Miami Blues Page #3

Synopsis: When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute Susie Waggoner. Opposing Frenger is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980's Miami is getting crazier all the time.
Genre: Comedy, Crime, Drama
Director(s): George Armitage
Production: Orion Home Video
  2 wins & 2 nominations.
 
IMDB:
6.4
Rotten Tomatoes:
81%
R
Year:
1990
97 min
202 Views


I used to rob people | who robbed people.

Kind of like Robin Hood?

Except I didn't | give the money...

to the poor people.

You don't do that | anymore, do you?

I got investments now.

Good. You got me | out of the life.

Now you stay out of crime.

Sounds good.

Promise?

Yeah, sure. | Why not?

Say you promise.

I promise.

Henderson?

Sanchez. Homicide.

Oh, my replacement.

How is he?

He's got a cervical | disc injury...

a dislocated jaw, bruises...

uh, got a concussion... | I don't know how bad it is.

Somebody really | worked him over.

Did he tell you | who did it?

What happened?

No. He's in and out | of consciousness.

Drop the knife, Pablo.

My name isn't Gotlieb.

Sergeant Hoke Moseley, | homicide.

That little girl | you sent up to my room?

She's 15 years old, man.

She's 23, man. | She's not 15.

Look. Sergeant Lackley | checked her I.D.

Why don't you call him? | I pay him every week.

Maybe you two guys | can get together.

How much you pay | Lackley every week?

$500 a week. Don't.

All right, from now on, | Lackley gets 250.

The other 250 to me...

at the Primrose Hotel. | You got it, man?

Lackley's not gonna go | for any split like that.

You tell the guy | at the desk...

to leave it for me | in the safe.

Hi. What can I get for you?

Uh...iced coffee.

Hey! What are you doing?

Open!

Open the goddamn | drawer now! Do it!

Stop or I'll shoot!

You just shot me.

I fired a warning shot | and it hit you.

You're no cop.

No problem.

There is no problem.

Police. Homicide.

You people go about | your business.

You finish your lunches, | your breakfasts, whatever.

Don't worry, lady.

I'm gonna call | an ambulance now...

on the radio | in my police car.

Yeah. I'll be right back.

Slow down.

Go ahead.

Stop right here!

Furnished?

Yeah, with almost antiques.

How much?

I been worried sick!

Where you been all day?

Dumb question.

Did you get the money?

I cashed in | the $10,000 CD...

but I decided to keep | the N.O.W. account open...

for 8 more days.

What did I tell you?

Huh?

They said if I keep it | open for 8 more days...

I'll be eligible | for a teapot.

I'm sorry.

It's just 8 more days.

You'll still be here, | won't you?

I don't know.

My problem is | that I can have...

everything and anything | that I want...

but I don't know | what I want.

Tell me again about that | Burger World franchise.

OK.

You need $50,000.

You borrow another 50,000 | from Burger World...

and you wait for an opening.

But why? | What's the purpose?

To make a living, | that's all.

You hire kids, so you | can pay 'em nothing.

And you watch 'em | real close...

or they will | steal you blind.

And...and you save | your money...

and you buy | a nice little house...

with a white picket fence.

And you live | happily ever after.

I tell you what. | Let's go straight...

to the "happily | ever after" part, OK?

I can't see any point...

in hanging out | at a Burger World...

no matter how much money | you're gonna make.

It's stupid.

You can forget about | Burger World, honey.

I'm gonna | take care of you...

and you're gonna | take care of me.

That's our purpose.

Do you know any | married people today?

Hmm? They're a team.

They pull together, | and they get rich.

They got it all.

And you know | that little house...

you were just | talking about?

I rented us one | in Coral Gables today.

Oh, Junior.

That's what you were | up to all day?

I'm gonna take | such good care of you.

Mm-hmm.

He was a big guy, man. | Bigger than you.

Got up from the table, | said he was homicide.

Pulled a badge?

After he whacks the dude.

It was cold, man, ice cold.

Thanks, Blink.

What do I owe you?

It's on the house, bro.

Come on.

I like the air conditioning | on frozen.

Me, too.

1/2 ounce. | Primo, man.

Thanks, man.

Hey, half that's mine.

F*** you! I sold it. | I keep the money.

These are my contacts. | They're my people.

I don't give a sh*t | about your contacts.

Don't turn your back. | I'm tired of your sh*t.

Get out of my face!

Police! Freeze!

Stand over there.

Put that on. | Right through there.

You know what to do, | Shorty.

Hey!

I don't believe this.

I'm gonna let | you two guys go...

with a little warning.

Don't get caught.

Sh*t!

Police! Don't move!

You can go now.

Give me your wallet!

Come on, man. | Move it...

Police! Drop it!

I said drop it.

Shoot him!

Make it, Julio.

Comprendo?

Yeah. Yeah.

That's my purse!

Stop him!

Stop! Somebody | please help me!

Go get him.

Thank you, officer.

Yeah, that's great, lady.

But...you're a cop!

Hey! Police! Police!

You have anything | against broccoli...

cauliflower, | stuff like that?

I don't want to talk | about that at this time.

Oh.

What are you going to do | now that we're married?

Take care of the house, | shop, fix dinner.

Take care of the babies.

Is that what | you'd like to do?

Be a mother?

Well, I don't...

I guess so.

l...I don't... | I don't know.

I lived with a girl | once for 2 months.

She didn't do anything...

a housewife was | supposed to do.

I thought you said | you were married.

I told you that before | I really knew you.

What I'm driving at, | Susie, is...

I want to have | a regular life.

I want to go to work | in the morning...

sometimes at night...

come home | to a clean house...

and a hot meal...

and a loving wife | just like you.

I don't want to have | any babies.

This world's a sh*t hole.

You think | you can handle that?

I do.

I do.

This is better | than counting money.

These yours?

I can't tell.

Yeah. This, uh... | nail polish.

We found two muscleheads | cuffed together.

Jesus! | He's making arrests?

We did some | routine prints.

They match those taken...

from the scene of | the dumbbell murders.

I've been working | that case for 15 months.

Congratulations. | Case is closed.

Find Gotlieb?

We're looking for him.

Ohh...let's get | the f*** out of here.

I'll find him.

Maybe you should wait | and let him solve...

a couple more from | your case load, huh?

Will you have | a seat, please?

Where, here?

Your name, please?

Ziffel. Fred Ziffel.

Is that the way you want | the account to read?

No. I want it to read | "Arnold Ziffel."

Here you go.

Thanks.

Hey, Eddie.

Here's the key | to your new suite.

Oh, and some Cuban kid | on a bicycle...

made two deliveries.

Uh, 250 in both.

I'm sorry. | I opened them.

It's OK, Eddie.

Thanks.

Uh-huh.

Who is it?

Lackley. Vice.

Slide your I.D. | under the door.

Are you f***ing serious?

Try me! | Next thing you hear...

will be a bullet | coming through the door!

Pablo sent this.

What?

What's the matter, Sarge? | Got a guilty conscience?

I just got out | of the hospital.

I know all about you.

I like your place here, | too. It's very nice.

You also got | a little something...

that belongs to me, | don't you, Gums?

What the f*** | you talkin' about?

I never seen you | before in my life.

Now, listen, Sarge...

you think you're moving in | on my territory?

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George Armitage

George Armitage (born 1942) is an American film director, screenwriter and producer. He got his start as part of the stable of up-and-coming filmmakers who broke into the business through Roger Corman's New World Pictures. He is most well known as the director of the films Miami Blues and Grosse Pointe Blank. more…

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Submitted on August 05, 2018

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