Lantana Page #2

Synopsis: Trust. A dead body in bracken. A cop cheats on his unhappy wife who, in secret, sees a psychiatrist whose own marriage is corroded by grief: she thinks her husband is having an affair with a gay patient of hers. The cop's lover, Jane, is recently separated, and her neighbors - a couple with children - include a muscular unemployed man. Late one night, the doctor skids off a back road, finds a call box, and tries in vain to reach her husband. She sees headlights and flags down the driver. Later that night, Jane sees her neighbor park his truck and throw something into the lantana in a vacant lot. It's a woman's shoe. Unraveling the mystery lays bare five couples.
Director(s): Ray Lawrence
Production: Lions Gate Releasing
  36 wins & 22 nominations.
 
IMDB:
7.3
Metacritic:
84
Rotten Tomatoes:
90%
R
Year:
2001
121 min
$4,277,569
Website
524 Views


Are you feeling guilty?

Do you think I should be?

It doesn't matter|what I think.

He feels manipulated by her.

How?

She's very needy.

Are you trying|to justify his deceit?

No, I'm trying|to understand it.

- It's complex.|- Mmm-hm.

But isn't it still|an act of deceit?

No marriage|can be based on that.

Most marriages|are based on that.

You think you know what goes on|in most marriages?

What? Because I'm gay,|I can't have an opinion...?

- It's not what I was--|- She's not the victim in this.

She chose to marry him.

Not knowing he was gay.

There's knowing,|and there's ''knowing.''

What do you mean?

I think some women|like to live the lie.

It's easier than dealing|with the truth.

Maybe she loves him.

But so do I.

Then he has|to make a choice.

Unless one of us withdraws|from the contest.

Is love a contest for you,|Patrick?

Patrick?

Yes.

Sometimes.

What happened to your head?

I bumped it on a clothes line.

Listen...

thanks for last night.

I'll lie for you|to anyone, except Sonja.

I don't want|to lie to her again.

Fair enough.

Why are you trying|so hard to f*** up your life?

You don't know how lucky you are|to have the marriage you've got.

And you're pissing|all over it.

( salsa music playing )

It's great your husband|comes with you.

Yeah.

- What about yours?|- I'm separated.

Ah...

- Can you tell?|- No.

No, you just have this...

- kind of look.|- What? Desperate?

No.|Full of potential.

Sorry I'm late.

- Jane, this is my husband Leon.|- Hi.

Yeah...

Instructor:
|Excuse me, everybody.

There is a salsa band playing|tonight and tomorrow at The Latin.

Leon. Sonja.

Are you guys coming?

I thought we'd have|a nice dinner together.

Come on. You can go out|to eat anytime.

I'd like to go.

- I'm kind of tired.|- Okay.

Sonja:
|I'll see you at home.

Bye.

- What was that about?|- Hey, she needed a partner.

- And you happened to volunteer?|- She chose me.

I'd never say|anything, Leon.

Nik:
Pete!

G'day, Nik.

How are you, mate?

Drove by to see Jane.|Doesn't look like she's in.

Did you see her tonight?

No.

You don't know|where she is then?

No, sorry.

How is she?

The last time|I saw her, okay.

That's good.

- How are you going?|- Good.

Good.

It's late.|I thought she'd be home.

Sorry,|I haven't seen her.

If there was something|I should know, you'd tell me?

'Cause...

if she's seeing someone,|I'd want to know.

It'd be easier.

Of course.

I hate this.

- Thanks, man. See you later.|- Take care.

So why did you|and your husband split up?

I don't know.|I just turned around one day

and I realized I was living with a man|I didn't love anymore.

- It was that simple?|- No.

But you knew that much.

Maybe my expectations|were too high.

You're a brave woman.

You are.|Most people settle for less.

I really like you, Leon.

Maybe a little too much.

But I'm--

I'm starting|to wonder just...

where this might go.

I'm still in love|with my wife, Jane.

Right.

Leon:
I'm sorry.

So...

I'm wondering why--

why have you been seeing me if|you're still in love with your wife?

I don't know.

It's not something|that I planned.

Look, Jane, I--

This doesn't have|to end badly.

Just go.

Jane:
Just go. Go.

It's twofold actually.|He thinks he runs the faculty,

but he hasn't published|anything decent since 1 985.

You seem preoccupied.

I'm having trouble|with a client.

I'm not handling him|very well.

Refer him on.

I find him|a little threatening.

Why?

I don't like...

- what he's doing.|- You're judging him.

Darling, you have|to refer him on.

I'll see you outside.

Excuse me.

I hate what's happening to us.|I hate it.

We don't talk anymore.

We lost our daughter.

That could have|brought us closer.

Do you think|about her very much?

Of course I do.

I just don't need|to write a book about it.

Do you think|I did the wrong thing?

I just wanted the whole...

world to know.

Look at me, John.

Look at me.

( bird chirping )

Nik:
Come on, kids.|We're late for school.

Paula:
|Watch the road.

Come on. In you get.

- Nik:
Goodbye, love|- Paula: Bye, Derek.

( baby crying )

Hi.

Hi.

Are you okay?

Yeah.

I'll pop around|after work.

Okay.

Claudia:
Hey, Nik.

You want coffee?

Yeah, sure.

Pete was over|last night.

How is he?

Not good.

How's the job hunting going?

Are you guys|all right for money?

- Yeah.|- Yeah?

'Cause if you need some money,|I'll be more than happy to--

No.

I know Paula|wouldn't take it.

She's doing|extra shifts now.

You sure there's no bill|you want to clear?

It's fine.

- The offer's there.|- ( baby cooing )

- Thanks.|- It's all right.

Why didn't you wake me up?

I thought you could do|with the rest.

- I'll go have my shower.|- Actually, I've got an early start.

- I'll only be 1 0 minutes.|- Just take your own car.

- Come on, wait for me, please.|- Jesus.

Sorry.

I have a lecture|tonight anyway.

So, you'll be home late?

Yeah.

Bye.

I think|he's having an affair.

He's distant,|preoccupied,

like he's holding something|back from me.

What would you do|if he was?

I--|I think I'd leave.

Yeah.

And does that|scare you?

Yeah.

I'm--

I'm middle-aged. I don't know|what it's like out there.

You know?

And I have these two...

beautiful boys.

But I--

I would survive

if I had to.

I like being this age.

And I--

I like the lines|around my eyes.

I don't know|if he does, but...

I do.

It's not that he might have slept|with another woman,

you know?

It's that he might|not tell me.

That would be|the betrayal.

Do you still love him?

( cell phone rings )

Assistant:
Valerie?|Patrick Phelan is here.

Give me a minute, okay?

- You don't like me, do you?|- Is it important to you?

Would it make a difference|if I were straight?

I don't have a problem|with your sexuality.

But it is a problem that I'm having|an affair with a married man.

You must stop trying|to make me the subject.

It's just another form|of defense.

I'm curious about|your role in this triangle.

My role?

I'm a respite from a marriage|that's gotten too hard.

How?

He takes refuge in me.

- In what I offer him.|- What do you offer him?

Sex unencumbered by need.

Why doesn't he leave her?

Good men don't know|how to leave their wives.

Good men|or cowardly men?

He told me that making love|to her was like

trying to fill|an empty well.

What did you say?

What?

- You said something to me.|- No, I didn't.

- Yes, you did!|- I didn't say anything.

- You heard him, didn't you?|- This is bullshit--

- Bullshit?|- Yeah.

I want your name.|Give me your name!

I want your name!

A bourbon, please.

A double bourbon with ice.|Thanks.

You all right?

Yeah.

You sure?|You don't look all right.

What?|Are you a cop?

Yeah.

Really?

Really.

Sorry, I just--

something weird|really happened.

I was walking and this woman|started yelling at me.

She thought|I said something to her.

- What for?|- I don't know.

I was walking down the street|and she went nuts.

- Did you?|- No.

I didn't do anything.|I don't do stuff like that.

Rate this script:0.0 / 0 votes

Andrew Bovell

Andrew Bovell (born 23 November 1962) is an Australian writer for theatre, film and television. more…

All Andrew Bovell scripts | Andrew Bovell Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Lantana" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/lantana_12214>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Lion King" released?
    A 1994
    B 1993
    C 1996
    D 1995