Madame Bovary Page #3

Synopsis: French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.
Genre: Drama, Romance
Director(s): Vincente Minnelli
Production: MGM
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.1
PASSED
Year:
1949
114 min
759 Views


- That was wonderful.|- Bravo, bravo! Bravo!

Excellent. Yes, indeed.

Excellent.

Madame Bovary has requested me|to read you a selection

from one of the greatest works of poetry,|the lliad.

- By Homer.|- The lliad, my favorite epic.

One of the noblest achievements|of literature.

I, myself, had the good fortune|of hearing it read

by one of our greatest actors|at the Comdie in Paris.

- But I...|- Monsieur Homais.

Pardon, pardon.

"O Greeks! Respect your fame

"Respect yourselves|and learn an honest shame"

Magnificent.

"Let mutual reverence|mutual warmth inspire

"And catch from breast to breast|the noble fire"

Paris...

One never forgets its flavor.|The masked balls, the champagne,

and if you knew what went on|in the Latin Quarter. The dancing...

That's utter nonsense, and you know it.

- Charles, when are you coming?|- Oh, come in, dear. Come in.

Madame Bovary,|the Marquis D'Andervilliers.

I must apologize, madame, for taking|your husband away from your soiree,

but I was just passing through the village|and felt an attack of dizziness.

Oh, it's nothing, truly. I'm honored.

You see, I'm just a village doctor,|and it isn't often

that I have the opportunity of murdering|such a distinguished patient.

Charles!

Such a handsome young couple.|You must come to the chteau sometime.

Well, good night.

Good night, sir.

Charles, Charles.|He invited us to Vaubyessard.

Oh, no, he didn't, not really.|He was just being polite.

Why didn't I offer him some refreshments?

"Now shakes his spear, now lifts"

You're not a farmer.|What do you know about agriculture?

May I... May I offer you something?

Some other time, perhaps. Good night.

Well, how's the party? I'm sorry|I had to stay away for such a long time.

Emma, what's the matter?

Is there anything wrong?

"Once sons of Mars|and thunderbolts of war! "

I have at the same time exposed myself...

Emma?

Emma, what in the world|are you doing up here?

Well, everybody's gone home.

I thought it was a wonderful party,|didn't you?

Marquis seemed like a very decent|sort of a fellow, didn't you...

Don't ever mention his name to me again.|I don't ever want to hear it. Never.

What is the matter?

- Emma, look at me. What is...|- Let me alone.

Emma. Emma.

Get control of yourself.

Oh, Charles.

Charles. Charles, I want a child.

I want a boy, Charles.

A boy grows to be a man.|A man can be free.

If he doesn't like his life, he can change it.

If there's anything beautiful, if there's|anything grand anywhere in the world,

he can go out and find it.

I want a baby, Charles. I want a boy.

I want a boy.

New dreams for old.

The dark hours of a woman's life|when old dreams perish

and new dreams are born.

Well.

Emma. It's a girl, Emma.

It's a girl.

The dark hours when new dreams perish.

Monsieur Homais is opening his shutters.

It must be one minute to 9:00.

Monsieur Guillaumin, the notary,|will now come out of the Lion d'Or,

scratch himself and spit.

- Good morning, Monsieur Homais.|- Monsieur.

People do the same thing every day.|They have to.

The town clock will now strike 9:00.

The Hirondelle will leave for Rouen.

Hyppolite will sweep the steps.

Goodbye.

Leon Dupuis will come running over|the bridge, late to work again.

Do you know, Charles,|why that clock strikes?

To announce the death of another hour.

Good morning, Leon.

I wish I were clever.|If I were clever, I could understand you.

If I could understand you,|then perhaps I could help you.

I love you so much, Emma.

I like a clock that strikes the hour.

I like knowing today|what'll happen tomorrow.

I like everything.|I suppose that's what's wrong with me.

- What is it you want, Emma?|- How do I know what I want?

Well, it's after 9:00.|I have to leave for my calls.

It's after 9:
00.|My husband has to leave for his calls.

Oh, Berthe,|are you filled with madness, too?

Are all women?

Do you remember|the Marquis D'Andervilliers,

the man who came here?

You said never to mention his name|to you again?

Yes, of course I remember him.

Why mention him now?

I don't suppose a man can ever know|what a woman really wants

or what she really means.

A ball. At Vaubyessard.

It came yesterday.

He's sent us several of them|in the last couple of years,

but I never told you because...

Oh, Charles, you fool.

I don't know why he's asked us.|I suppose he felt sorry for us.

You never told me what happened|that night at the party.

- I only knew that you hated him.|- Oh, you idiot. You idiot.

He's asked us before|and you never told me. I love you.

- I should have stayed single.|- Vaubyessard, Vaubyessard.

The only marquis I ever met.

This could be a disaster, Emma.|This is aristocracy.

I know some of these people.|I've treated their servants.

Charles.

You come from a farm.|I'm a village doctor.

We're peasants, Emma.|We could be laughingstocks.

Are you saying we can't go?

The one chance in my life, the only...

What are you doing to me?

Are you showing me this|and then saying that we can't go?

No, Emma. No, I'm not.

Oh, you fool. You wonderful fool. Felicite.

Well, where are you going?

I'm going to Monsieur Lheureux|for a new gown.

Madame. Enchanted to see you.

Forgive me, my dear.

Good evening, madame,|delighted to see you.

Doctor. What a charming couple. May I?

Doctor, as your host, I demand the|privilege of the first dance with your wife.

Oh, well...

Perhaps you'd care to join the games|in the billiard room?

Thank you.

Gentlemen, 100 louis, if you make it.

Drinks.

Thank you.

That's my wife... Wife.

Thank you.

The most amazing hunting country|in the world.

- Match, please.|- Wild boar, deer, stag.

I wish you'd join us.

I'm afraid it would be impossible.|Perhaps the next time.

Oh, what a pity. What a pity.

Three kings.

- Who is she?|- Some doctor's wife.

Oh, yes. That peasant.

- I'm exhausted.|- May I have this dance, Madame Bovary?

Oh, I'm sorry.|This is a waltz, and I don't waltz.

- It's quite easy.|- I could show you.

Oh, no. No, I should be afraid to try.

May I?

Oh, I'm sorry, I don't waltz. No, really, I...

No. I would like to stop, please.

I can't breathe. I'm going to faint.

- The lady is going to faint.|- Break the windows.

Emma. Emma?

Emma.

Emma?

Emma?

Emma!

Emma!

Emma!

Wait. Hey, I want to dance with my wife.

Madame.

I don't like to disturb Dr. Bovary.|He's in his consulting room.

- It's Monsieur Leon.|- I'll be right down.

Wait.

- Send him up.|- Up here?

Hello.

Do you know, all the years,|and I've never been up here before.

How was Vaubyessard?

- Charles is downstairs.|- Hang Charles.

Leon.

Leon, after all these years... Don't. Don't.

Leon, this is not Paris.|This is a small village.

Charles is downstairs.

- Madame Bovary.|- Yes.

Madame Dupuis is calling.

- Did you say Madame Dupuis?|- Yes.

- Good afternoon, Madame Dupuis.|- Mother.

- Forgive this intrusion.|- Oh, it's nothing.

Leon was helping me.

I was trying to clear out some trash|in the attic.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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    "Madame Bovary" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/madame_bovary_13118>.

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