Little Murders Page #6

Synopsis: A girl brings home her latest boyfriend to meet her parents. This is done against the background of random shootings that had just begun in NYC at the time the play was written. How the family's failings are magnified by the social confusion of the times is the crux of the plot.
Genre: Comedy
Director(s): Alan Arkin
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
7.2
Rotten Tomatoes:
63%
PG
Year:
1971
110 min
1,241 Views


in the open?

Why does one decide to marry?

Social pressure?

Boredom? Loneliness?

Sexual appeasement?

Love?

I won't put any of these reasons down.

Each in its own way is adequate.

Each is all right.

Last year I married a musician who wanted

to get married in order to stop masturbating.

Please, don't be startled.

I'm not putting him down.

That marriage did not work.

But the man tried.

He is now separated,

still masturbating...

but he is at peace

with himself...

because he tried society's way.

So, you see, it was not a mistake.

It turned out all right.

Now, just last month I married

a novelist to a painter.

Everyone at the wedding ceremony was under

the influence of an hallucinogenic drug.

The drug quickened

our mental responses...

slowed our physical responses...

and the whole ceremony

took two days to perform.

Never have the words had

such meaning.

Now, that marriage should last.

Still, if it does not,

well, that'll be all right.

For don't you see, any step

that one takes is useful, is positive...

has to be positive

because it's a part of life.

Even the negation of the previously

taken step is positive.

That too is a part of life.

And in this light... and only in this light...

should marriage be viewed

as a small, single step.

If it works, fine.

If it fails, fine.

Look elsewhere for satisfaction.

To more marriages, fine.

As many as one wants. Fine.

To homosexuality? Fine.

To drug addiction?

I will not put it down. Each of these

is an answer for somebody.

For Alfred,

today's answer is Patricia.

For Patricia,

today's answer is Alfred.

I will not put them down for that.

So what I implore you both...

Patricia and Alfred...

to dwell on while I ask you these questions

required by the state of New York to...

legally bind you...

sinister phrase, that...

is that not only are the legal questions

I ask you meaningless...

but so too are the inner questions that

you ask yourselves meaningless.

Feeling one's partner

does not matter.

Sexual disappointment

does not matter.

Nothing can hurt if you do not see it

as being hurtful.

Nothing can destroy if you do not

see it as destructive.

It is all part of life...

part of what we are.

So now, Alfred...

Y"Do you take Patricia to be

your lawfully wedded wife...

to love..."whatever that means...

Y"to honor...

to keep her in sickness, in health,

in prosperity and adversity..."

What nonsense!

"Forsaking all others..."

What a shocking invasion of privacy.

Rephrase that to more sensibly say...

"If you choose to have affairs, then you

won't feel guilty about them."

"As long as you both shall live..."

Or as long as you're not

tired of one another.

- Yeah.

- And, Patsy...

Y"Do you take Alfred to be

your lawfully wedded husband, to love..."

That harmful word again. Could not one

more wisely say..."communicate"?

"To honor..." I suppose by that it means you

won't cut his balls off, but some men like that.

Y"To obey..."

Well, my first glance at you told me

you were not the type to obey.

So I went to my thesaurus, and I came back

with these alternatives.

"To show devotion, to be loyal...

to show fealty, to answer the helm,

to be pliant."

General enough, I think, and still leave

plenty of room to dominate.

"In sickness, in health..." and all the rest

of that gobbledygook...

Y"so long as you both shall live?"

[Grunting Softly]

[Mumbles Quickly]

I do.

Alfred and Patsy...

I know now that whatever you do...

will be all right.

To Patsy's father, Carol Newquist...

I've never heard that name on a man

before, but I'm sure it's all right.

I ask you, sir, feel no guilt...

over the $250 check you gave me

to mention the Deity in the ceremony.

What you have done is all right. It's part

of what you are, part of what we all are.

And I beg you not to be overly perturbed when

I do not mention the Deity in the ceremony.

Betrayal, too, is all right.

It too is part of what we all are.

And to Patsy's brother,

Kenneth Newquist...

with whom I had the pleasure

of a private chat...

I beg you feel no shame.

Homosexuality is all right.

Really it is.

It's perfectly all right.

[Kenny]

Son of a b*tch!

Oh, it's all right.

Really, it's all right.

- [All Yelling]

- Hitting people is all right.

- [Kenny Yelling]

- Police! Police!

It's all right.

It's all part of life.

Police!

Really, it's all right.

Beautiful.

[All Yelling]

Police! Police!

[Kenny]

F*ggot! F*ggot!

- All right.

- F*ggot!

It's all right.

Really, it's all right.

[Ringing]

- What?

- Hi!

Mother's hysterical,

Daddy's collapsed...

and Kenny's disappeared

with my wardrobe!

I hope you're satisfied

with your day's work!

I thought it was a very nice ceremony.

A little hokey...

Alfred! What's gonna become of us

if you go on this way? Weren't you there?

I want to know when and what

in God's name you use for feelings!

- I feel!

- You don't feel!

- Have it your way.

- Ah! There you go again. You won't fight.

But you knew I wouldn't fight

before you married me.

If you don't fight,

you don't feel!

If you don't feel,

you don't love!

- I don't know what love is.

- [Frustrated Groan]

[Phone Ringing]

- [Heavy Breathing]

- [Screams]

[Sighs]

- And where were you going?

- I thought it was over.

I'm glad you're back, Patsy.

Oh! Kissing you

is like kissing white bread.

What is it with you, Alfred?

I've never had a man do this to me before.

It isn't just pain you don't feel.

You don't feel pleasure.

- I do feel pleasure.

- About what?

- A lot of things.

- Name one.

- My work.

- Oh, name another.

- Sleeping.

- Work and sleeping. Oh, that's just great.

- What about sex?

- Makes you sleep better.

Alfred! Do you mean

half the things you say?

You must feel something.

Alfred.

Jesus Christ!

- Alfred, why did you marry me?

- You're comfortable.

I am not comfortable!

If you knew anything about me, you would

know that I am not comfortable.

- Do you know why I married you?

- I'm comfortable.

I married you because

I wanted to mold you.

I love the man I wanted to mold you into,

but you're not even there.

How can I mold you

when you're not there?

Come back here. Alfred.

Honey...

I don't wanna hurt you.

I want to change you.

I want to make you see

that there is some value in life...

that there is some beauty,

some tenderness...

some things worth reacting to,

some things worth feeling.

What do you want out of life?

Just survival?

And to take pictures.

Of sh*t?

It's not enough!

[Groans]

- Here.

- What's that? A summons?

It's a questionnaire. Here.

- I'm sending you to Chicago.

You're gonna see your parents.

- Patsy.

You're gonna ask them these questions...

these questions on this questionnaire.

- What do you mean? Like, was

I a happy or unhappy child?

- That's very good.

- Was I breast-fed or bottle-fed?

- Oh, excellent.

- What are you trying to prove?

- You are going to record their

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Jules Feiffer

Jules Ralph Feiffer (born January 26, 1929) is an American syndicated cartoonist and author, who was considered the most widely read satirist in the country. He won the Pulitzer Prize in 1986 as America's leading editorial cartoonist, and in 2004 he was inducted into the Comic Book Hall of Fame. He wrote the animated short Munro, which won an Academy Award for Best Animated Short Film in 1961. The Library of Congress has recognized his "remarkable legacy", from 1946 to the present, as a cartoonist, playwright, screenwriter, adult and children's book author, illustrator, and art instructor.When Feiffer was 17 (in the mid-1940s) he became assistant to cartoonist Will Eisner. There he helped Eisner write and illustrate his comic strips, including The Spirit. He then became a staff cartoonist at The Village Voice beginning in 1956, where he produced the weekly comic strip titled Feiffer until 1997. His cartoons became nationally syndicated in 1959 and then appeared regularly in publications including the Los Angeles Times, the London Observer, The New Yorker, Playboy, Esquire, and The Nation. In 1997 he created the first op-ed page comic strip for the New York Times, which ran monthly until 2000. He has written more than 35 books, plays and screenplays. His first of many collections of satirical cartoons, Sick, Sick, Sick, was published in 1958, and his first novel, Harry, the Rat With Women, in 1963. He wrote The Great Comic Book Heroes in 1965: the first history of the comic-book superheroes of the late 1930s and early 1940s and a tribute to their creators. In 1979 Feiffer created his first graphic novel, Tantrum. By 1993 he began writing and illustrating books aimed at young readers, with several of them winning awards. Feiffer began writing for the theater and film in 1961, with plays including Little Murders (1967), Feiffer's People (1969), and Knock Knock (1976). He wrote the screenplay for Carnal Knowledge (1971), directed by Mike Nichols, and Popeye (1980), directed by Robert Altman. Besides writing, he is currently an instructor with the MFA program at Stony Brook Southampton. more…

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Submitted on August 05, 2018

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