Man on the Flying Trapeze Page #2

Synopsis: Ambrose Wolfinger wants the afternoon off (his first in twenty-five years) to go to a wrestling match. He tells his boss that he must attend his mother-in-law's funeral. The afternoon is no joy. He tries to please a policeman, assist a chauffeur, chase a tire, and ends up getting hit by the body of a wrestler thrown from the ring. A series of mishaps leads his boss to send floral tributes to the house and notify the papers of the death (due to poisoned liquor). His shrewish wife, judgmental mother-in-law, and good-for-nothing brother-in-law add to his burdens. In the end he enjoys their fawning loyalty, a raise in pay, and his first vacation.
Genre: Comedy
Production: Paramount Pictures
 
IMDB:
7.7
PASSED
Year:
1935
66 min
130 Views


Hey, listen, that was | Ambrose Wolfinger talking.

Yeah, come over right away.

There are burglars singing | in the cellar. Good. Okay.

Don't move!

A gildersleeve.

A cop.

What you drinking there?

Applejack.

There are three of them | singing now.

Yeah, they're singing | the same tune, too.

I... I feel as if | I'm getting chill!

Oh, would you like | a little drink of applejack?

Ambrose Wolfinger.

Well, I thought | I might join her.

You know perfectly well | my mother detests alcohol.

Oh, yes, that's right.

When I was a young and a pretty | girl, I always vowed to my parents

that lips that touch liquor, | would never touch mine.

Oh, yeah. | Pretty sentiment, very nice.

Yeah, that was fine of you | to say that. That's nice.

That's all right, dear. Don't worry. | I'm not even going into the cellar.

I'll talk to them | from the outside.

I'll wait up for you.

All right, dear. I don't crave an | encounter with dangerous criminals.

You go right in. Go right | in and go to bed, dear. Yeah.

All right, Dad. | All right. Goodbye, dear.

Oh, drat.

Drat.

Everything's okay, Mr. | Wolfinger. I got them handcuffed.

Oh. Oh, that's fine.

Merciful heavens. | What happened?

Oh. Oh.

Why couldn't I fall | on a small, dull one?

I caught them down here | drinking your applejack.

Oh, you did, eh? Oh. By the way, | would you like a drink yourself?

I don't mind if I do.

Oh, good. Oh.

You got the glass right here with | you, haven't you? Yeah. All right.

For two pins, I'd box your...

Are you sure those | handcuffs are on tightly?

Oh, they're safe.

For two pins, | I'd box both your ears.

Ah, you know how to turn | it on, you been here before.

Take your filthy hands | off there!

There you are, Officer. | Thanks.

Wait a minute, | I'll join you. Okay.

That's the old Jersey way of | getting it out of the barrel.

My best respects. | Fine.

Quiet. Cut it out, boys.

Tone it down a little. | Tone it down a little, huh?

Do you remember that tune?

We used to sing it up at the old | Tehachapi Glee Club many years ago.

Brings back fond memories.

Before I was married.

It's a quartet.

Merciful heavens, | he's singing with them now.

Ambrose! Ambrose?

Ambrose!

It's all right, dear. It's all | right, we got them hand-ironed...

They're handicapped... | Handiwork...

The... They got their hands | all tied up.

I got them, | but they can't do a thing.

Yeah, the police ambulance | is down in here. Yeah.

All right, don't worry, dear. Go | right back to sleep. All right.

Goodbye, goodbye, | goodbye, goodbye.

She can hear every word | you say down here,

up through this pipe, | so keep quiet.

She's awfully nervous. | Awfully nervous.

Say, look here.

These boys seem all right.

Let's let them go if they | promise never to do it again.

Oh, no, no, nothing doing. | This is my bread and butter.

I got to take them in.

Oh? | Yeah.

Oh, you'll have to go along, too. Why?

To appear against them.

By the way, I'll have to take a jug | of this applejack along as evidence.

Go ahead.

Now, listen, Mr. Wolfinger, | I'll go through the window first,

and you see that they get out.

Wait a minute, wait a minute, | wait a minute, wait a minute.

That leaves me down here with | them alone. Wait a minute, now.

Why can't I go out the window first, | and then I wait for... With them...

I'll be with them, too, | out there, won't I?

I'll tell you what to do, | we'll all go out together.

All right. Come on, | come on. Get out.

Go ahead, go ahead, | go ahead, now. Up!

Gosh.

Ambrose!

What are you doing | down in that cellar?

If you have apprehended the | criminals, come up here and go to bed.

Keep quiet, boys.

I don't want anybody to see me prowling | around in the middle of the night

dressed like this.

What time is it?

What time is it?

What time is it? | What...

Say, Wolfinger, what's the idea of making | all this noise at 5:00 in the morning?

It's 5:
00.

Drat.

Say, this thing isn't | going to interfere

with me going to the wrestling | match this afternoon, is it?

Oh, I hope not. | I got a ticket myself.

I got a $15 seat | in the first row.

Had it for three weeks. Of course | my wife knows nothing about it.

Wrestling's in my blood.

No, if I hadn't | have been sidetracked,

I'd have been probably wrestling | in this match this afternoon myself.

Oh, you're a wrestler, eh?

You were born in Canada, | weren't you? Yeah.

Fine.

There isn't a man or boy born | in the United States or Canada

that could get out of | this hold. Come here.

Stick your head in there. Stick | it in there. Go ahead. Put it in.

Now, wait a minute.

Try to get out of that.

Go ahead, | try to get out of it.

I guess I took in | too much territory.

I shouldn't have | mentioned Canada.

Did I hurt you?

How could you hurt anybody | throwing them on their head?

Oh, dear.

Good morning. | Is the judge about?

He'll be here | in just a minute.

Old Honest Abe.

What's the charge?

Those two men, Your Honor, were | singing in Mr. Wolfinger's cellar.

These two boys here. | Yes?

And drinking applejack. | Where'd they get it?

In Mr. Wolfinger's cellar. | Down in my place.

Where's the evidence?

Right here, Your Honor.

Who's the owner of this applejack? I am.

Have you a permit | to manufacture applejack?

I beg your pardon?

Have you a permit | to manufacture applejack?

I guess I could | get one easy enough.

$30 or 30 days. | Take him away!

But, Judge... Oh, wait. | They came in to my...

Clear the court! | Clear the court!

Oh, this is terrible.

This is awful.

This is terrible.

Then... Then I... I took...

I took my scissors... | Yeah.

...and stuck straight into | my wife's throat, like that!

You tickled me.

Wouldn't you do the same thing | under the circumstances?

I would do the same thing, | I guess, or probably worse.

You know, I'm excitable. | Yeah.

I kill them all. | Uh-huh.

But that's nothing.

No, that didn't mean...

You know... You know, | my friend, Mmm-hmm.

I had three wives.

Oh, yes.

But this is the first one | I have killed in all my life!

Oh, that's in your favor, | yeah.

They have no more case against you | than the sheep has against a butcher.

Oh, do you think so?

Oh, I know it. | Excuse me a minute.

My friend here... He's... Can I get | out to send a telephone... Just for...

Oh, wait, I'll go with you.

No, no, that's all right, | that's all right.

I'll finish the story.

I can't go out | and telephone her?

Look here. You telephone... | Can you telephone my wife?

You can't telephone. I can | take a message out for you.

Will you | take a message out?

Search this guy. Search | him for a pair of scissors.

I think he's got | scissors with him.

My friend...

He's excited.

Say, look, you telephone my wife, | and tell her to get $30 over here,

and if she hasn't $30, | not to wait up for me tonight

because I won't be home | for a month. Will you do that?

My friend... | Okay.

...I want to tell you | something.

Yeah, okay.

Will you listen to me? | Yeah.

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Ray Harris

Ray Harris (September 7, 1927 – November 13, 2003) was an American rockabilly musician and songwriter. He formed a band with Wayne Powers, and wrote the songs "Come On, Little Mama" and "Greenback Dollar, Watch and Chain". He eventually recorded these at Sun Records with Sam Phillips. He also produced artists at Hi Records. Like others such as Sonny Burgess, Hayden Thompson, Billy Lee Riley and Warren Smith, chart success largely eluded him.Born in Tupelo, Mississippi, Harris died in November 2003 in Mooreville, Mississippi, at the age of 76. more…

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Submitted on August 05, 2018

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