Midnight Cowboy Page #6
JOE:
(slaps bar)
Same all around! For my friend,
too!
The TV screen over the bar features a mating game program as
Jackie cruises down to join a tall farm boy with plucked
eyebrows. The TV HOST points to three young men, visible only
from the shoulders up, from whom a pretty DATE GIRL in
blindfold must choose an escort.
TV HOST:
... and for the losers, who don't
get the girl, we'll give as
consolation prices -- a six month
supply of underarm deodorant...
In a booth now -- the TV screen in the background, continuing
the game -- Joe is refilling Ratso's beer glass as he speaks,
loud over the laughter of the TV audience.
JOE:
... you see what I'm getting at
here? She got a penthouse up there
diamonds than an archbishop and she
busts out bawling when I ask for
money!
RATSO:
For what?
JOE:
For money.
RATSO:
For money for what?
JOE:
I'm a hustler, hell, didn't you
know that?
RATSO:
How would I know? You gotta tell a
person these things
(shakes his head)
A hustler? Picking up trade on the
street like that -- baby, believe
me -- you need management.
JOE:
I think you just put your finger on
it, I do.
RATSO:
My friend O'Daniel. That's who you
need. Operates the biggest stable
in town. In the whole goddam
metropolitan area. A stud like you
- paying! -- not that I blame you --
a dame starts crying, I cut my
heart for her...
JACKIE'S VOICE
I'd call that a very minor
operation...
Ratso grabs the neck of a bottle, sliding back in the booth.
Joe scowls as Jackie appears with the tall farm boy.
JACKIE:
... in fact, you just sit comfy and
I'll cut it out with my fingernail
file. You won't even need Blue
Cross, Ratso.
RATSO:
The name is Rizzo.
JACKIE:
That's what I said, Ratso.
JOE:
(suddenly)
Hey now, you heard him.
On the TV screen -- the Date Girl announces:
TV DATE GIRL:
I pick Number Two! He's cool!
RATSO:
That's okay, Joe. I'm used to these
types that like to pick on
cripples. Sewers're full of 'em.
JACKIE:
May I ask one thing, cowboy? If you
sit there and he sits way over
there, how's he gonna get his hand
into your pocket? But I'm sure he
has that all figured out...
(to Ratso)
Good night, sweets.
TV HOST:
The TV host pulls aside the screen which has concealed the
lower half of the three young men. Number Two, her chosen
mate, is a dwarf sitting on a high stool. The girl's
spontaneous dismay starts everyone laughing hysterically,
including the dwarf.
Joe has difficulty keening up with Ratso, who swings himself
along with surprising agility, his half skipping little gate
favoring one game leg.
RATSO:
Look, with these chicks that want
to buy it, most of 'em are older,
dignified, right? Social register
types. They can't be trotting down
to Times Square to pick out the
merchandise. They need a middleman,
right? That's O'Daniel.
Joe hesitates as Ratso darts into traffic against a red
light, yelling unheard obscenities at a cab driver who blasts
his horn. Joe runs recklessly forward as Ratso slams the taxi
fender with his fist, pretending to be hit, falling into
Joe's arms. The taxi stops, halting traffic. Ratso, recovers,
strolls casually in front of the cab, biting his thumb at the
driver.
RATSO (CONT'D)
It is a crime, a stud like you
passing out double sawbucks to a
chick like that. With proper
management you should be taking
home fifty, a hundred bucks a day.
More if you wanta moonlight...
EXT. SIDEWALK CAFE - COCKTAIL HOUR
At,the corner of Central Park South, Ratso points toward a
young man with diamond cuff-links, sitting with a blue-haired
matron who puffs on a small cigar. Ratso waves jauntily at
the young man, raising his thumb and forefinger in a circle,
leaving the young man baffled as Ratso hurries Joe on.
RATSO:
Him I placed with O'Daniel just two
weeks ago. And look. Not much of a
stud either, what I hear...
EXT. CENTRAL PARK SOUTH - COCKTAIL HOUR
Ratso automatically checks the coin return boxes of the phone
booths they pass. Walking the park side of the street,
looking across at the limousines and taxis waiting outside
luxury hotels and apartment buildings.
JOE:
Hey, listen, how about you take me
to mee this Mister O'Diddle bird
right now?
RATSO:
Well, Joe, you're a nice guy, and
I'd be doing you both a favor, but
why? What'm I dragging my bum leg
all over town for? It's no picnic
and what for, for me myself, what?
Ratso stops opposite the Plaza hotel, pointing across at an
aristocratic blonde stepping out of a Rolls Royce.
RATSO (CONT'D)
Tomorrow when some piece like
that's scratching your back in a
Fifth Avenue townhouse, where'll
your pal Rizzo be? Nedicks.
JOE:
Hold it, just hold it. You think
I'm that kinda sombitch? Just name
your cut, whatever you want, you
got it right now. Five? Ten, how's
that?
Joe peels a ten from his wallet and offers it to Ratso.
RATSO:
Joe, please. You know what I'd ask
anyone else? Oh hell, tell you what
I'll do, I'll take the ten...
(he does)
... but when I hand you over to Mr.
O'Daniel, I'll have to have another
ten, Joe; just to like cover
expenses...
INT. PUBLIC PHONE BOOTH - DUSK
Ratso is on the phone. Joe holds the door open, listening.
RATSO:
This boy is just your meat, Mr.
O'Daniel, believe it, I'm telling
you -- what? -- Enrico Rizzo from
the Bronx. The point is he needs
you. Right now. Tonight...
(aside to Joe)
I got his tongue hanging out...
Camera moves slowly up the anonymous wall of a drab hotel,
following the line of dim red lights marking the fire exits.
RATSO'S VOICE
Name's Joe Buck. Cowboy. Just in
from Texas, don't know the ropes,
new to the city, but very promising
material, sir, and ready, if you
get what I mean. Fabulous. Right
away. What's that room number there
again?
INT. WEST SIDE HOTEL ELEVATOR - DUSK
As ancient open cage lift rises at the same pace as camera in
preceding shot. Joe grins excitedly at Ratso, who nods but
glances significantly at the elevator operator. Ratso follows
Joe to door as the operator grinds to a stop.
INT. WEST SIDE HOTEL CORRIDOR - DUSK
Ratso steps out with Joe, gesturing to the corridor...
RATSO:
Hold it a second...
... but the operator slams the door and starts on up. Ratso
leans heavily on the down button, glancing at Joe.
RATSO (CONT'D)
Nine-oh-one, got it?
Ratso glances up the elevator shaft nervously, rings again
and turns back to Joe.
RATSO (CONT'D)
Let's see how you look. Fine. You
look fine. Now I'm gonna have to
have that other ten...
JOE:
(digs in wallet)
Ten, ten -- I got a twenty -- take
that...
RATSO:
Oh hell, forget it.
JOE:
Now take it. Go on.
(gives it to him)
Listen, where can I reach you?
Cause I'm gonna make this right
with you soon's I get me set up...
RATSO:
Forget it.
JOE:
I mean, dammit, where you live?
Ratso leans on the DOWN as the cage grinds slowly down into
view and stops.
RATSO:
Sherry-Netherlands Hotel. Now get
your ass in there. He's waiting!
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Midnight Cowboy" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/midnight_cowboy_327>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In