Miami Blues Page #2

Synopsis: When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute Susie Waggoner. Opposing Frenger is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980's Miami is getting crazier all the time.
Genre: Comedy, Crime, Drama
Director(s): George Armitage
Production: Orion Home Video
  2 wins & 2 nominations.
 
IMDB:
6.4
Rotten Tomatoes:
81%
R
Year:
1990
97 min
213 Views


Yes, sir.

You know, like, | well, Cuban, also.

And I think that's sort | of like Spanish...Cuban...

but it's | a little different.

This ice cream dressing | is sour as sh*t.

It's yogurt dressing, | not ice cream.

Where you been?

Oh, that's OK.

I never had | yogurt dressing...

up in Okeechobee.

Where is that?

That's where I'm from.

You heard | of Lake Okeechobee.

I'm from California.

I don't know sh*t | about Florida.

You ever heard | of Lake Tahoe?

Lake Tahoe?

How is it?

Lousy.

Who is he?

We're engaged.

Hey, separate checks.

My treat.

Good luck.

Hey, Susie...

we're not gonna be | calling it a night, are we?

I got a homework paper.

I gotta write a haiku | for English class.

I tell you what.

I'm real good | at making up things...

you know, poems. | I could come over.

I could help you | write your, uh...

Haiku?

Definitely.

Let's get out of here.

Thank you. I'm sorry. | I liked the food.

Bye.

So you think this | unidentified assailant...

who broke, uh...

Ravindra's finger | did it on purpose?

Sorry, uh...Ramba.

That's all right. Heh.

That was a short engagement.

Hey, you know, | you still haven't told me...

what it is you do.

Oh, I got investments.

I take people's money | and put it to work.

You got any?

I got a $10,000 CD...

and I take | the interest from that...

and I put it | into a N.O.W. account.

Jesus Christ.

That's the biggest | frigging racket going.

I want you | to march straight down...

to the bank first thing | in the morning...

and cash in both | of those things.

I can't let my fiancee | get ripped-off...

when I can | double your money.

-Double? | -Yeah.

How 'bout that poem | we were gonna write?

We make love a lot.

We make love right now.

No. It's seven | in the second line.

Seven in the second line?

Splashes around | in his pond...

Could you | close the door, please?

Thinking he's...

alone.

Breaking, entering...

the dark | and Ionely place...places.

Finding a...big gun.

Smelling like a rose.

Any luck?

I wrote 2. Heh.

Maybe I'll get extra credit.

Hey, where did you | get these?

Dumb question.

-Are you a nosy rosy? | -Mm-mmm.

What the hell | was that, man?

The doorbell.

Talk about dumb questions.

Susan Waggoner?

Can I come in?

I bet you're | Herman Gotlieb.

How much?

Sergeant Hoke Moseley.

Homicide.

Herman Gotlieb.

I'd like to ask you | a few questions. Routine.

Boy, you got | a grip there, Herman.

Been working out?

Can I get you | a cold one there, Sarge?

Well, why not?

Two Polars, honey.

You down at the airport | today, Herman?

Yeah, I was.

Somebody broke | the finger off

a Hare Krishna...

and the son | of a b*tch died.

No sh*t?

No sh*t.

I didn't do it.

Oh, no, no, no.

We're just looking | for someone...

who might have seen | anything.

I'm curious, uh...

you own | a suede sport coat?

Yeah, I do.

OK. You're probably | the one.

Did you get on | the courtesy van...

to the Grand Prix Hotel?

Hey, f*** | this nonsense, man.

You're misunderstanding | this, Herman.

Who got killed?

You know, if I had | something better to do...

like sit at home | with a beautiful girl...

I wouldn't even be | bothering you, but, uh...

you were mentioned | as a possible witness.

See anything?

We got this | forensic dentist.

And l, uh, I talked him | into pulling my teeth...

and fixing me | some new chompers.

Well, it took two months | of his spare time.

And I got so used to | drinking without 'em...

I just pull 'em out.

Bother you?

Junior...

you want me to fix | those pork chops now?

Hell, I'll put 'em | back in for pork chops.

Pork chops comin' up.

Herman...

your fiancee...

is the best cook | in South Florida.

More taters?

Junior?

So, Herman, where | did you do your time?

Time?

What do you mean?

Well, the way you're | guarding that food.

You know...

like another con could | take it away from you.

Well, I was raised | in foster homes, you know?

I didn't get no dessert | till I was in eighth grade.

Damn.

I got a daughter | in the eighth grade.

Half my paycheck goes | to her orthodontist.

She's got your teeth, man.

Yeah. The joint's | about the only place...

you got time to work out | to get a grip like that.

I was an aerobics | instructor.

Shoots the sh*t | out of that theory.

Any more Polars?

Oh...

Junior got | the last one.

I could run out | and get some.

Beer's gone, I'm gone.

You're kidding.

But, you know, | I gotta get...

that pork chop | recipe first.

No. Are you serious?

It's so easy, what I did.

You are definitely | not gonna have...

to write this down.

All it is is pork chops | in a frying pan.

And just cook 'em | in their own fat...

with a lot of salt.

Oh, well, | they sure were good...

but you know | what I really like...

is native Florida cooking.

Now, did you ever have | chestnut batter...

on your pork chops?

Boy, I never did.

You got a recipe | for that somewhere?

Uh, yeah, I do, | as a matter of fact.

I'll give it to you. | Just a minute here.

Oh, I appreciate that.

Great dinner.

Get you something | to go, Sarge?

Just you.

Kidding, Herman.

Listen, if you | think of anything...

just, uh, give me a call.

That's my home phone.

Look, it's a hotel...

and the old guy | at the desk is deaf...

so, uh, just let it ring | till he sees the lights.

Oh, and, uh, | when we round up...

the usual airport | hoodlums...

maybe you could shoot by and | take a look at a line-up.

Take you five minutes.

Oh, yeah.

You mind standing | in the line-up, too?

We're a little short | of bodies. Heh heh.

You ever stood | in a line-up before, Herman?

Never been caught, Sarge.

Ah, you ain't got | one beer rat-holed...

I can take with me | for the road, do you?

You got it all, man. | Dog biscuits, too.

Oh...see you.

Night, Susie.

Years ago, I started | preaching catch-and-release.

Back then, a lot of things | seemed to indicate...

that our bass resource in | many areas of the country...

was rapidly diminishing.

Today, there is | no doubt about it...

and I'm very concerned about | what the future holds...

for this great sport.

In simple terms...

we don't have the vast | water we once had...

and there are | several reasons for it...

pollution, | illegal netting...

the pressure of removing | too many adult bass...

from their environment.

You know, they're kind of | like money in the bank.

I got news for you.

I'm not coming back. | I'm married.

I am so married.

I gotta go. Bye.

You like ham and eggs?

Drop it.

It smells good.

Who was that, anyway?

Pablo.

The cops rousted him.

I guess they're giving him | a hard time because of you.

We got to go for | a little ride, honey.

What?

What about breakfast?

It was gonna be a surprise.

I was gonna bring it | in to you on a tray.

And then l...

Make it to go.

Not too tired | for some fun?

Call it a night, sister.

Aye, aye, sir.

I got something that | I gotta tell you.

I used to be in prison.

What did you do | to get there?

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George Armitage

George Armitage (born 1942) is an American film director, screenwriter and producer. He got his start as part of the stable of up-and-coming filmmakers who broke into the business through Roger Corman's New World Pictures. He is most well known as the director of the films Miami Blues and Grosse Pointe Blank. more…

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Submitted on August 05, 2018

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