
Lisa Page #4
- PG-13
- Year:
- 1989
- 95 min
- 128 Views
( tires squeal )
( shuts off engine )
( car alarm chirps )
( chirp )
( door locks click )
( chirp )
( door locks click )
GREAT. HE'S GO THE SAME CODE I DO.
I'LL HAVE TO
HAVE MINE CHANGED.
( chirp )
( beep )
( chirp, locks click )
YOU'RE LEAVING
HIS CAR UNLOCKED.
THEY RE-ARM THEMSELVES
AUTOMATICALLY.
( deep breath )
YOU DON'T MIND
IF I DRIVE, DO YOU?
( beeping )
( door opens and closes
in distance )
( both cars alarms chirp )
( both chirping,
locks clicking )
( sighs )
( starts engine )
( funky blues riff begins )
NOW WHEN I WAS A LITTLE BOY
I HAD SOMETHING:
IN MY POCKET:
KEEP A LOT OF FOLKS ALIVE
NOW I'M A MAN
MADE TWENTY-ONE
YOU KNOW BABY:
WE CAN HAVE A LOTTA FUN
I'M A MAN
I SPELL "M"
"A"
"N"
MAN:
OHH:
AWWW:
OHH:
AWWW:
AHHH:
OHHH:
( shuts off tape )
( car door closes )
HI.
Lady:
GOOD AFTERNOON.( chirp, locks engage )
( gasps )
( car alarm goes off )
( alarm wailing )
( alarm continues )
I WAS SO SCARED:
I THOUGHT I WOULD DIE!
IF HE FOUND ME,
SO EMBARRASSED.
EMBARRASSED?
LISA, FOR ALL YOU KNOW,
THIS GUY COULD BE
SOME KIND OF A PERVERT.
HE'S NO PERVERT.
HOW COULD A GUY:
WHO LOOKS LIKE THA BE A PERVERT?
BUT STILL, YOU SHOULDN'T --
I GOTTA GO.
SO I'LL TALK TO YOU LATER.
BYE.
( phone ringing )
( ringing )
HELLO?
HI, RICK.
CALL ME "RICHARD."
You don't like
being called Rick?
NO. I DON'T.
Okay...Richard.
YOU DIDN'T CALL YESTERDAY.
I tried.
There was no answer.
WELL, I'M SORRY
I MISSED YOU.
You should get
an answering machine.
Then I could --
I could leave you messages.
DO YOU HAVE ONE?
DOESN'T EVERYONE?
WELL, IT'S NOT FAIR,
THEN, IS IT?
WHAT ISN'T FAIR?
WELL, YOU CAN
LEAVE ME MESSAGES ANYTIME.
I CAN'T LEAVE YOU ANY.
I DON'T HAVE YOUR NUMBER.
SEE WHAT I MEAN?
YOU CAN JUS PICK UP THE PHONE
AND CALL ME:
ANYTIME YOU LIKE.
ALL I CAN DO IS SIT HERE...
AND WAIT.
WOULD YOU LIKE ME
TO STOP CALLING?
OH, NO, NO,
ABSOLUTELY NOT.
IT'S JUST...
I DON'T WAN TO FEEL USED.
AH, BUT YOU
ALREADY ARE.
YOU KNOW WHO I AM,
WHERE I WORK,
WHAT I LOOK LIKE --
I DON'T KNOW
ANYTHING ABOUT YOU.
I WANT TO MEET YOU.
SEE YOU.
AND GET TO:
KNOW EACH OTHER BETTER
AND BECOME...FRIENDS.
FRIENDS? YOU HAVEN' EVEN TOLD ME YOUR NAME.
IT'S LISA.
LISA?
I DON'T THINK
YOUR NAME IS LISA.
BUT IF THAT'S WHA YOU WANT ME TO CALL YOU,
THAT'S FINE.
FOR NOW.
( phone rings )
RICHARD, I HAVE TO GO.
MY OTHER LINE'S RINGING.
I'LL TALK TO YOU LATER.
NO, WAIT --
HI, GUY.
SORRY I COULDN' TALK TO YOU EARLIER.
I'VE BEEN SWAMPED.
BUT I DO HAVE:
WHAT?
YOU COULD GO TO BIG BEAR.
MOM...
OH, MY GOD! THANKS!
YOU'RE REALLY GREAT.
( chuckling )
LISTEN, IT'S GONNA BE
WAY TOO LATE TONIGHT,
SOMETHING FUN TOMORROW NIGHT?
Katherine:
JUST CONCENTRATE.
YOU'LL PUT THIS ONE
RIGHT DOWN THE MIDDLE.
YEAH, SURE, MOM.
YOU KNOW WHA YOU'RE DOING WRONG?
YOU'RE LETTIN' THE BALL
ROLL OVER THE HOLES.
YOU REALLY OUGHTA
LET YOUR DAD:
SHOW YOU HOW:
TO DO THAT RIGHT.
I DON'T HAVE A DAD.
OH.
COULD YOU SHOW ME?
YEAH.
YEAH, I'D LOVE TO.
WHAT YOU GOTTA DO
IS LET YOUR THUMB
COME OUT OF THE BALL FIRST.
OKAY, THUMB OUT FIRST.
YEAH, THAT'S GOOD.
OH, YEAH.
THAT'S GREAT.
COME ON!
COME ON!
COME ON! COME ON!
OH, COME ON!
YEAH!
STRIKE!
UH, SPARE.
WHAT?! I DID I WITH ONE BALL!
SORRY, IT WAS
THE SECOND BALL.
IT'S A SPARE.
AW, COME ON!
YOU GOTTA:
GIVE THE KID:
A BREAK.
YEAH, GIMME A BREAK!
LIGHTEN UP, MOM.
OKAY, OKAY.
WHY DON'T YOU
THANK THE NICE MAN?
MY-MY NAME'S DON.
THANKS, DON.
YEAH, THANKS.
SO DO YOU TWO:
HAVE NAMES?
WE'RE, UH...
WE'RE KINDA HAVIN'
A LITTLE FAMILY TIME
TOGETHER TONIGHT.
OH.
OKAY, I UNDERSTAND.
YOU GUYS HAVE:
A GOOD TIME.
THANKS.
MOM. THAT GUY
WAS REALLY CUTE,
AND HE LIKED YOU.
IT'S MY TURN.
KEEP SCORE.
YOU SURE ARE UPTIGHT.
( sighs )
WELL,
WHAT'S SO STRANGE ABOUT HER?
Lisa:
OH, I DON'T KNOW.SHE JUST MAKES ME SO MAD
SOMETIMES.
WELL, WHAT'S HER PROBLEM?
WELL, A COUPLE OF YEARS AGO,
SHE GOT PREGNAN AND HAD THE BABY,
AND THE GUY DIDN'T WANT TO
SO NOW SHE THINKS
ALL MEN WANT IS...
YOU KNOW.
( chuckles )
WELL, SOME MEN ARE LIKE THAT.
UH-HUH.
BUT, RICHARD, SHE'S GETTING
STRANGER AND STRANGER.
TONIGHT THIS REALLY NICE MAN
CAME OVER TO TALK TO HER.
HE WAS VERY POLITE.
SHE THOUGHT THA HE WAS ON THE MAKE.
WELL, I'M GLAD
WHY?
WELL, HE MIGHT HAVE
HIT ON YOU.
THEN I'D BE JEALOUS.
WE HAVEN'T EVEN MET YET.
I'VE LISTENED TO YOUR VOICE...
THE WAY YOU:
BREATHE INTO THE PHONE...
WHAT?
YOU'RE BEAUTIFUL.
WELL...
THAT'S TRUE.
SEE, I CAN TELL
YOU HAVE A BEAUTIFUL MOUTH
BY THE WAY:
YOU FORM YOUR WORDS.
AND PALE EYES.
BLUE-GRAY.
IS YOUR HAIR:
LONG AND BLONDE?
YEAH.
KIND OF.
WHY ARE YOU:
HIDING FROM ME?
I WANT TO SEE YOU.
( door shuts in hall )
RICHARD, I HAVE TO HANG UP.
NO. WHY?
I HAVE AN EARLY MEETING
TOMORROW.
OKAY, WAIT, WAIT --
I WANT YOU TO:
PROMISE ME SOMETHING.
WE'LL MAKE A DATE.
OKAY.
BYE.
I THINK YOU SHOULD
BLOW THAT GUY OFF.
I MEAN, HE'S MORE
YOUR MOTHER'S AGE
THAN YOURS.
BUT, WENDY, YOU SHOULD HEAR
HE EVEN TOLD ME:
I WAS BEAUTIFUL.
LISA, HE DOESN'T EVEN
KNOW WHO YOU ARE.
AND ANYWAY,
IF HE FINDS OU HOW OLD YOU ARE,
IT'LL ALL BE OVER.
YOU NEVER KNOW.
LISA, LOOK.
JUST DON'T LET THIS GUY
KNOW WHO YOU ARE,
WHATEVER YOU DO.
I MEAN, HE COULD EVEN
TELL YOUR MOM.
I'D BE DEAD.
SEE? YOU'D BE BETTER OFF
SETTING THE TWO OF THEM UP.
MAYBE IF YOUR MOM
HAD A BOYFRIEND:
SHE MIGH LEAVE YOU ALONE
AND LET YOU:
START DATING.
( bell rings )
I'M IN THE FLOWER BUSINESS.
IN THE FLOWER BUSINESS?
I DON'T WANT TO
TALK ABOUT WORK.
OKAY. LET'S TALK ABOU WHERE AND WHEN
WE GET TO MEET.
REMEMBER?
YOU PROMISED.
DO YOU WORK TONIGHT?
I WORK EVERY NIGHT.
FOR A COUPLE OF HOURS.
OH.
WELL, THEN,
MAYBE I'LL JUST DROP BY.
NO, NO.
I-I DON'T THINK
THAT WOULD BE A GOOD IDEA.
UM, I DON'T LIKE TO MIX
BUSINESS AND PLEASURE.
Katherine:
I'M HOME!I'LL BE RIGHT OUT!
OH, HI, HONEY.
HELLO?
OH, GOOD.
YOU'RE READY.
UM, ISN'T THA MY DRESS?
I WAS GONNA:
WEAR THAT TONIGHT.
SORRY. I THOUGH YOU'D WEAR YOUR WHITE ONE.
HELLO?
I'LL BE RIGHT THERE.
OKAY, OKAY.
YES, DEAR.
HELLO!
SORRY, RICHARD.
WHO WAS THAT?
MY GIRLFRIEND.
I HAVE TO GO.
WHAT ABOUT TONIGHT?
I'LL BE WEARING
A SEXY WHITE DRESS.
BYE.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Lisa" Scripts.com. STANDS4 LLC, 2025. Web. 23 Feb. 2025. <https://www.scripts.com/script/lisa_12626>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In