
Lincoln Page #28
for Willie because I couldn't
permit it in myself, though I
wanted to, Mary. I wanted to crawl
under the earth, into the vault
with his coffin. I still do. Every
day I do.
Don't... talk to me about grief.
(BEAT:
)I must make my decisions, Bob must
make his, you yours. And bear what
we must, hold and carry what we
must. What I carry within me - you
must allow me to do it, alone as I
must. And you alone, Mary, you
alone may lighten this burden, or
render it intolerable. As you
choose.
She opens her mouth to make an angry reply, then stops, and
watches as he leaves the room.
INT. ODD FELLOWS' HALL, WASHINGTON - NIGHT
Onstage, Gounod's Faust, Act Three, scene eight, the garden
outside Marguerite's cottage, a gorgeously romantic night.
MARGUERITE and FAUST are alone singing. The Lincolns, in
their box, watch quietly. Elizabeth Keckley sits next to
Mary.
87.
Mary turns to Lincoln. They speak in whispers. Mrs. Keckley
tries not to listen but she can't help hearing what they say.
MARY:
You think I'm ignorant of what
you're up to because you haven't
discussed this scheme with me as
you ought to have done. When have I
ever been so easily bamboozled?
(BEAT)
I believe you when you insist that
amending the constitution and
abolishing slavery will end this
war. And since you are sending my
son into the war, woe unto you if
you fail to pass the amendment.
LINCOLN:
Seward doesn't want me leaving big
muddy footprints all over town.
MARY:
No one ever lived who knows better
than you the proper placement of
footfalls on treacherous paths.
Seward can't do it. You must.
Because if you fail to secure the
necessary votes, woe unto you, sir.
You will answer to me.
EXT. THE PORTICO OF THE WHITE HOUSE - A SHORT WHILE LATER
The carriage has pulled up and Mary is entering the White
House. Lincoln helps Mrs. Keckley down from the carriage.
She hesitates before proceeding in. Then she faces Lincoln.
ELIZABETH KECKLEY
I know the vote is only four days
away; I know you're concerned.
Thank you for your concern over
this, and I want you to know:
They'll approve it. God will see
to it.
LINCOLN:
I don't envy him his task. He may
wish He'd chosen an instrument for
His purpose more wieldy than the
House of Representatives.
ELIZABETH KECKLEY
Then you'll see to it.
88.
Lincoln looks at her, considering. Then:
LINCOLN:
Are you afraid of what lies ahead?
For your people? If we succeed?
ELIZABETH KECKLEY
White people don't want us here.
LINCOLN:
Many don't.
ELIZABETH KECKLEY
What about you?
LINCOLN:
I...I don't know you, Mrs. Keckley.
Any of you. You're ...familiar to
me, as all people are.
Unaccommodated, poor, bare, forked
creatures such as we all are. You
expect, and likely our expectations
are not incomprehensible to each
other. I assume I'll get used to
you. But what you are to the
nation, what'll become of you once
slavery's day is done, I don't
know.
ELIZABETH KECKLEY
What my people are to be, I can't
say. Negroes have been fighting and
dying for freedom since the first
of us was a slave. I never heard
any ask what freedom will bring.
Freedom's first. As for me: My son
died, fighting for the Union,
wearing the Union blue. For freedom
he died. I'm his mother. That's
what I am to the nation, Mr.
Lincoln. What else must I be?
INT. A BEDROOM IN THE ST. CHARLES HOTEL - LATE NIGHT
The room is far filthier and more cluttered than before.
Bilbo and Latham are playing cards. Schell is asleep in bed.
W.N. BILBO
My whole hand's gonna be proud in
about five seconds, let's see how
proud you gonna be.
89.
ROBERT LATHAM:
Oh, it is? What you got goin'?
There's a quick knock on the door.
W.N. BILBO
Yeah?
ROBERT LATHAM:
Go away!
(TO BILBO)
That watch fob, is that gold?
W.N. BILBO
You keep your eyes off my fob!
Seward enters, displeased, as they show their cards,
laughing.
ROBERT LATHAM:
Nines paired!
W.N. BILBO
Oh my God damn!
SEWARD:
Gentlemen. You have a visitor.
Latham jovially collects his winnings. He stops short when
Lincoln steps into the room, cloak and stovepipe, very tall.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Lincoln" Scripts.com. STANDS4 LLC, 2025. Web. 26 Feb. 2025. <https://www.scripts.com/script/lincoln_43>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In