if you want.
-Okay, perfect.
-Okay.
Good morning, madam.
Oh, excuse me.
-What are you doing?
Excuse me.
In this room we slept
John Wayne with his horse.
-It 's a true story, you know?
Ah, yes?
Yes, sir.
Ah, I know that sometimes, and Tom
Nicole be lockable
suite for days
integers? Yes, sir.
Still I could hardly believe it.
I was in Los Angeles.
Barbara was here, and
my future with her.
-Are you in Paris?
-Of Bradford.
Yes, good, that looks like ?
one who was in Paris.
Have you ever been to Paris?
Well yes, of course I was there.
I'm moving there ...
You know how many dogs there are in Paris?
Uh, no, never
I have no idea. No.
Five hundred thousand ...
and imagine ...
each of those sons of b*tches
leaves a Bisognin least
once a day. It 'a
Lots of dog sh*t.
-And you know what?
-What?
Down with the a**holes: if ago
one thing I can not stand
-Are the a**holes. Right?
-Quite right.
Do you think you're doing.
And you seem very cool ...
? like I wanted
I wanted to get in touch
with Christ, uhu!
-You say?
This ?-pure philosophy, understand?
It 'a ... metaphor for love.
Yes, but not as ...
Ges? and Mary,
-Oh no, ? ... as e. .. Ges?
-Hey, Michael ...
-Tell me.
-Uh, sorry
excuse, but ... can not find it
a little '... blasphemous?
Per? works.
Mary Magdalene.
The bad girl, right?
England ...
Write-what, Richie?
Oh, uh ...
er, biographies ...
scripts ... novels ...
-Brava.
-Obituaries, here ...
a little of everything ', that is.
Do you know who might be ...
a great person, hm?
-Lo. Already.
-For an obituary?
For a story, you idiot.
Hey, King Richard,
make yourself useful. Pass ...
Pass me that lens laggi?.
Okay, we're gearing.
Let's see.
Yes, this good ?.
Okay.
Well cos?.
Brava, cos? I like ...
-Snakes!
-Quiet, bite only if
are good or if they're crazy.
This crazy ?
and is very well ...
An Indian would not kill
never a rattlesnake.
Would keep it in a cage to use
the poison as a sexual stimulant.
-Can I get gi? from this ...?
-It 's the big beast, more
I've ever seen in my life.
And 'what is usually
I say women.
-Michael?
-What I also hope that Barbara ...
I dir? soon. There liberariamo
Richard the old, huh?
We go into a
bath, eh?
And we invent a thing or two
felicit? with the trunk, huh?
Take away off those
slimy paws.
-Slippery? Hm, I like it, come on.
-I told you I'm not touching you.
-Hey, hey, hey, hey, that's all.
E-arise, a**hole!
Just ...
I can not take more of
hard men and testosterone!
Give me the car, star. What are you doing?
Cos? the break, I want to kill?
-And give it to me ...
One less a**hole-between your feet.
-And you.
-I did it?
Well, I thought you were different.
Well, great!
But you wonder.
Barbara Look
come home with me or not, hm?
Or would you prefer ... remain in
desert in Lawrence of Arabia?
-Go away, Michael.
-Your bag.
Thank you.
You say, we walk?
Yes ...
you and me.
From walk-quant'? that?
-I do not know. I seem to days.
-I hurt your feet.
-Oh!
-Excuse me ... please
-What a beautiful, comes to the rescue.
Sorry ... give us
citt? a ride?
Look, look!
-Have you forgotten this ...
-Have fun!
Hello. Goodbye.
-Hello ...
-Thank you so much of the passage. Hello.
Hello ...
-It 's coming, did you see?
?-Who came?
Yes, I know ? cute.
But yes, I feel it too.
Your father?
-Do you remember my father?
-Why should not I?
Already, he also reminds
you. It was here right now.
Well?
Well well ...
says that he likes you.
Well well, I think we should
get married straight away, immediately.
I do not believe ...
-Well, actually it was not bad.
-Richard ...
Oh look, is going
all too quickly.
We must ... give us time, ok?
-Patterson.
-Hey ... Barbie.
-Hello.
Child-...
But honey, you should not have
to do the photo shoot?
Yes, I have just returned.
Guys, I want to
Barbara present.
My muse, my actress.
My ... diva.
-Hello ...
?-Who's your friend?
Oh, yes he ? Richard
-Photographer of the service today.
Oh, hey, what a pleasure!
-Hello.
Bel-service? It 'was easy right?
She-? ??cos? beautiful, right?
Ah, yes. Very, very.
We go to a projection
all'universit?, want to come?
Oh, yes, gladly.
-Be right back.
Come on guys.
-Thanks for the help.
C'? what-not.
-You want to talk.
-Not now.
We have to go ...
by the move.
And 'normal, uh ... you are
delicious, beautiful, you are talented.
Only on Mars
would have the boy, or ...
in certain neighborhoods of San Francisco
pressoch? where the entire population
male ?
homosexual. No, I'm fine.
I'm fine, really.
?-Not true, I'm shocked.
No, no, no, Richard.
Ago only a report
professional relationship between me and Patterson.
Really?
Richard ...
Why did you come here?
Tell me, Why?
To be with you.
-Can you give me one more favor?
-Of course.
You could take my car e. ..
... you back to the hotel?
-Okay?
Oh, no I ... I can not drive.
Hey, I know you're kidding ...
You are funny, you know? Thank you.
See you later.
No, I'm not kidding.
I'm in the sh*t.
Why do cos?! No, no.
Sh*t, sh*t!
No, return gi?, a**hole!
Watch how you drive, kind of moron,
but have you smoked today, eh?
The car is still here.
-Okay.
-Circular.
Excuse me.
-Welcome to Los Angeles.
-Thanks.
Excuse me.
-Oh! Barbara.
-Richard?
You tell me what are you doing in California?
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"L.A. Without a Map" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/l.a._without_a_map_12082>.
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