Love Potion No. 9

Synopsis: Two scientists who are hopeless with the opposite sex experiment with a substance that makes them irresistible to anyone who hears them speak.
Director(s): Dale Launer
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
5.6
Rotten Tomatoes:
27%
PG-13
Year:
1992
92 min
484 Views


I took my troubles | down to Madame Ruth

You know, that Gypsy | with the gold-capped tooth

She's got a pad | on 34th and Vine

Sellin' | little bottles of

Love Potion | Number Nine

I told her that I was | a flop with chicks

I've been this way | since 1956

She looked at my palm

And she made | a magic sign

She said, | What you need is

Love Potion | Number Nine

She bent down | and turned around

And gave me a wink

She said, | I'm gonna mix it up

Right here | in the sink

It smelled | like turpentine

It looked like | india ink

I held my nose, | I closed my eyes

I took a drink

I didn't know | if it was day or night

I started kissin' | everything in sight

But when | I kissed a cop

At 34th and Vine

He broke | my little bottle of

Love Potion | Number Nine

I held my nose, | I closed my eyes

I took a drink

I didn't know | if it was day or night

I started kissin' | everything in sight

But when | I kissed a cop

At 34th and Vine

He broke | my little bottle of

Love Potion | Number Nine

I held my nose, | I closed my eyes

I took a drink

I didn't know | if it was day or night

I started kissin' | everything in sight

But when | I kissed a cop?

At 34th and Vine

He broke | my little bottle of

Love Potion | Number Nine

Love Potion...

About once a month,

my friends and I | get together

and do something different | for fun.

Sometimes | we go bowling

or miniature golf

or a movie | or something.

One night,

we went down | to a Gypsy palm reader

on 34th and Vine.

Let me see | your palm.

You do very badly | with women.

No. I... I... I... | I do all right.

No, you don't.

There are | no women here.

What's this?

No women.

Are you | a boy-kissy-boy?

Excuse me?

You a homosexual?

No.

I want my sister | to see this.

No, I don't.

No.

I see no women | in your life

for a long, | long time.

Maybe...

forever.

Well, that's | kind of depressing.

Yes, it is.

But I have | something for you.

Let me see.

Number 17,

number 13.

Where the hell is it?

Ahh.

Number eight.

This is | what you need.

Dilute this with water | 1,000 to 1.

You don't want it | to be too strong.

You take a sip, | and you swallow.

And when you speak,

women will fnd you | fascinating.

I'm a biochemist.

You take this.

You'll be back.

So, tell me, | there was this woman

I saw you having lunch | with the other day.

Huh?

She's just... | just somebody I work with.

Uh-huh.

Were there any | romantic possibilities?

No.

No?

Why not?

No, you see, I'm...

She's, um, | she's not my type.

Oh, she's not | your type.

That was a lie.

Except for the fact | that she had

kind of a boyfriend,

Diane was exactly my type.

I'm a comparative | psychobiologist.

I put, uh, primates...

chimpanzees... | through tests.

I note the behavior | of the subject,

and I hope the results | are analogous to humans.

Do you put electrical things | in their brains?

No.

But that's done, | isn't it?

Yes.

Why?

You can measure | electrical activity,

or, with a minute | amount of current,

you can stimulate a feeling | or... or a thought.

You can stimulate | a feeling?

Yes.

For example,

there was | this experiment

where an electrode | was planted

in the pleasure center | of a monkey's brain.

When the monkey | hit a button,

it sent a signal | to the electrode,

in effect exciting | the monkey sexually.

You're kidding.

No.

Can you guess | what happened?

Was it a male monkey?

Yes.

He slammed the button | till he died.

Oh, so, you know | this experiment.

I know men, honey.

Oh, stop.

I think she is defnitely | Paul's type.

She's got that, | uh...

je ne sais quoi,

that, uh...

Very sexy girl.

You should go | talk to her.

Really.

You should do it.

Do it.

I don't know her.

Well, | that is the point.

You go talk to her,

then you'll | know her.

Well, maybe she doesn't | want to talk to anybody.

Maybe.

Maybe she does, huh?

You got to | keep taking chances,

keep rolling | the dice

till you fnd someone | who does want to talk.

Expert advice.

Go.

I'll tell you what.

I'll pay you $20 | to go talk to her.

$20. Just go | talk to her.

No.

$40.

I don't want to do it.

$60.

$80.

$100?

Oh, O. K., O. K.

?Born to lose ? ?I've lived my...

He trapped me | by the bathroom.

He keeps me | by the bathroom.

He won't let me pass.

Can you believe it?

It's just one ugly geek | after another

in this place.

If one more of these | Radio Shack clerks...

Hi. Hi.

Hi.

Uh-oh.

I don't believe this.

Can I, uh, uh,

can I buy you | a drink?

Can I ask you | a question?

Sure.

Why do you think | I'd be interested in you?

Did I look at you | or smile at you?

Did I flirt with you?

No.

Well, then what makes you | think I'd be interested?

Are you somebody special? | Is that it?

Do you do something | really fascinating?

What do you do | for a living?

Uh, I'm... | I'm a biochemist.

Do I look like | a biochemist groupie?

Well, biochemists | don't have groupies.

Why do you think | that is?

Well, it's not | a very glamorous job.

No, it's not one of your | drop-dead glamorous jobs.

I mean,

I'm sure that you fnd chemicals | very fascinating,

but do I look like somebody | who'd be interested

in a...

a... a...

a chemical person?

No. Hey, wait.

I'm doing this | for your beneft.

I mean, you wouldn't want this | to happen again,

would you?

No.

No. What's very | obvious to me

is not to you.

Look at your clothes

and then look at mine.

Do you see any kind | of a difference here?

Clothes aren't | important to you,

but they're | important to me.

Taste is very important.

I like designer clothes. | I like nice things.

I drive a BMW. | What about you?

Uh, I drive | a Volkswagen.

- Fahrvergnugen. | - Fahrvergnugen.

You know what that | really means?

Can't afford | the Mercedes.

Well, you're right.

We're not really | suited for each other,

and, uh, | so I'll just go

and get myself | a chemical girl.

I'm sorry.

I was just trying | to make a point.

I tell you what.

I'll go home | with you tonight

and be your | total sex slave...

if you can answer | one question correctly.

Ahem.

All right.

Who designed this top?

I wouldn't know.

Bye-bye, now.

[Engine Rattling]

[Police Radio]

[Rattling]

You're supposed to come | to a complete stop at the sign.

Can I see your driver's license, | your registration,

your proof | of insurance, please?

Yeah.

What the hell | kind of car is this?

It's an Alta Pazzoli.

My car s-stalls

unless I keep | my... my foot on the gas,

and I was | just trying to get...

I've already had | two moving violations this year,

and if I get a third, | they might cancel my insurance, so...

do you think | that maybe you could...

please make this | a warning?

Is this | your correct address?

Yeah.

[Engine Backfring | And Sputtering]

[Engine Backfres]

Hello.

You have zero messages.

Hello.

You have zero messages.

[Classical Music Plays]

[Same Classical Music | Plays]

Bad.

This is bad.

Bad.

[Meow]

Come here. | Come here.

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Dale Launer

Dale Launer (born May 19, 1952) is an American comedy screenwriter. His films include Ruthless People, Blind Date, Dirty Rotten Scoundrels and My Cousin Vinny. more…

All Dale Launer scripts | Dale Launer Scripts

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Submitted on August 05, 2018

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