Les espions Page #2

Synopsis: A psychiatrist, desperate for money to keep his faltering practice running, makes a deal with a spy to hide a mysterious person in his clinic in return for a million francs. As soon as the deal is struck his place is overrun by spies from both East and West, all in search of a renegade nuclear scientist. The psychiatrist's own sanity starts to break down as he submitted to unmitigated surveillance and deception.
 
IMDB:
7.0
Year:
1957
125 min
44 Views


You call that brushed?

Where's your hairbrush?

There's no hairbrush.

Do you want to make me angry?

Come on, I'm not angry.

I'm just pretending.

You didn't even say hello.

Say hello. Repeat after me.

Hel-Io.

It still won't come out.

Never mind. Tomorrow.

There's no hurry now. Look!

The money I earned for you.

You'll be able to stay here as long

as necessary, until you're cured.

Until you become pretty again.

Like before your illness.

Don't cry!

Don't cry or I'll leave.

Smile.

Won't you smile for me?

That's better.

I'll be back in five minutes.

Go on! I'm coming back.

Mrs Andr, you've got a nerve!

I'm not Mrs Andr. I'm replacing her.

I'm informing myself.

About what? What are you talking about?

Who are you?

My name's Constance Harper.

But everybody calls me Conny.

Mrs Andr doesn't need

a replacement!

- Are you sure?

- Of course I'm sure.

Mrs Andr? Mrs Andr!

Mrs Andr? Where are you?

- Where is she?

- She left.

Without telling me?

I don't believe you.

Believe me, Doctor.

Mrs Andr left this morning.

She took the first train to Saint-Flour

to visit her family.

Her family? How do you know

she has family in Saint-Flour?

- We know many things.

- Who sent her there?

- You.

- Me?

You know. This morning

the cook gave her a letter from you.

No way!

Clotilde!

Do you fancy red currant jam?

Who are you?

What are you doing here?

- We're eating.

- What are you doing in my house?

- We don't know. We're here in case.

- In case of what?

We haven't been told.

And you? Who are you?

I'm Doctor Malic,

the director of this clinic.

Excuse us, we didn't know.

Clotilde shouldn't have let you in.

Answer me, for God's sake!

- Looking for someone?

- The cook!

- We gave her the sack.

- Who did?

- Lon.

- She was rude to Pierre.

You're messing me around!

Please leave immediately.

- You won't leave?

- Not without orders.

I order you to leave.

Funny guy.

You've got a sense of humour, Doc.

- You aren't from the organisation.

- What organisation?

Don't try to make them talk.

They'd be stupid to answer.

The consequences are severe.

I'm just trying to make them leave.

I don't want them here!

- What about me?

- The same goes for you!

You should have

thought about it earlier.

When you commit yourself,

you must think of the consequences.

- I didn't commit...

- We're here for a reason.

My employers never make mistakes.

- What's that?

- My expenses.

- Go on, make yourself at home!

- One moment, Doctor.

Taxi:
940 francs.

You took a taxi?

- We were at the station...

- Bus, like everybody else.

Telephone:
30 francs.

To call who?

You're not going to quibble

over 30 francs.

I'm not the Kremlin

or the White House.

I'm a poor woman

struggling to make ends meet.

You're rich!

And you pay us peanuts.

Nobody forced you to take the job.

Lon... What kind of person

have we landed up with?

A b*tch! You didn't know?

They'll get use to it,

you'll see, Doctor.

Well, I won't!

Do me a favour and clear off!

I don't think so.

- Will you shove off?!

- If the decision was mine...

Then scarper! Quick!

Don't make me resort to drastic...

Very well.

I'm going to the authorities.

Doctor.

Don't do that. Believe me.

Fancy that! You're scared.

Me?

I'm saying it for your sake.

The authorities...

the less you see them, the better.

We'll see.

Please, not now.

Get back inside, or you'll catch a cold.

Hello, Doctor.

Louis isn't here?

No, the poor guy broke his leg

last night on his way home.

He sent a replacement.

That's nice of him.

- You too...

- Me too, what?

Nothing... A coincidence.

- A glass of Muscadet, Doctor?

- What?

- You drink Muscadet, don't you?

- Yes...

Victor already knows

the clients better than I do.

Who are these people?

They're not from around here.

A congress of ocarina players.

They're here for a few days.

- Yes... Give me a phone line.

- Is your phone out of order?

I can't get that number from home.

- We'll call telephone exchange.

- No need.

It's very easy. What's the number?

I'm not sure what the number is.

Give me the phone book.

You've got a cheek!

Sorry, I thought you were

looking for your number.

Hello. The US Embassy?

Could you give me the number

of the Institute of Psychological War?

My name? Is it really necessary?

Dr Malic. Villa Les Glycines

in Maisons-Lafitte.

For personal reasons, Miss.

I wish to get in touch

with a member of the Institute.

No, I can't give you his name...

Strictly personal reasons.

Colonel Howard.

No, I can't talk any louder!

Howard. Yes, I'm waiting.

Can you go further away

while I'm on the phone?

You haven't found Colonel Howard?

Nobody knows him?

But at the Institute... The Institute exists.

The Colonel told me...

No, he didn't ask me

to call him back here.

It's strange.

Well, forget what I said.

No, I'm asking you

to please forget this conversation.

You don't have to keep

a record of all calls!

I'm not saying it's not your duty.

No! Miss, you're going too far!

Asking you to forget this conversation

isn't part of the conversation.

You have no right to record it.

Right... very well.

Goodbye, Miss.

You made your phone call?

The person wasn't in.

I got the operator.

Some operators shouldn't be trusted.

They know more than managers.

Of course,

they hear all the conversations.

I know all about it!

What a mess!

Are you proud of yourself?

I can't even leave for five minutes.

One day, you'll set the house on fire.

You want me tie you to your bed

like a baby? Do you?

What have you got in your head?

What's in there?

You think I don't have

enough problems already?

Who did I put myself

in this situation for?

For you.

To have some money.

To be able to cure you.

To keep the clinic so you don't

have to go back to your family.

Is this how you thank me?

I really want to help you.

I really...

Come on, darling, be quiet.

Let me go. Lucie! I'm coming back.

Were you spying on me

when I was with Lucie?

Me? I've been here all the time.

Do your job but don't go near

my patients. Understand?

- Yes, Doctor.

- What's this farce?

- We mustn't raise suspicions.

- You think you look like a nurse?

I don't know, but the people

who just came in treated me like one.

- People? Who did you let in?

- Two clients.

Already?

Pass me my coat.

- Who's first?

- I'm very busy.

If this gentlemen would excuse me...

Sorry, I was here first.

I have a radio show in half an hour:

France speaks to Lithuanians. Live.

- Doctor.

- It's off-peak...

- Are you ill?

- Barmen can't be ill?

Victor, we're neighbours.

Come back tomorrow.

I'll come back, but it's not fair.

Which one of you gentlemen...

- I'll just be a minute.

- I know your minutes. In Berlin in '47...

And Port-Said in '51...

We're not going to start that again!

You know each other?

Long-standing sick people

have many opportunities to meet.

We're always wondering

which one will outlive the other.

Whenever you're ready, sir...

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Henri-Georges Clouzot

Henri-Georges Clouzot (French pronunciation: ​[ɑ̃ʁi ʒɔʁʒ kluzo]; (1907-11-20)20 November 1907 – (1977-01-12)12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s. Clouzot also directed documentary films, including The Mystery of Picasso, which was declared a national treasure by the government of France. Clouzot was an early fan of the cinema and, desiring a career as a writer, moved to Paris. He was later hired by producer Adolphe Osso to work in Berlin, writing French-language versions of German films. After being fired from German studios due to his friendship with Jewish producers, Clouzot returned to France, where he spent years bedridden after contracting tuberculosis. Upon recovering, Clouzot found work in Nazi occupied France as a screenwriter for the German-owned company Continental Films. At Continental, Clouzot wrote and directed films that were very popular in France. His second film Le Corbeau drew controversy over its harsh look at provincial France and Clouzot was fired from Continental before its release. As a result of his association with Continental, Clouzot was barred by the French government from filmmaking until 1947. After the ban was lifted, Clouzot reestablished his reputation and popularity in France during the late 1940s with successful films including Quai des Orfèvres. After the release of his comedy film Miquette et sa mère, Clouzot married Véra Gibson-Amado, who would star in his next three feature films. In the early and mid-1950s, Clouzot drew acclaim from international critics and audiences for The Wages of Fear and Les Diaboliques. Both films would serve as source material for remakes decades later. After the release of La Vérité, Clouzot's wife Véra died of a heart attack and Clouzot's career suffered due to depression, illness and new critical views of films from the French New Wave. Clouzot's career became less active in later years, limited to a few television documentaries and two feature films in the 1960s. Clouzot wrote several unused scripts in the 1970s and died in Paris in 1977. more…

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Submitted on August 05, 2018

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