Lantana Page #3

Synopsis: Trust. A dead body in bracken. A cop cheats on his unhappy wife who, in secret, sees a psychiatrist whose own marriage is corroded by grief: she thinks her husband is having an affair with a gay patient of hers. The cop's lover, Jane, is recently separated, and her neighbors - a couple with children - include a muscular unemployed man. Late one night, the doctor skids off a back road, finds a call box, and tries in vain to reach her husband. She sees headlights and flags down the driver. Later that night, Jane sees her neighbor park his truck and throw something into the lantana in a vacant lot. It's a woman's shoe. Unraveling the mystery lays bare five couples.
Director(s): Ray Lawrence
Production: Lions Gate Releasing
  36 wins & 22 nominations.
 
IMDB:
7.3
Metacritic:
84
Rotten Tomatoes:
90%
R
Year:
2001
121 min
$4,277,569
Website
530 Views


Take it easy.|I believe you.

Sorry. It was just|really weird and--

now you're a cop,|so that's really weird. Sorry.

You want another drink?

Yeah. Thanks.

Same again.

Paula:
Sharon said|there's a booze bus on the freeway.

Nik:
I'll take|the backroad home.

- Hannah!|- Yeah?

Grab Dad's wallet|from the kitchen.

Hannah:
Yeah.

Hey.

- She asked me for coffee this morning.|- Who?

- Jane.|- What for?

- I don't know.|- Hannah: I can't find it!

It's near the fridge.

I don't know.

She's trying|to come on to me.

What?

She's lonely, Nik.

And you're bored.|That's a lethal combination.

Stay away from her.

What's the matter?

You're a bit jealous, huh?

Huh?

You ever f*** with our marriage,|and I cut your balls off.

I'll hang them on the lawn,|between your socks and your jocks.

Got it?

Sure, babe.

Wake me up|when you get home. Huh?

I'm running down|this hill,

and I go|around this corner.

And suddenly,|there's this guy, and bam!

Right into him. Right away,|I'm going after him...

''You f***ing prick!|Look where you're going.''

- But it was your fault.|- Well, yeah.

I don't know|why I went at him.

It was just-- my buttons|got pushed or something.

Anyway,|so I look down,

and there he is,|on the ground, cowering.

- Huh?|- He's got blood on his face...

- and he broke his f***ing nose.|- Oh no.

And he gets up and|he starts to role-play.

- And that's when it happens.|- What?

- He starts to cry.|- What for?

I don't know.|What makes a man cry like that?

Yeah, a lot of things.

So what did you do?

I just held him.

I just stood there|and I held him.

But the whole time|I was thinking,

''You f***ing weak prick,|pull yourself together.''

- Don't you want to cry sometimes?|- Yeah, but--

- you don't, do you?|- Mmm.

Hey.

We ordered your food,|but we ate it.

What's that smell?

- Where's your mom?|- Dancing.

- Where's your brother?|- Upstairs.

Sh*t.

Sam!

Sam?

Sam! Sam!

What the f***|is going on?

For Christ's sake,|I'm a cop!

- All right, you get the good stuff.|- Don't you smart-mouth me.

- What's going on?|- Your brother is being an idiot.

- So what's new?|- Did you know about this?

Have you tried it?

If you ever give|your brother that sh*t--

- As if I'd give--|- Shut up!

- No--|- Shut up!

Give your brother this stuff, I'll|give you a thumping you won't forget.

I don't care how big you get!|Give me the rest.

Sam:
That's it.

Get downstairs.

- You're grounded, mate.|- What?

( engine stalling )

Oh sh*t.

Oh God.

( Latin music playing )

You're a very|beautiful woman, Sonja.

I'd like|to f*** with you.

Can I have a whiskey,|dry please?

Excuse me.

Hello.

You look like|you're enjoying yourself.

Yeah, I am.

It's good you're having fun,|while our son's at home smoking pot.

I know.

I told him if he's gonna do it,|he should do it at home

- so we can control it.|- Why didn't you tell me?

Because you haven't been|around much lately.

I'm not having drugs|in the house.

What are you gonna do?|Banning it won't solve the problem.

- What are you doing here?|- What?

What are you doing here?

Most of the guys here|aren't much older than our son.

- I thought we'd go back to your place.|- We can't. My mother.

Wait. Slow down.

Stop. Get off.

Man:
Jesus!

What's wrong?

I'm sorry.

This was a bad idea.|Sorry.

F***ing uptight b*tch!

Hello?

Recording:
You found John and Valerie.|Leave a message after the tone.

( beep )

Valerie:
Hi, it's me.|Are you there?

Okay,|I've had an accident.

I'm okay.|I can't get the car started.

I'm on the backroad and--

I just wanted to get home.

I'll try your mobile. Bye.

I called road services.|There'll be a 90-minute wait.

Where are you?|You didn't say you'd be late.

I can't stand this!

Please...

Please, I need you.

- ( beep )|- John?

There is a man.

Patrick.

He's a client and he's--

he's gay.

I don't understand this.|I don't understand...

us...

anymore.

I don't want this|to be happening to us.

Oh...

There are lights.

There's a car coming.|I'll wave it down.

Wait for me.|We'll talk when I get home, okay?

Bye.

I love you.

- You need sleep.|- You wish.

- What have we got?|- Locals got a call, about 1 2:30 AM

from the husband. He gets home late,|his wife's not there.

She's left messages on the answering|machine, saying she ran off the road,

she's making a call from a phone box,|about 2kms down the road.

Last call says she saw a car coming,|she's gonna wave it down.

But she never makes it.

$50 says|it's the husband.

You're on.

Mr. Somers?

Knox. My wife's|name's Somers.

I'm Detective Zat.

This is my colleague,|Detective Weis.

We've located|your wife's car, Mr. Knox.

Do you mind if we come in?

Mr. Knox, it appears that|your wife ran off the road.

There's a telephone box|several kilometers further along.

- Should I go there?|- We're conducting a search, but...

if she accepted a lift from somebody,|it's unlikely she'll be there.

Would you mind answering|a few questions?

I've been through all this|with the police.

I know, but would you mind telling me|what happened last night?

I got home around midnight.

Her car wasn't here.

I came in,|I checked the machine.

There were|a couple of calls.

The last message said|there was a car coming

and she was going|to wave it down.

- That's when you called the police?|- No, I waited about 20 minutes.

- That's how long it would have--|- So you called at about 1 2:20?

Yes, more or less.

Do you have a photo of your wife|we could have, please?

Thank you.

How was your wife|yesterday?

- Fine.|- Nothing troubling her?

No.

I am trying to find out|about your wife's emotional state.

Right now, I'd say|it's pretty bad, wouldn't you?

None of this|is particularly pleasant.

- I can imagine.|- Imagine what? You're married?

Yeah.

If your wife got|into a stranger's car--

a man, let's assume--|and didn't come home,

what would you imagine?

Right now,|I'd be going mad.

Yeah.

Mr. Knox,|we need the tape.

She--|this is private.

- In what sense?|- She's upset.

She wasn't expecting anyone|to listen to it.

I'll make sure|this is returned to you.

- You didn't wake me up last night.|- I got in late.

What's with the face?

- I fell over.|- You were pissed?

A little.

Come on, kids.

You packed your bag, Hannah?

- Quickly. Come on.|- Hi!

- Hi.|- Hi.

Seatbelts on, quickly.

- Nik got in late last night.|- Got nothing better to do than spying?

Jane:
What?

- What?|- You know,

don't invite Nik in for coffee|when I'm not here.

All right?

Paula?! Hey.

That's|the appointment book.

All her notes and session tapes|are kept in a filing cabinet.

- Do you mind?|- No.

- How was she yesterday?|- All right.

Is she the kind of person|that would get into a stranger's car?

No.

Not after what happened|to her daughter.

Sarah, I'd like you to print me|a list of her current clients,

- addresses and phone numbers too.|- Is that ethical?

Probably not.

( baby crying )

Sonja, on tape:
|It's not that he might have...

slept with|another woman...

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Andrew Bovell

Andrew Bovell (born 23 November 1962) is an Australian writer for theatre, film and television. more…

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Submitted on August 05, 2018

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