Meet Joe Black Page #23
- PG-13
- Year:
- 1998
- 178 min
- 6,419 Views
He stammers into silence.
SUSAN:
But you can't.
Joe is about to respond but doesn't.
SUSAN (cont'd)
Just then -- when you hesitated --
the way you shift from foot-to-foot,
I've always found endearing but just
now -- I got a chill.
But he drifts again, now she takes his hand.
SUSAN (cont'd)
Remember that morning in the coffee
shop? You said 'What's wrong with
taking care of a woman, she takes
care of you --"
JOE:
Did I say that?
SUSAN:
And I said you'd have a hard time
finding a woman like that.
Joe shifts, she smiles at his embarrasement.
SUSAN (cont'd)
Well, you've found one, Joe.
JOE:
The 'coffee shop' --
SUSAN:
-- That was the place... and you were
the guy.
Joe seems resigned now, the air gone out of him.
SUSAN (cont'd)
And you said you didn't want me to
be your doctor because you didn't
want me to examine you --?
(a moment)
Well, I got to examine you after
all --
Joe blinks, at a loss.
SUSAN (cont'd)
I could come with you --
JOE:
I - uh --
SUSAN:
You want me to wait for you, you'll
be back --
Joe doesn't answer, Susan is suddenly anxious.
SUSAN (cont'd)
Why do I want this night to last
forever?
JOE:
Don't you know, that's what I want
more than anything.
He touches her face.
SUSAN:
You said before you couldn't tell me
who or where, only the 'when' -- Is
when now?
A moment.
JOE:
May I kiss you?
She waits. He kisses her, they fall into a deep embrace.
SUSAN:
That felt like a goodbye.
Joe's silence is heavy.
SUSAN (cont'd)
What's going on, Joe? I feel like
we're lifting off --
JOE:
I'm still here.
SUSAN:
But you're not. You're somewhere
else.
(a moment)
You're someone else --
Joe is struggling with a response, finally, inevitably, he
drifts into a long silence. Susan is beside herself, her
emotions tossed in every direction, Joe steadies her.
SUSAN:
Tell me you love me -- tell me
you love me now --
JOE:
I love you now, I'll love you
always --
SUSAN:
Hold me --
He holds on tight to her. They are desperately entwined
until finally she releases him.
JOE:
Susan --
SUSAN:
-- Yes?
JOE:
Thank you for loving me.
She smiles wanly, Joe leaves her.
INT. PARRISH'S STUDY, COUNTRY ESTATE - NIGHT
Parrish is seated by the window, lights from the party
flashing past, the MUSIC and laughter audible but muted,
the fever of the celebration lost on him, within himself.
Joe enters, Parrish looks up.
JOE:
...We should think about getting
started, Bill.
Parrish waits.
JOE (cont'd)
It'll just be us.
The tension in Parrish's body releases, he takes a breath.
PARRISH:
Thank you.
Joe nods an acknowledgement, but his face reflects his pain.
Parrish regards him sympathetically.
The silence is broken by a KNOCK on the door. Parrish, out
of politeness to Joe, does not respond.
QUINCE (O.S.)
Bill --?
After a moment.
PARRISH:
Come in.
Quince appears, flushed with excitement.
QUINCE:
-- I got him. The chopper's two
minutes away.
Parrish weighs the information for a moment.
PARRISH:
(to Joe)
How are we on time?
Joe shrugs, nods gently.
JOE:
Okay.
PARRISH:
(to Quince)
Get him in here.
Quince exits, Parrish presses the button for the speaker-
phone.
PARRISH (cont'd)
...May? -- I know you're busy, but I
want you to put in a call to Eddie
Sloane for me --
MAY (O.S.)
At home, sir --?
PARRISH:
No, he's at the office.
EXT. LAWNS, COUNTRY ESTATE - NIGHT
An area on the fringe of the party, the helicopter blades
stop spinning. Quince hurries to the aircraft door, opens
it and Drew steps out. Quince leads the way through the
lights and MUSIC. Drew, fashioning an imperial entrance for
himself, hails partygoers as he passes, Quince enjoying the
irony.
DREW:
This is damn big of Bill, I also
think it's smart.
QUINCE:
He had no choice. You're a
formidable adversary.
DREW:
He said that?
QUINCE:
Well, you've got him by the short-
hairs.
DREW:
Yeah, the short, gray hairs.
He flashes a pleased-as-punch greeting to some unseen
acquaintance as they press on to Parrish's study.
INT. PARRISH'S STUDY, COUNTRY ESTATE - NIGHT
Parrish is at his desk, Joe in a distant corner of the room.
SLOANE (O.S.)
(speakerphone)
We're all here, Bill --
PARRISH:
I appreciate this, Eddie, members
of the Board, this will just take a
minute of your time. As the custo-
dians of the company, you may re-
ceive information from what follows
that is valuable to you --
(a moment)
-- or not. Either way, thanks.
SLOANE (O.S.)
(speakerphone)
We're all ears.
Drew enters with Quince, Quince nods, excusing himself, and
closes the door behind him.
DREW:
Hi, Bill, happy birthday --
A moment.
DREW (cont'd)
I just wanted to say how appre-
ciative I am of this - uh - grand
gesture and --
PARRISH:
Shut up and sit down.
Drew takes a seat.
PARRISH (cont'd)
You're a worthless sack of sh*t, you
f***ed me over, played footsie with
John Bontecou, sold my company out
to line your own pockets.
DREW:
I don't know where you get that idea
-- the Board agreed --
PARRISH:
The Board didn't know you're a mole
who burrowed inside so you could bury
us all.
DREW:
Is this Mr. Black's fantasy? Another
one of his whoppers? Aren't you
sick of this a**hole lurking around?
No one knows who he is, but one
thing everyone does know, he somehow
got your ear and has been pouring
poison into it ever since.
Joe can no longer control himself.
JOE:
You're the poison, Drew. You've
operated behind-the-scenes to suborn
the trust of a man who has stamped
you with his imprimatur of class and
elegance and stature. I've seen all
kinds and degrees of deception in my
time, but Bill Parrish has been on
the receiving end of machinations so
Machiavellian that it has rarely
been my experience to encounter. And
yet he has combatted them stoically,
and selflessly, without revealing my
identity. Had he violated the vow
of secrecy he took, his task would
have been far easier, he could have
turned defeat into victory, but he
is too honorable a man to have done
that. And now I must release him
from that vow. Because of me, he
has lost his work, his company, his
reputation -- and now he's going to
tell you who I am.
Parrish is struck dumb. He looks at Joe pleadingly, shaking
his head imperceptibly, but Joe nods to him blithely -- and
then commandingly.
DREW:
(to Parrish)
So tell me, tell me, I'm peeing in
my pants.
JOE:
-- And now you're going to pee some
more.
PARRISH:
Joe, don't do this --
JOE:
It's time to put this person where
he belongs.
PARRISH:
It's not necessary, Joe. Drew's
going to step aside --
DREW:
I'm not stepping anywhere --
JOE:
I appreciate your gentlemanliness,
Bill, but what we need to do here is
drive the dagger home --
DREW:
The dagger --?
PARRISH:
I told you to shut up.
JOE:
(to Drew)
Prepare yourself, Drew - I am --
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