Mektup Page #6

Synopsis: A man researches the death of his political activist father while in police custody.
 
IMDB:
6.8
Year:
1997
100 min
20 Views


him, witnessing his storms, his pain.

The story of your father's

life is also partly my story.

The first thing I'd like tell you at the

start of this letter is that I'd like to

thank you father for making it easier

for me to make decisions from here on.

Now I know why you never recognized me.

Years later I searched for you

and found you, and you...well...

in the end I found you, got to know you and

I understood. What could be more important?

If you were here you would have

said, every man is a forest.

And you would've looked down on me because

my life was diminishing in my poor forest.

You would have had nothing to do

with a world like that, would you?

But maybe I can prove you wrong. How

about that? The swamp used to seem so far.

It's not that way any more... because

we're in it. I can't take this anymore.

I just want to be water, to be a

tree. Anyway, what else can I do?

Now, finally, I understand. I'm cutting myself

off from whatever stops me being myself.

Then one day, all of a

sudden, the lights went out.

When they came back on, I realized the

richness of the forest. You were there.

Right in the midst of the

trees, the birds, the lions.

You were talking with them, looking

after them like ancient Solomon.

At one point you turned to me

and said:
"Keep after the Simurgs,

- follow the Simurgs."

- I don't know him.

I kept after the Simurgs

and I became a Simurg.

It was as if he were waiting for

something at a desolate night stations.

Our agonies intertwined. One day his

fury subsided and he crossed over to the

dark side of the moon. For me

he was no different than a saint.

He said it so

beautifully... that he loved.

It could never be so beautiful again.

"Come on." he said to me.

I can't remember anything other than

those eyes of his saying"Come on, come on."

No doubt love would die one

day. So I made the first move,

and killed love. I killed him.

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Ali Özgentürk

Ali Özgentürk is a Turkish film director, screenwriter, and producer. He was born on 4 November 1947 in Adana, Turkey. After studying philosophy and sociology at Istanbul University, he became involved in theater, as an actor, director, and playwright. He founded Istanbul's first street theater troupe in 1968. He began working in the Turkish film industry in 1974 as a camera assistant, and eventually became an assistant and screenwriter for famous Kurdish film directors such as Atif Yilmaz and Yılmaz Güney.In 1977, Özgentürk wrote the screenplay for director Atıf Yılmaz's film Selvi Boylum, Al Yazmalım (The Girl with the Red Scarf), which would go on to become a major hit in Turkey. In 1979, Özgentürk directed his first feature, Hazal, which he co-wrote with Onat Kutlar. The film won awards at the Mannheim Film Festival, Prades Film Festival, and the Best New Director award at the San Sebastián International Film Festival. Ozgenturk followed it in 1982 with At (The Horse), which screened at the Cannes Film Festival and won major awards at the Valencia Film Festival and the Tokyo International Film Festival, which awarded it the Ozu Award, carrying a cash prize of $250,000. His third feature, 1985's Bekςi (The Guardian), an adaptation of Turkish novelist Orhan Kemal's classic novel Murtaza, holds the distinction of being the first Turkish film to screen in competition at the Venice Film Festival.Özgentürk courted controversy with his fourth film, Su da Yanar (Water Also Burns, 1987), which concerned a director attempting to make a film about the life of controversial Turkish poet Nâzım Hikmet.In 2000, Özgentürk directed Balalayka, which would go on to become a major box office hit in Turkey. The film ran into trouble early in its production when its original lead actor, Kemal Sunal, died of a heart attack while boarding a plane to the film's location in Trabzon. He was replaced in the part by the Turkish actor Uğur Yücel. more…

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Submitted on August 05, 2018

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