Meet Joe Black Page #24
- PG-13
- Year:
- 1998
- 178 min
- 6,419 Views
PARRISH:
He is --
JOE:
I'll take it from here --
(to Drew)
I am --
PARRISH:
-- An IRS man.
Drew is stunned, Joe glances at Parrish, hesitates.
PARRISH (cont'd)
Yes, he is. He's an -- IRS man.
Aren't you, Joe?
Joe is at a loss, Parrish's eyes are glued to his, Joe gets
the hint.
JOE:
Yes, I am.
(to Drew)
IRS man.
Drew's head swivels from Joe to Parrish and back again.
PARRISH:
The Treasury Department asked
my cooperation in his undercover
investigation of John Bontecou.
They were convinced that Bontecou,
on past deals, had structured his
mergers and acquisitions in sus-
picious and complicated ways so as
to evade paying the taxes he is
liable for. The IRS wanted to go
after him, and this deal offered
them the opportunity.
(a moment)
I agreed to cooperate.
JOE:
(to Parrish)
And we're very grateful.
PARRISH:
Moreover, Agent Joe Black here --
of course that's not his real name
-- smelled out your involvement,
Drew. He developed evidence you
were working both sides of the
fence. Unfortunately, that's known
JOE:
Undisclosed conflict of interest --
PARRISH:
An offense --
JOE:
An indictable offense.
Silence.
DREW:
I think I'd like to talk to my
lawyer --
PARRISH:
No lawyers, Drew. We're going to
offer you a deal.
Drew is all attention.
PARRISH (cont'd)
Confess to the Board every details of
your participation and then submit
your resignation.
DREW:
And what do I get?
PARRISH:
You get not to go to jail.
DREW:
You're talking through your hat.
You're offering a deal because
you've got no proof.
PARRISH:
Proof? We've got plenty of proof.
JOE:
(to Drew)
And he's talking through his lips.
Joe steps forward.
JOE (cont'd)
Make no mistake, Drew, if you choose
to test my resolve in this matter,
you'll be looking at an outcome that
will have a finality that is beyond
your comprehension, and you'll not
be counting the days or the months
or the years, but millenniums in the
house with no doors.
Drew slumps.
DREW:
All right, you win. As soon as I
get back to the city, I'll meet with
the Board.
Sloane's voice erupts over the SPEAKERPHONE.
SLOANE (O.S.)
You're meeting with the Board right
now, Drew. Resignation accepted.
Moreover, I propose a motion to re-
confirm William Parrish as Chairman
of the Board of Parrish Communica-
tions as well as a rejection of the
merger with Bontecou International.
How say you, Board?
A chorus of thunderous "Yes"es resounds through the
SPEAKERPHONE.
SLOANE (O.S., cont'd)
The motion is passed.
PARRISH:
Well, thank you, that's great, but
it's more than I bargained for. I
just wanted to set the record
straight.
SLOANE (O.S.)
But we want you back, Bill. Mean-
while, enjoy your party, celebrate,
we'll attend to the nasty details.
And Mr. Black, may we say thank you.
JOE:
My pleasure. This is an IRS Agent's
dream. I'll be promoted to Chief of
Section off of this.
Parrish clicks the speakerphone off. Drew is staring at
Joe, shaking his head.
DREW:
Who would've ever believed it? You,
Silence. Joe shrugs, smiles.
JOE:
'Death and Taxes'.
The door flies open, an anxious Allison appears.
ALLISON:
Daddy! We've been looking all over
for you - this is your party - what
are you doing in here? Never mind.
You're on. Let's go.
She pulls him out of his chair, hustles him out of the room,
Joe right behind them.
EXT. LAWNS, COUNTRY ESTATE - NIGHT
The guests have formed themselves into a huge audience, the
orchestra strikes up "Happy Birthday" as Parrish appears
with Allison. An enormous cake is unveiled with one great,
lit candle, Parrish beams then laughs. He pauses over the
cake, now blows the candle out. APPLAUSE, cries of "Speech!
Speech!", Parrish tries to demur but the request becomes
loud and rhythmic, he holds up his hand, nods, quiets the
crowd. Joe observes from the fringe.
PARRISH:
(to the guests)
I thought I was going to sneak away
tonight...
YELLS of "No!" "Never!"
PARRISH (cont'd)
...What a glorious night, every
face I see is a memory. It may not
be a perfectly perfect memory --
sometimes we had our ups and downs
-- but we're all together, and
you're mine for a night.
(a moment)
-- And I'm going to break precedent,
and tell you my one-candle wish --
that you would have a life as lucky
as mine, where you can wake up one
morning and say "I don't want
anything more."
(another moment)
Sixty-five years - don't they go by
in a blink?
Parrish hesitates, waves and steps away, APPLAUSE that grows
into CHEERS, the music resumes, another dance tune. Quince
grabs him, pumps his hand and claps him on the back. Now
Parrish spots Allison, he wraps her in a tight embrace, they
hold each other close for a moment, but then are separated
by a surge of guests. Parrish sees Susan, she smiles but
there is a tinge of sadness about her. He heads towards her,
they are somehow situated as if they were alone in this crowd.
SUSAN:
What a night.
PARRISH:
A moment.
SUSAN:
You were right about Joe, he is
going somewhere --
PARRISH:
(gently)
I'm sorry.
Susan is examining Parrish very closely.
SUSAN:
Are you relieved?
PARRISH:
Yes, but --
Parrish hesitates.
SUSAN:
But what?
PARRISH:
I want you to know how much I love
you. That you've given a meaning
to my life that I had no right to
expect, and that no one can ever
take from me.
SUSAN:
Daddy --
PARRISH:
No -- I love you so much and I want
you to promise me something. I
don't want you to ever worry about
me. If anything should happen, I'm
going to be fine and everything's
going to be all right.
(a moment)
-- And I have no regrets.
Susan is in pain now, she can't summon an answer.
PARRISH (cont'd)
And I want you to feel that way,
too.
SUSAN:
I love you, Daddy --
PARRISH:
That's why it's okay.
They drift into silence.
PARRISH (cont'd)
No regrets?
After a moment.
SUSAN:
'No regrets'.
A long silence, Susan smiles.
PARRISH:
It's a good feeling, isn't it?
Silence again.
SUSAN:
Everybody's saying goodbye...
They regard each other, a long pause, they have reached an
understanding.
PARRISH:
I'm still here.
(a moment)
Would you like to dance with me,
Susan?
SUSAN:
Oh, yes --
He starts to lead her to the floor, immediately stops.
PARRISH:
If you don't mind dancing with an
old fogey like me.
SUSAN:
Oh, Dad, you're not old. You'll
never be old.
He takes her in his arms and they dance away.
ANOTHER ANGLE:
On a distant fringe of the party, a grass terrace that still
commands a view of the dance floor, is Joe. His eyes are on
Parrish and Susan, he watches them admiringly yet ruefully.
A Waiter passes, catches sight of Joe, stops.
WAITER:
Can I get you anything, sir?
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