Leap! Page #4
And you'll see
how radiant you are...
- It's incredible!
- (RUDI LAUGHS)
They'll never
bring you down...
(SCREAMS)
'Cause you're unstoppable...
Last time we met,
I was so very rude.
(SPEAKS RUSSIAN)
Let me introduce myself.
I am Rudolph Dimitriev
Stanislaw Artiem Rankovsky...
(SPEAKS RUSSIAN)..the Third.
Don't worry.
Everyone finds it hard at first.
But you and I are unique,
and we do not
follow silly rules, yes?
(LAUGHS) How is that pick-up line
working out for you?
It is no line.
I say it only to you, Camille.
Just to you.
(GASPS)
- Et hop!
- (YELPS)
- (SCREAMS)
- Minoushka!
(SCREAMS)
Uh, are you alright, Camille?
Yep! I'm OK!
There's this boy, Rudolph,
who, it turns out,
is a real Russian prince
with a castle and peacocks
and cheekbones!
And he took me
on the roof of the Opera,
and he was looking at me
like this.
Then like this.
And then once like this.
Wait! Uh, a boy?
What type of boy?
Peacocks?
What type of cheekbones?
- And Rudolph?
- He's a friend.
He says I'm gonna be
everything I wanna be.
I say that too!
But he's deep as well.
Deep? (LAUGHS)
Yeah, well, I have these.
Ta-da!
Whoo-hoo. Doors.
Yes, the doors to the atelier
of my new boss,
engineer, genius.
If you saw what was
behind these doors,
I would have to kill you.
Ahh!
Looks like you're gonna
have to kill me, then!
(LAUGHS)
Oh la la!
What's that?
The Statue of Puberty,
soon to go to America!
But it is a super secret,
so you did not see it, OK?
OK.
So, here's my office,
the home of big ideas
and genius.
For example,
here we see the plans
Oh! Aaah! Ahem!
At the moment, my boss and I
are working on several,
uh, important...
(CHUCKLES)..inventions.
He, uh, he... (GRUNTS)
Do you know how
to use all this stuff?
Uh, not yet,
but I... I have a chair!
Whoa! Whoa! Whoa!
Ha!
- Oh, hey, Victor!
- He's the cleaner.
(WHISPERS) He's two sandwiches
short of a picnic.
(GRUNTS) So the pencils
all need sharpening,
and the boss wants us to polish
his boots for tomorrow.
(VICTOR CHUCKLES)
So, your big boss calls you
his ideas man, huh?
Well, uh,
he... he has the ideas,
and I think they're great.
But it's a start!
Hey, Victor,
you were right for once.
Dreams can come true!
Oh! Oh! Oh no!
(YELPS)
(LAUGHS AND GROANS)
First position, second,
third, fourth, fifth.
These five positions form
the basis of everything.
First position, second,
third, fourth, fifth.
Now you jump.
First position, second,
third, fourth, fifth.
And pose and smile!
(WHIMPERS)
It's when you're tired
that you start to progress.
(PANTS)
You were a dancer, weren't you?
- (CHUCKLES)
- No more questions.
- (SCREAMS)
- Again!
(WHIMPERS)
Oh, to reach, you might need
to stand on your pointes.
Feel the balance. Oh!
Your toes must be
as flexible as willow
and hard as a rock.
(SNORES SOFTLY)
- (GRUNTS)
- (YELPS)
First position!
Uh-uh-uh!
No hands allowed.
What?
- Try this way.
- Oh! Stop! Stop!
Oh!
(RASPS) You were a dancer,
weren't you?
ODETTE:
Of course I wasa dancer, Sherlock Holmes.
(SHRIEKS)
To pirouette,
you must become
the mistress of your dizziness.
Stare at a spot,
and don't ever lose it.
OK, now come to me,
and don't spill the water.
(SHRIEKS)
Whoa!
(WHIMPERS AND GRUNTS)
- Cheers!
- Cheers!
SONG:
When you ask me to jumpI say how high...
Try to introduce your left foot
to your right foot.
See if they can
get along one day.
I'm waiting in line
But now that it's time...
There's a bright future for you
as a candle seller.
(LAUGHS)
I'm gonna take
what's mine...
First position!
Second! Third!
Fourth, and rest in fifth.
Thank you, mam'selles.
- (PANTS)
- That was... better!
Thanks!
I'm ready to do
that crazy, jumpy thing.
(LAUGHS) And I'm
the Empress Josephine.
- I am!
- Of course you are,
but there's a difference
between being ready
and being ready to do it well.
That's why we train every day.
That's all we've been doing!
And then you'll be ready when
you can answer the question,
"Why do you dance?"
I've answered it!
It's my dream!
(GRUNTS)
(GASPS)
Oh! Oh!
Ow! Ow!
Oh!
By the way, that crazy jumpy thing
and you're not ready.
Are you doing dance
or kung-fu? (LAUGHS)
You are SO funny.
This is Victor. We escaped
from the orphanage together.
Hello!
I am loving your apron.
(GROANS) It seems that
you are going out tonight.
Yep!
Bring her back late
and you will be six inches smaller.
Of course, of course, of course!
It's a quiet, sober,
quiet, sober thing.
- Breton music?
- Whoa!
(BOTH CHEER)
VICTOR:
Whoa! Excuse me!(BAND PLAYS SPRIGHTLY TUNE)
Whoo!
- I love it here!
- Whoo!
Let's party!
Did you say
you loved me or the bar?
- Yeah!
- Whoo!
Whoa!
(VICTOR LAUGHS) Wow!
Whoo!
- (PATRONS GASP)
- That's my girlfriend!
You're a lucky guy!
(WHOOPS)
Oh, wow!
(GRUNTS)
Oh! Oh!
(GASPS)
I hope that tomorrow you act
with a little more dignity.
(WHIMPERS)
Anyway, tonight was...
a good performance.
Thank you, sir.
- Whoo!
- Whoo-hoo!
(LAUGHS) I have no idea why
you're happy, but it is great!
(LAUGHS) Whoo!
Well, I'd better go in.
I've got my audition tomorrow.
Of course! Sleep well.
And I... I...
- What?
- I think you're, uh...
I think you're great.
Thanks.
- What are you doing?
- Uh, oh, nothing!
(LAUGHS) I'm stretching.
Yeah, gotta...
Ooh, gotta get that one!
OK! Yeah, it's best I leave.
(CHUCKLES)
(MUTTERS) Stupid,
stupid, stupid!
- Hey, Victor!
- Uh-huh?
I had the best time.
Thanks!
Goodnight, Felicie.
Oh, sorry.
Mademoiselle Camille Le Haut.
- (GIGGLES)
- (LAUGHS)
(WHISTLES HAPPILY)
- (CAMILLE SOBS)
- REGINE:
Wretch!I want her put in prison!
She stole my life,
my honour and my name!
I want it back! (SOBS)
- (WHISPERS) Too much.
- OK.
What is your name?
(SIGHS)
My name is Felicie Lebras.
I come from an orphanage
in Brittany.
I didn't mean to hurt Camille.
I just wanted to be
at the Opera and...
I'm sorry.
Madame...
You traitor!
You knew this!
You stabbed me in the back!
- You are sacked!
- Silence!
Alright, like it or lump it,
here is my deal.
Miss Le Haut,
you may enter the coryphe class
starting tomorrow.
And you will also
be in the auditions
for the part in 'The Nutcracker'.
But I want to be clear,
if you sack Madame Odette,
I will sack Camille.
You!
You made a terrible start
to the classes,
and you have lied
and cheated to be here.
(SIGHS)
But you have also
shown great promise,
and you've worked hard
and shown your dedication.
You must have a good teacher.
So you may also stay
in the auditions.
If you get the part in 'The Nutcracker'
fair and square,
If you fail to get the part,
then you must leave the Opera.
- Is that clear?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Leap!" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/leap!_12360>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In