Major Barbara Page #11

Synopsis: A young and idealistic woman, who has adopted the Salvation Army and whose father is an armament industrialist, will save more souls directing her father's business. A comedy with social commentary.
Genre: Comedy
Production: Criterion Collection
  1 nomination.
 
IMDB:
7.0
Rotten Tomatoes:
86%
APPROVED
Year:
1941
121 min
339 Views


"to breathe and wait...

"to hold a hand uplifted over fate?

And shall not Barbara be loved forever?"

Oh. Euripides mentions Barbara, does he?

It's a fair translation.

The word means "loveliness."

And may I ask, as Barbara's father, how

much a year she is to be loved forever on?

As Barbara's father, that's

more your affair than mine.

I can feed her by teaching

Greek. That's about all.

Do you consider it a good match for her?

Mr. Undershaft, I am in many ways

a weak, timid, ineffectual person...

and my health is far

from satisfactory...

but whenever I feel

I must have anything...

I get it sooner or later.

I feel that way about Barbara.

I don't like marriage. I

feel intensely afraid of it.

I don't know what I shall do with

Barbara or what she'll do with me...

but I feel that I, and

nobody else, must marry her.

Please regard that as settled.

Not that I wish to be arbitrary, but why should

I waste your time in discussing what's inevitable?

- You mean you'll stick at nothing?

- Precisely.

Professor Cusins, you're a young man...

after my own heart.

Mr. Undershaft, you are, as far as I'm able

to gather, a most infernal old rascal...

but you appeal very strongly

to my sense of ironic humor.

Good.

We shall get on well together.

Have you ever thought

about going into business?

My business?

Money and gunpowder?

Never.

Barbara's money will come from it.

Why not help to earn it? Have

you thought of that at all?

I, uh... I...

Look here, Machiavelli, I am

interested in thought reading...

and have, in fact, made

some experiments in it...

but I object to your trying it on me.

When my head is clear, I'll

tell you exactly what I think.

Just at present I'm in

a state of exaltation.

I don't know why.

Perhaps it's the

excitement of that meeting.

[Sighs]

Phew! The room is very hot.

Might we have a window

open for a moment?

- Certainly. James.

- Mmm?

- I should like a breath

of fresh air myself. - Sir?

Draw back those curtains and

open the window, will you?

- It's a very windy night, sir.

- So much the better.

It's only for a moment.

[Inhales] Ah, what a relief!

- Steady, Machiavelli, steady!

- Lend a hand, will you!

- Quick!

- Right, sir!

I am afraid he's here

for the night, sir.

Nobody down yet?

Mr. Stephen's down, milady,

and is having breakfast.

Miss Barbara's gone up, I suppose.

- No, milady, Miss Barbara is not up yet.

- Not up yet?

- Are you sure?

- Quite sure, milady.

Miss Barbara came in late last night

and said she was not to be called.

Not to be called? Was she quite well?

A little pale, milady,

and without her bonnet.

I hadn't much time to notice.

She went straight upstairs and left me to

settle with the policemen and the ambulance.

Policemen? Ambulance? There

must have been some accident.

Are you certain she wasn't hurt?

I can assure you she was

quite all right, milady.

Well.

What have you laid all

those extra places for?

You're expecting Mr. Cusins

and Mr. Lomax, milady.

The car's ordered for half past 10:00

to take the party to, uh... to, uh...

Well? To where?

To Mr. Undershaft's

place, I think, milady.

- To the factory, you mean?

- Well, yes, milady.

The factory pays your wages, Morrison.

Yes, milady. That is what factories

are for. We must put up with them.

- Bacon and eggs, milady, as usual?

- No, I'll have a sausage this morning.

Yes, milady.

Ah, breakfast! Oh,

good morning, Lady Brit!

- You're late, Charles. Where's Adolphus?

- I haven't the faintest idea.

Good morning, darling!

Morrison, we're starving!

- Ah, bacon and eggs.

- Sausages!

Sausages, good. No kidneys. Morrison?

- Kidneys, sir. - Ah, thank

heaven for the English breakfast.

You know, as I always say, the

one drawback about going abroad...

Charles Lomax, if you must drivel, drivel

like a grown-up man and not like a schoolboy.

Drivel is drivel, you

know, whatever a man's age.

- [Sarah Giggles]

- Good morning, everybody.

- [Charles] Good morning, Barbara.

- Morning!

Good heavens! Y-You've

chucked the uniform.

You mean that Barbara's changed

her dress, Charles. Why not say so?

Cholly means exactly what he says,

Mother. Please, let's drop the subject.

Oh, I... I'm awfully sorry, Barbara.

You'll get over it, you know.

Personally, I never shut

my eyes to the fact...

that there's a certain amount

of tosh about the Salvation Army.

- On the other hand...

- That's enough, Charles.

Speak of something suited

to your mental capacity.

Thank you for your sympathy, Cholly.

Now go and flirt with Sarah.

Darling.

Barbara, I wish you wouldn't

tell Cholly to do things.

- He always comes straight away

and does them. - Darling.

Good morning, Lady Brit.

- Good morning, Charley.

- Good morning.

- [Sarah] Morning!

- Good morning.

[Sizzling]

Just some water, please, Morrison...

with ice in it.

I say, old boy, did

you have a bad night?

No, I had a very good night.

In fact, one of the most

remarkable nights I ever passed.

- The meeting?

- No, after the meeting.

You ought to have gone to bed after

the meeting. What were you doing?

- Drinking.

- [Lady Brit Gasps]

- Adolphus!

- Dolly!

- I say!

- What were you drinking, may I ask?

A most devilish Russian

spirit. I believe it was vodka.

Are you joking, Dolly?

No. I've been making a night of it with the

nominal head of this household, that's all.

Andrew made you drunk?

No, he just provided the drink.

Tell you the truth, I've

never been quite drunk before.

I rather liked it last night.

I told you I was possessed.

Possessed? You're not sober

yet. Go home to bed at once.

I've never before ventured

to reproach you, Lady Brit...

but how could you marry

the prince of darkness?

It was much more excusable to marry

him than to get drunk with him.

That's a new accomplishment of

Andrew's, by the way. He usen't to drink.

He doesn't now, although he had an

admirable excuse for doing so last night.

You see, he'd just given away 50,000.

- Given away?

- Yes, to the Salvation Army.

And he insisted upon

remaining anonymous.

That was rather fine of the old boy, you know?

Most chaps would have wanted the advertisement.

He said all the

charitable institutions...

would be down on him like kites on

a battlefield if he gave his name.

That's Andrew all over. Never does a proper

thing without giving an improper reason for it.

He convinced me that I have all my life been

doing improper things for proper reasons.

Mr. Undershaft has just arrived.

He's in the drawing room, milady.

Children, go and get ready. Your

father doesn't like to be kept waiting.

Adolphus.

Now that Barbara's left the Salvation

Army, you had better leave it too.

I will not have you playing

that drum in the streets.

Your order is already obeyed, Lady Brit.

Blah!

How fortunate to see you alone.

Don't be sentimental, Andrew.

Sit down.

Sarah must have 800 a year until

Charles comes into his property.

Rate this script:0.0 / 0 votes

George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra. Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left—he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946. Since Shaw's death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among British dramatists; analysts recognise his extensive influence on generations of English-language playwrights. The word "Shavian" has entered the language as encapsulating Shaw's ideas and his means of expressing them. more…

All George Bernard Shaw scripts | George Bernard Shaw Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Major Barbara" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/major_barbara_13197>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Major Barbara

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In which year was "Jurassic Park" released?
    A 1995
    B 1990
    C 1998
    D 1993