Lost Voyage Page #4

Synopsis: Twenty five years ago, the SS Corona Queen disappeared in the region known as, "The Bermuda Triangle". Now, it has returned. Seven people go on board to learn the truth behind her disappearance but the ship did not return alone...
Director(s): Christian McIntire
Production: First Look Pictures
 
IMDB:
4.7
R
Year:
2001
96 min
57 Views


WE ARE NOT SUPPOSED TO

BE HERE, YOU KNOW THAT.

- WHAT ARE YOU TALKING ABOUT?

- I'M SAYING THE COAST GUARD DOESN'T KNOW WE'RE HERE,

AND IF THEY DID, THEY

WOULDN'T LIKE IT.

THAT'S TOO GODDAMN BAD. MY BES FRIEND'S LAYING DOWN THERE DEAD,

AND YOU'RE WORRIED ABOU THE F***ING COAST GUARD.

- I'M SORRY ABOUT YOUR FRIEND--

- BULLSHIT.

WE ONLY CAME HERE FOR

A STORY, ALL RIGHT?

A MAN IS DEAD. WE ARE

IN DEEP SH*T, LADY.

- WE DIDN'T KILL HIM!

- I'M NOT POINTING ANY FINGERS!

- I BET YOU LIKE THIS, DON'T YOU, JULIE?

- DON'T PUT YOUR SH*T ON ME!

SHUT UP!

SHUT UP, ALL OF YOU!

CHRIST, FIELDS IS DEAD.

THAT'S IT.

NO ARGUMENTS, NO BULLSHIT.

IT'S TIME TO GO.

WHAT THE F***?

HELLO?

IT'S FOR YOU.

HELLO?

WHERE?

WHAT?

HELLO?

HELLO?

IT WAS FIELDS.

WHAT DID HE SAY?

WHAT DID HE SAY?

THERE'S-- THERE'S SOMETHING WE

SHOULD SEE UP ON THE BRIDGE.

WAIT, SHOULD WE BE DOING THIS?

- PROBABLY NOT.

- I DON'T GIVE A RAT'S ASS,

I'M GOING IN.

WHAT ARE WE SUPPOSED

TO FIND HERE?

YOU GOT ME.

WHAT IS THAT?

I DON'T KNOW, BUT IT'S HUGE.

DISTANCE AT THAT RATE IS CLOSING

AT A FAIRLY CONSTANT SPEED.

IT'S MOVING STRAIGHT FOR US.

HOW LONG BEFORE IT'S HERE?

I DON'T KNOW, THREE,

FOUR HOURS TOPS.

SO FIELDS WAS:

TRYING TO WARN US.

YEAH, BUT FROM WHAT?

SEE IF YOU CAN GE THAT RADIO WORKING.

I'M GOING TO SICKBAY,

THERE'LL BE BODY BAGS THERE.

THE REST OF YOU GE YOUR GEAR TOGETHER.

- WHAT FOR?

- BECAUSE WE'RE LEAVING.

- ROBERTS, WHY DON'T YOU COME WITH ME?

- WHERE ARE WE GOING?

TO GET FIELDS' BODY.

DAMN IT, HE WAS RIGHT HERE.

- YOU SURE HE WAS DEAD?

- YES, I'M SURE.

THEN WHERE IS HE?

I DON'T KNOW, BUT DEAD MEN DON' GET UP AND WALK AWAY, DO THEY?

- AND YOU'RE SURE ABOUT THAT?

- COME ON, ROBERTS.

LET'S NOT TALK IN CIRCLES. YOU'RE

SUPPOSED TO BE THE EXPERT.

WHY DON'T YOU HELP ME HERE?

IT PROBABLY WAS AN ACCIDENT.

A HORRIBLE ACCIDENT.

- BUT THERE ARE OTHER POSSIBILITIES.

- SUCH AS?

- HOW LONG HAVE YOU BEEN IN THIS BUSINESS?

- ALL MY LIFE, WHY?

THEN YOU'VE HEARD STORIES

ABOUT THE TRIANGLE,

ABOUT THE SHIPS:

THAT COME BACK.

- YEAH, IT'S ALL HORSESHIT.

- IS IT?

- YEAH.

- LOOK AROUND.

I'VE SPENT A LONG TIME TRYING TO

EXPLAIN WHAT HAPPENED TO THIS SHIP,

WHAT HAPPENED TO MY FATHER.

BUT WHAT WE'VE SEEN TODAY--

- IT DEFIES EXPLANATION.

- THAT'S IT. THAT'S IT.

I'VE HEARD ENOUGH

OF THIS CRAP.

- SHAW!

- WHAT?

HAVE YOU LOOKED FOR THE

CAPTAIN'S LOG YET?

NO.

WHY?

FIND IT.

WHAT FOR? WHAT FOR?

I DON'T KNOW EXACTLY.

IT'S JUST A FEELING,

BUT YOU'RE GIVING THE ORDERS.

GODDAMN IT, DAS, WHY DON' YOU KEEP THE WALKIE ON?

- I GOT THE RADIO UP.

- I'M LOOKING FOR YOU EVERYWHERE!

I GOT THE RADIO UP! LISTEN.

GO AHEAD, SALVAGE.

It's going to be

three hours at least

before I can make it

back, more like four.

I just got refueled and that

storm front is building.

- FOUR HOURS? WE HAVE A SITUATION HERE.

- COME ON, COME ON.

I copy that, Corona, but in

case you hadn't noticed,

there's a hurricane

heading your direction.

- SH*T.

- JUST GET OUT HERE AND GET US OFF THIS SHIP!

SALVAGE, DO YOU COPY?

SALVAGE, COME BACK.

- GET HIM BACK.

- SALVAGE, COME BACK.

- DID YOU TAKE CARE OF FIELDS?

- NO, I DIDN'T.

BECAUSE THE BODY'S GONE!

WHAT THE HELL ARE

YOU TALKING ABOUT?

THIS ISN'T A STORM. WHATEVER

THIS IS, IT'S MOVING IN FAST.

I DON'T GIVE A SH*T ABOUT THIS!

WHAT ABOUT FIELDS?

YOU GOT HIM KILLED,

NOW THE REST OF US?

HE KNEW WHAT HE SIGNED ON FOR!

- I OUGHT TO KILL YOU RIGHT NOW!

- YOU'VE CROSSED THE LINE.

- HAVE I?

- YOU'RE FIRED!

YEAH, YOU'RE FIRED.

- I'M FIRED?

- YEAH, GET OUT!

AND YOU'VE BEEN

DRINKING TOO, HAVE YOU?

- YEAH? WELL, F*** YOU!

- GET OUT!

THAT'S GOOD. YOU

F***ING THINK I CARE?

YOU'RE FIRED!

YOU KNOW WHAT? I QUIT.

YOU POMPOUS COCKSUCKER.

- YOU GODDAMN NEANDERTHAL.

- F*** YOU!

- GET OUT! YOU'RE FIRED. - HA!

F*** YOU... PRICK!

- WHAT'S UP, J?

- HEY.

- WHERE'VE YOU BEEN?

- I WAS IN THE...

PLAYROOM CHECKING THE GEAR.

I DIDN'T SEE YOU IN THERE.

HMM.

MAYBE THE VIDEO FEED

GOT SCREWED UP.

WORKS FINE NOW, RIGHT?

RANDALL BANKS,

YOU'VE BEEN DRINKING.

- NO, I HAVEN'T.

- YEAH, YOU HAVE.

- NO, I HAVEN'T.

- YOU HAVE.

- I CAN SMELL IT ON YOU.

- NO, I HAVEN'T.

- YEAH, YOU HAVE.

- NO, I HAVEN'T!

COME ON, RANDALL. GIVE IT UP.

ALL RIGHT, AT LEAS TELL ME THAT I'M RIGHT.

OKAY, FINE. YOU'RE RIGHT.

I'VE BEEN DRINKING.

B-F-D.

AND AFTER THE NETWORK

PAID FOR YOUR REHAB.

COME ON.

WELL, DON'T WORRY.

IT WILL BE OUR LITTLE SECRET.

OH, REALLY?

YEAH, ON ONE CONDITION.

AND WHAT COULD:

THAT BE, I WONDER?

DANA SCREWED THIS

WHOLE THING UP.

IT'S GOING TO BLOW

UP IN HER FACE.

- UH, JULES?

- ALL I NEED YOU TO DO

IS BACK ME UP.

DANA BROUGHT US OUT HERE,

AND PUT US ALL IN DANGER.

GOT THAT SALVAGE GUY KILLED.

THE NETWORK IS GOING TO FIRE HER FASTER

THAN YOU CAN SAY, "GROSS NEGLIGENCE."

AND THEN, DANA

EL-WEIRD IS OUT,

AND JULIE LARGO... IS IN.

AND YOU'RE GOING TO

BE MY CAMERAMAN.

UMM... HI, GUYS.

JULIE... HMM.

I HAVE TO GIVE YOU CREDIT,

I THOUGHT YOU WERE

SCREWING KAPLAN,

BUT I HAD NO IDEA YOU WERE

TRYING TO SCREW ME, TOO.

NO, NO, DANA,

YOU SCREWED YOURSELF.

IF YOU'LL EXCUSE ME, I'M GOING

TO GO OUT AND GET A REAL STORY.

- JULIE, GET BACK HERE.

- COME ON, JULIE.

MAKE ME. LET GO OF ME!

- JUST TAKE IT EASY.

- LET GO OF ME, RANDALL.

CALM DOWN, JULIE.

- HEY!

- DON'T YOU TRY TO STOP ME.

- HEY, YOU ALL RIGHT?

- NEVER BEEN BETTER.

THIS IS JULIE LARGO,

PROCEEDING THROUGH

THE DARKEST...

unexplored parts of

the Corona Queen,

attempting to

bring you answers

to the mystery of her fate.

ONE CAN ALMOST HEAR

THE SCREAMS OF THE PASSENGERS.

AND IMAGINE--

IMAGINE THE HORROR OF THEIR

LAST FEW MINUTES ALIVE.

- WHAT HAPPENED TO HIM?

- THE LITTLE B*TCH TAZED ME.

- WHO?

- JULIE!

- WHERE'S JULIE?

- WHO KNOWS? WHO CARES?

WE'VE GOT TO FIND HER.

THE CHOPPER'S ON ITS WAY, AND

WE'VE GOT ANOTHER PROBLEM.

- I'LL GO FIND HER.

- NO, NO.

DAS, WHY DON' YOU GO WITH HIM?

YOU TAKE THE FORWARD

SECTION AND I'LL TAKE AFT.

EXCUSE ME, MR. SHAW, SIR,

BUT IF YOU REMEMBER,

YOU FIRED ME.

I APOLOGIZE.

ROBERTS, SHALL WE GO

FORWARD AND FIND JULIE?

- YOU GUYS GO AHEAD.

- SHUT UP.

HELLO?

WHO'S THERE?

HELLO?

TOO BAD ABOUT DANA.

REAL TRAGEDY.

JULIE, JULIE, JULIE,

SO GLAD TO SEE YOU.

- YOU'RE ON THE AIR IN 10 MINUTES.

- I AM?

- WHAT IS ALL THIS?

- WHAT IS ALL THIS?

- JULIE, IT'S YOUR SHOW.

- MY SHOW?

IT IS NOW.

YOUR NEW CONTRACT.

NOW, COME ON, WE

HAVE TO HURRY.

MAKE-UP.

SEE HOW GORGEOUS YOU ARE?

JULIE,

WE ALWAYS KNEW...

YOU WERE THE ONE WHO SHOULD'VE

BEEN HOSTING THIS SHOW.

COME ON.

THE WORLD IS WAITING.

- MISS LARGO, MISS LARGO.

- YEAH?

- YOU HAVE A PHONE CALL.

- THANK YOU.

HERE.

MISS LARGO IS ON A

VERY TIGHT SCHEDULE,

SOMEONE WILL GET BACK TO YOU.

PROCEED.

AS I WAS SAYING,

ALL THIS TIME...

YOU SHOULD HAVE BEEN THE

ONE HOSTING THIS SHOW.

NOW...

SIGN YOUR CONTRACT...

AND BE THE STAR:

PLAYER ON OUR TEAM.

GO ON.

ATTAGIRL.

GOOD.

NOW... IT'S SHOW TIME.

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Patrick Phillips

Patrick Phillips is an American poet, professor, and translator. His 2015 poetry collection, Elegy for a Broken Machine (Alfred A. Knopf), was a finalist for the National Book Award for Poetry. His poems have appeared in many magazines, including Poetry, Ploughshares, The American Poetry Review, Harvard Review, DoubleTake, New England Review, and Virginia Quarterly Review, and have been featured on Garrison Keillor's show The Writer's Almanac on National Public Radio. He has been a Fulbright Scholar at the University of Copenhagen, and teaches writing and literature at Drew University. Patrick Phillips grew up in Gainesville, Georgia, and now lives in New York City. In January 2017, Phillips was announced as a faculty member of the 2017 Conference on Poetry at The Frost Place. more…

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Submitted on August 05, 2018

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