Madame Bovary Page #2

Synopsis: French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.
Genre: Drama, Romance
Director(s): Vincente Minnelli
Production: MGM
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.1
PASSED
Year:
1949
114 min
759 Views


for pursuing the impossible.

The dream did not end.

She had learned to be a woman for whom|experience would always be a prison,

and freedom would lie always|beyond the horizon.

Here, in these books, in these pictures,|we had taught her

that the strange was beautiful|and the familiar contemptible.

We had taught her to find glamour,|excitement, in the faraway

and only boredom in the here and now.

We had taught her what?

To believe in Cinderella,

and now, here, this morning,|Charles Bovary.

Emma Roualt, you cannot know.|He is not Prince Charming.

He is only a man.

It was very wise of you|to consult me, Doctor.

In all matters of wills, deeds, notes,|assignments, etcetera, etcetera,

I am at your service.|My mind is a storehouse of details.

You will need a house.

Monsieur Guillaumin,|I haven't decided yet.

You will. Leon!

Leon, please make a note.

A house for Dr. Bovary.

A proper house with a stable,

and a rear entrance through which the|doctor may come and go out on his calls.

You see, I think of every detail.

Monsieur, the detail|that I want to know is,

can I make a living here...

Oh, yes, and a garden for Madame Bovary.

Are you making notes, Leon,|or composing poetry in your head?

- My clerk, Leon Dupuis.|- How do you do?

Leon's value to Yonville is largely cultural,|shall we say, ornamental?

He has no mind for details.

- Now, now, where was I?|- You...

Oh, yes, oh, yes.|A garden for Madame Bovary.

Well, a garden may present|some difficulty, but...

Make a living in Yonville?

My boy, why,|of course you'll make a living.

Thank you, Mayor Tuvache.|Thank you very much.

Why, of course, of course. An ample living.

Why, Yonville is the garden spot|of Normandy.

In Yonville, the temperature seldom falls|in winter below the freezing point

or in summer rises above|86 degrees Fahrenheit.

And consider, monsieur,|we have a stagecoach, the Hirondelle.

It'll be a great convenience to your wife.

It leaves the inn at 9:00 every morning|for shopping at Rouen.

- Why do you laugh?|- My wife, she...

I don't even know that she'll marry me.

Oh, never fear. She will.|Tell her about Yonville.

- Yes, tell her about Yonville.|- I will.

Yonville. It sounds like heaven.|Tell me all about it again.

Well, there's the Place d'Armes.|That's the...

And the inn|just the other side of the canal.

This is a... The Mayor said|I should tell you about Yonville,

but I never thought|it would work this well.

Emma, your father's almost well now,

and I guess|I won't get to see you anymore.

Why, I mean,|you haven't known me very long, but...

Emma, please will you marry me?

Oh, I'm sorry.

Well, there's no reason in the world|why you should marry me.

I'm not a very good doctor.|I'll be lucky if I make a living.

I haven't had much schooling.

If I work hard,|it's because I know I have little talent.

- I have to work hard.|- Oh, don't say that.

Emma.

Emma, listen to me|before you say anything.

I'm easy to get along with|and I'll be a good husband,

but I'm not very exciting.

Charles! Charles, you're the handsomest,|most distinguished man in all this world.

Emma, remind me to thank that Mayor.

- How can you laugh at them?|- Oh, they mean well.

Take me away, Charles, please.

I would like to propose a toast.

Sit down, sit down, sit down!

Charles. Charles!

A country wedding scene.

Please help me.

The cruelty, the ugliness,

the drunkenness, lechery, vulgarity.

The sheer noise.

There they go!

- I want to kiss the bride.|- Charles!

- I wanna kiss you.|- Leave her alone.

There she goes.

There they go.

- Go and get them.|- Watch it!

He took her away from the squealing pigs,

from the dunghill beside the door,

from the boors and the backcountry|and the shame. He took her away.

Yonville.

It's like a picture in a storybook.

Hyppolite, the inn boy,|he'll take care of your horse.

I didn't think you'd want to be bothered|tonight by such a detail.

Hyppolite.

Light the lamps.

Also, some of our leading citizens planned|a formal reception for you tonight.

I took the liberty of discouraging them.

Oh, it seems we've found a friend.

Thank you.

It's a small village.|I hope you find another.

- Why, we'll find many friends.|- Of course you will.

Don't expect too much of the house,|though. This isn't Paris.

In my humble opinion,|it's a modified rattrap.

Why, Monsieur Dupuis,|I'm sure it's a beautiful house.

Well, I'm sure you can make it beautiful.

There is a linen-draper here|named Lheureux.

He is a scoundrel,|but he knows his business.

He can help you.

Don't let me intrude further|on your privacy.

I live alone with my mother.|I believe she's waiting up for me.

- Good night and congratulations.|- Good night.

Oh. The key.

- Oh, thank you.|- Good night.

Oh.

Hyppolite, what are you going to do,|stand there all night?

Could it have been otherwise?

She had wept, no doubt,|in the early morning hours.

Was Emma the first bride to weep|while the bridegroom slept? Or the last?

Tristan. Lancelot.

Love in a Scotch cottage.

Love in a Swiss chalet.

- Charles, wake up! Charles!|- What is it? What is it?

Charles, I am going to make you|the most beautiful home in Yonville

this side of Rouen, this side of Paris.

What are you talking about?

This house, it's so ugly.|I'm going to do it over myself.

No, I mean it. I'll talk to that linen-draper

and that young man last night, the clerk.|He seemed to have good taste.

- Good morning, Madame Bovary.|- Oh, I will, I will.

I'll give you a home you can be proud of.|We'll be gay. We'll entertain.

New dreams for old.

Could this morning have been otherwise?

- Where?|- Higher, Leon.

Higher yet.

- Could you get it to the top?|- I'll try.

Oh, I shall probably be impaled|on the arrow.

I abhor arrows.

But for you, Madame Bovary,|I'd die with an arrow through my heart.

Oh. Oh, Leon, I can't believe|you've never been to Paris.

Oh, this is lovely.

How much is it, Mr. Lheureux?

For you, Madame Bovary, 12 francs a yard.

For anybody else, 10. What a scoundrel!

It's quite expensive, isn't it?|Let me see, now.

The chair, that was 30,|and the sofa and the mirror.

I must have the mirror.|And my new carpet...

- My poor husband, when he sees the bill.|- He needn't, you know.

We can keep anything you choose|a private transaction between you and me.

I'd have to ask you to sign certain notes,|just as a matter of record.

Oh, monsieur, I couldn't.

Oh, this is nice, isn't it?

You have unfailing taste.

Madame Bovary,|you have only to command,

and I will undertake to provide|anything you wish.

Furniture, gowns.

I make regular trips to Rouen,

and I have connections|with the best houses in Paris.

Charming, isn't it?

I can't, of course, accuse the woman,|but I certainly have my suspicions.

After all, to allow this strange man|into her shop and to close the shutters.

Oh, it was all well and good|to claim he'd come to repair her stove.

She might just as well have said|that her bread needed a bit of yeast.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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    "Madame Bovary" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/madame_bovary_13118>.

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