Lost Voyage Page #5

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WE ARE ROLLING IN...

FIVE, FOUR,

THREE.

JULIE?

YOU DOWN THERE?

COME ON.

DAS, COME ON. ANYTHING?

Naw, nothing yet.

MISS LARGO?

WHAT IS IT?

WHAT IS IT?

THERE'S SOMEONE UP THERE.

HEY, DAS, WAIT UP.

FIELDS?

FIELDS, IS THAT YOU?

DAS? IT'S LOCKED!

OPEN IT!

OH, SH*T! DAS, WAIT!

DAS! DAS! WAIT!

WAIT!

MOVE AWAY FROM THE CHAIN!

DA-AS!

HELP ME!

ROBERTS! COME ON!

MOTHERF***ER!

HELP!

WHAT CAN I DO? WHAT CAN I DO?

- KILL SWITCH.

- WHERE IS IT?

- ON THE RIGHT OF THE PANEL!

- OKAY!

I GOT IT, DAS!

OH.

OH GOD.

OH SH*T. OH.

THIS IS ALL I FOUND.

- WHAT ABOUT JULIE?

- THIS IS ALL I FOUND.

WHERE'S DAS?

HE'S DEAD.

WHAT?

HE THOUGHT HE SAW FIELDS

IN THE CHAIN LOCKER.

HE WENT RUNNING IN AFTER HIM.

THE CHAIN STARTED TO

FALL AND IT CRUSHED HIM.

SOMEONE RAISED THE ANCHOR.

NO, SOMEBODY DIDN' RAISE THE ANCHOR.

DON'T YOU GET IT?

THIS SHIP IS KILLING

US OFF ONE BY ONE.

- DID YOU FIND JULIE?

- NO, JUST HER FRIGGIN' CAMERA.

- SHE'S PROBABLY DEAD, TOO.

- DAMN IT, RANDALL.

- JUST-- PLEASE.

- WE HAVE TO GET OFF THIS SHIP.

IF IT MEANS TAKING OUR

CHANCES IN THOSE LIFEBOATS,

- THEN THAT IS WHAT WE HAVE TO DO.

- THAT'S GREAT.

- WE DIE HERE OR WE GO DROWN OUT THERE.

- SHUT UP.

NO, YOU GUYS ARE SUPPOSED TO

BE THE ONES WITH ANSWERS!

- SHUT UP!

- YOU DON'T KNOW WHAT THE F*** YOU'RE TALKING ABOUT!

I ORDER YOU TO SHUT UP!

DON'T MAKE ME CUT YOUR

F***ING TONGUE OUT.

GO ON.

A LOT OF MY RESEARCH SHOWS THAT THE

TRIANGLE IS SOME SORT OF DOORWAY.

- TO WHERE?

- TO SOMEWHERE ELSE.

HELL, ANOTHER DIMENSION.

A PLACE WHERE WE DON'T BELONG.

THE PLACE WHERE THIS SHIP

WENT TO WHEN IT DISAPPEARED.

BUT IT CAME BACK, DIDN'T IT?

- YOU FOUND IT?

- YEAH.

MAYBE YOU CAN HELP ME

UNDERSTAND SOME OF THIS.

FIRST ENTRY,

MAY 13th, 1972.

"I DON'T KNOW WHA THIS PLACE IS.

WE HAVE NO RADIO,

NO NAVIGATION.

I HAVE NO CONTROL OF THE SHIP.

THEY HAVE SLAUGHTERED

MOST OF THE CREW AND

THE PASSENGERS.

THE REST HAVE SIMPLY VANISHED.

THE CHILDREN WERE THE LAST TO

GO." I READ THAT 20 TIMES.

"SOMETHING IS COMING FOR ME.

I CAN HEAR I OUTSIDE THE DOOR."

WHAT IS THIS "THEY"?

WHO IS "THEY"?

HOW THE HELL AM I

SUPPOSED TO KNOW?

"I CAN HEAR I OUTSIDE MY DOOR."

AND THERE'S SOMETHING ELSE.

- WHAT?

- WHAT?

THE SHIP...

IT WAS ON THE OTHER

SIDE FOR A LONG TIME.

AND?

- DO YOU KNOW WHAT A CAPACITOR IS?

- OF COURSE.

I THINK THE CORONA QUEEN

HAS SOMEHOW BECOME

A CAPACITOR,

STORING ENERGY FROM

THE OTHER SIDE.

WE CAN CALL IT WHATEVER WE WANT,

BUT THERE'S AN INTELLIGENCE HERE,

AND IT'S AN INTELLIGENCE

THAT'S BEEN LOCKED

ON THE OTHER SIDE FOR

A VERY LONG TIME.

SO NOW WE CAN NO LONGER

TRUST WHAT WE SEE OR HEAR.

THE SHIP IS PREYING

ON OUR FEARS.

IT IS CREATING THINGS

FOR US TO SEE.

ONE WAY OR ANOTHER, WE

HAVE TO GET OFF THIS SHIP

AND AWAY FROM THA LINE ON THE RADAR.

WHAT IS THAT THING? WHAT,

IS IT A STORM, OR WHAT?

MAYBE THE PHYSICAL BOUNDARIES

BETWEEN OUR WORLD...

AND ANOTHER.

MAYBE IT'S THE PHYSICAL BOUNDARIES

OF THE TRIANGLE ITSELF.

OH, OKAY. THAT'S PHENOMENAL.

A DOORWAY TO HELL.

WE ARE F***ED.

I CAME ON THE SHIP-- I WAS TO DO A STORY, MAN.

I DID NOT SIGN ON

FOR THIS BULLSHIT!

LISTEN, WE ARE GOING

TO GET OFF THIS SHIP.

BUT WE HAVE GOT TO

GET THOSE TAPES.

DANA, F*** THE TAPES. WE

GOT TO GET OFF THE SHIP!

YOU KNOW HE'S RIGHT. WE

CAN'T TAKE ANY CHANCES.

LISTEN TO ME. THIS IS THE

STORY OF A LIFETIME.

WE HAVE COME TOO FAR TO

GO BACK EMPTY-HANDED.

SO WE HAVE GOT TO

GET THOSE TAPES.

SO WE GET THE TAPES, THEN

WE GET OFF THE SHIP.

OKAY, FINE. DOES ANYBODY

HAVE A PROBLEM WITH THAT?

YOU GO GET THE TAPES, AND

WE'LL ALL MEET UP ON DECK.

IF THE CHOPPER'S THERE WE FLY.

IF IT'S NOT,

WE GET IN THE BOATS.

- I'LL BE BACK.

- WHERE THE HELL ARE YOU GOING?

THERE'S SOMETHING I GOT TO DO.

DON'T LEAVE WITHOUT ME!

RANDALL, GO TO THE PLAYROOM.

I'LL GET EVERYTHING HERE.

WHERE WILL IT BE...

JESUS, COME ON.

WHAT THE HELL IS HE DOING?

WHAT THE F*** IS WRONG

WITH THIS PIECE OF SH*T?

COME ON.

OKAY.

THAT'S F***ED UP.

JEEZ, YOU SCARED THE

SH*T OUT OF ME.

WHERE THE HELL HAVE YOU BEEN?

RANDALL--

RANDALL, WHO ARE

YOU TALKING TO?

WE'VE BEEN LOOKING ALL OVER

THIS SHIP FOR YOUR BUTT.

WHAT? HEY, JULES?

RANDALL!

RANDALL!

RANDALL? RANDALL!

SHAW, IS THERE ANY SIGN

OF THE HELICOPTER?

THE CHOPPER'S ON ITS WAY!

LET'S GO!

The winds are too strong!

Go aft, I don't want to get

caught in the rigging!

HE SAYS WE'VE GOT TO GO

AFT, THERE'S TOO MUCH WIND.

HE'S GOING TO GE CAUGHT IN THE RIGGING.

OH GOD.

HERE.

WHAT'S HAPPENING?

GOOD GOD.

OH, BABY.

DANA, LET'S GO!

DANA! COME ON, COME ON!

CORONA QUEEN TO CHOPPER.

CORONA QUEEN TO CHOPPER.

What the hell is going on?

DO NOT LEAVE WITHOUT US!

COME ON, DANA, LET'S GO.

DANA! DANA!

I'LL BE RIGHT BACK.

MOM.

OKAY. DANA?

I'M SORRY.

GRAB IT.

DANA?

I ONLY WANTED TO HELP YOU.

I DIDN'T--

I NEVER WANTED TO HURT YOU.

OH, SH*T!

I COULDN'T STAND TO SEE

YOU IN SO MUCH PAIN.

DANA, ARE YOU ALL RIGHT?

MY MOM...

I KILLED HER.

I'M SURE THAT'S NOT TRUE.

LISTEN TO ME. WHA YOU'RE SEEING

IS NOT REAL!

SNAP OUT OF IT!

WE'VE GOT TO GO!

LET ME GET THE TAPES.

COME ON. YOU OKAY?

LET'S GO!

OH MY GOD.

- WHAT IS THIS?

- LET'S GO, LET'S GO.

QUICK. QUICK!

COME ON!

- COME ON, GO!

- COME ON!

THIS IS STEEP NOW.

- YOU OKAY? GO AHEAD.

- YEAH.

- COME ON.

- OKAY.

GO.

LOWER THE BASKET!

LOWER THE BASKET! LOWER!

HURRY UP DOWN THERE.

WELL, WELL, WELL.

CONGRATULATIONS.

YOU GOT THE STORY

OF THE CENTURY.

I DON'T KNOW IF IT WAS WORTH

THE DEATHS OF FIVE PEOPLE.

YEAH, WELL,

WELCOME TO TELEVISION.

That's always bothered

you, hasn't it?

I'm-- I'm sorry, do I know you?

The similarities between the

two cases are remarkable.

- What two cases?

- The Mary Celeste and the Corona Queen.

Not really. The Corona

Queen's never been found.

No, but we have to get

on with our lives.

Goodbye, son.

But we have to get

on with our lives.

Goodbye, son.

Goodbye, son.

Goodbye, son.

HI.

YOU OKAY?

YEAH, YEAH. FINALLY.

YOU?

YEAH, I'M OKAY.

IT'S BEEN AN INTERESTING

COUPLE OF DAYS.

I'M THROUGH CARRYING GUILT FOR

SOMETHING THAT WASN'T MY FAULT.

YOU READY?

- READY?

- YEAH.

OH, I FORGOT, DIDN'T I?

MR. ROBERTS, YOU HAVE A LOT TO

LEARN ABOUT DEALING WITH WOMEN.

FOOD IS CRITICAL.

I KNOW A GREAT CHINESE PLACE

ABOUT TWO BLOCKS FROM HERE.

CHINESE IS GREAT. LE ME JUST GET MY COAT.

WE'LL LET THE

MACHINE PICK IT UP.

...2364. At the tone,

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