Madame Bovary Page #4

Synopsis: French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.
Genre: Drama, Romance
Director(s): Vincente Minnelli
Production: MGM
  Nominated for 1 Oscar. Another 1 nomination.
 
IMDB:
7.1
PASSED
Year:
1949
114 min
759 Views


- Yes.|- Won't you sit down, please?

- Where is Dr. Bovary?|- Why, I believe he has a patient.

- Did you want to see him?|- No.

It's always such a pleasure to see you,|Madame Bovary. You're so beautiful.

Leon sees you so often,|and I get so little chance.

Leon is very sensitive to beauty.|He is a very susceptible boy.

- Mother.|- Yes?

Would you like some chocolate?|I'll ring for Felicite.

No, I can only stay a moment.

- How is your husband, Madame Bovary?|- Oh, he's well. Very well. Busy, of course.

Yes, of course. A nice man.

Not brilliant, but then if he were brilliant,|he would leave for Paris.

Then who would stay in Yonville|and look after simple people like me?

That's quite right, Madame Dupuis.

I'm happy you understand your husband|so well, Madame Bovary.

- Leon is leaving for Paris. Yes.|- Mother.

An old friend of the family|will find him a position,

perhaps in Paris, perhaps in Rouen.

- I didn't know.|- You didn't consult me.

What is this? I thought|you always wanted to go to Paris.

But this is absurd. I...

Don't tell me that you suddenly find|greater attraction in Yonville

rather than in Paris.

No. No, of course I...

Don't you agree, Madame Bovary|that my son has no future in Yonville?

Yes, I've overstayed my welcome.

Please give my best regards|to your husband.

Come, Leon, you may see me home.

Well, go on.|Don't keep your mother waiting.

There we are. That's fine.

Might be a little sore|for the next few days...

- Oh, I'm sorry.|- Oh, Emma, did you want to see me?

- No, I...|- Come in, dear, please. I'm just finished.

- Is Leon still here?|- Leon is going to Paris.

- He'll never be back.|- Oh, I'm sorry.

Still that's what he always wanted,|isn't it?

- Stupid little village. Stupid...|- Emma, please.

I intrude.

Monsieur Rodolphe Boulanger|of La Huchette.

I believe we met at Vaubyessard.

Well, I'll go along now.

And I'll bring you this dull fellow|twice a week until he's well.

- That'll be fine.|- Come along.

Good day.

Attention. Attention.

Our village of Yonville is honored today|in having been chosen to present

the agricultural show|of the entire Seine district.

So you see, madame, it's in the air.|Everyone senses it.

This is the age of progress.

Mark my words, Madame Bovary, you will|live to see miracles of science unheard of.

The blind will see, the lame will walk.

Where is he? There. Look. Look, madame.|A perfect example.

Do you see that poor, wretched Hyppolite?

Do you know, madame,|that physicians in Paris

have practically perfected an operation|for the cure of strephopody

or, to be exact, endostrephopody or,|to be vulgar, a clubfoot?

May I be permitted, first of all,

to pay a tribute to the administrators|of our government?

Oh, were I but a physician|I could cure Hyppolite.

Yes, and bring renown upon our village|and celebrity upon myself.

I might even be awarded|the Legion of Honor.

Monsieur Homais, it's so hot.|Would you excuse me, please?

Certainly, my dear.

The Legion of Honor.

You farmers, agricultural laborers,|have understood that political...

- She's taken his arm.|- They do say he has plenty of money.

Plenty of money and no wife.|You know what that means.

It means he'll continue|to have plenty of money.

- Oh, Monsieur Lheureux.|- ... more patriotism than in the country.

I'm sure everybody's asking

why a man like you|would come to a village fair like this.

Why? Well,|because I've run out of excuses.

For weeks I brought my man|to your husband,

until not even I could pretend|he was still ailing.

- So now I'm reduced to agricultural shows.|- Madame Bovary.

You villain.

So now you want to risk my reputation|in public places.

What alternative do I have?

Since you won't let me risk it in private?

The welfare of the seaman, the fisherman,

the rich man in his chteau.

Upon the broad hands|of the agriculturalist

guiding his plow,

sowing his seed, reaping his harvest,

planting his cabbages,

depends our great industrial centers

where commerce and fine arts|are flourishing.

But the farmer's crying for fertilizer|and there is no fertilizer.

Shall we listen to the speeches?

My husband's sitting|not 30 feet from that window.

My darling,|I know what you're going through.

Your duties, your loyalties, your chains.

But this face...

Now, before heaven, must this face|be wasted on the shopkeepers of Yonville?

- This face that haunts me, drugs me...|- Rodolphe...

These hands that were designed|for a thousand pleasures.

These lips. Were they meant to speak|of love or grocery lists?

Don't, Rodolphe, don't.

Now, we ask for manure.

We demand manure|for the further development...

I adore you.

Now, Dr. Charles Bovary.

Gentlemen, as Monsieur Canivet|has so happily remarked...

- That's my husband.|- ... about our fair, fair land,

everywhere, commerce and the arts|are flourishing.

Be careful, they'll see us.

...means of communication,|like so many new arteries...

Well, then for heaven's sake,|let's go where they can't.

...established with any new relations...

Why, I've got to be down there|while he's speaking.

- Why?|- I can't hurt him that way. I...

No, Rodolphe, don't touch me. Please. No.

...a brash imposter...

- When will I see you?|- For you are the...

- Rodolphe, I...|- Have you a horse? Do you ever ride?

- Now just tell me, do you ever ride?|- No, please.

...you farmers, you artists,|expecting neither glory nor praise.

The same can be said of the village doctor.

Idiot! Murderer!|You might have poisoned us all!

Do you want to see me|in a prisoner's dock with criminals?

Do you want to see me dragged off|to the scaffold? Speak! Answer me!

- Articulate! Say something!|- You told me to get you a spare pan.

Did I tell you to get it from my laboratory?|Look. You see this jar?

You see what it says? "Dangerous. "|Do you know what's in it? Arsenic.

You, you've taken a pan|that was next to it.

- Monsieur Homais.|- Oh, you imbecile...

- Monsieur Homais.|- Oh, Madame Bovary.

Oh, you've no idea|what I have to contend with.

Sometimes I'm horrified myself|when I think of my responsibilities.

Monsieur Homais, may I speak to you|for a moment alone, please?

Please. Justin, put down that jar.

Go back into the kitchen. Madame.

- Monsieur Homais...|- If you please.

Yesterday at the fair

when you said that if you were a physician|you could cure Hyppolite...

Madame Bovary, you mean to say|you were listening to me?

I'm dumbfounded, but I'm very flattered.

You said that a doctor could win|the Legion of Honor.

Well, I said,|but no one would listen to me that...

Could he really win the Legion of Honor?

Well, I'll only say|that if an obscure village doctor

could perform such a great feat, his name|would be blazoned across France...

So you're sure it can be done?

My dear lady,|I have all the information here.

All the literature...

- Why do you ask?|- Charles will do it.

- Charles?|- Oh, Monsieur Homais,

if he could only be important and famous|and people listen to him.

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Robert Ardrey

Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for The Territorial Imperative (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s.As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for Khartoum. His most famous play, Thunder Rock, is widely considered an international classic.Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both African Genesis (1961) and The Territorial Imperative (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness of evolutionary science. His work was so popular that many prominent scientists cite it as inspiring them to enter their fields. more…

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Submitted on August 05, 2018

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    "Madame Bovary" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/madame_bovary_13118>.

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