Mistress America Page #10

Synopsis: A college freshman (Lola Kirke) cures her disappointment and loneliness by allowing herself to be pulled into the wacky schemes of her future stepsister (Greta Gerwig).
Genre: Comedy, Drama
Production: Fox Searchlight Pictures
  2 wins & 13 nominations.
 
IMDB:
6.7
Metacritic:
75
Rotten Tomatoes:
82%
R
Year:
2015
84 min
Website
1,919 Views


KAREN:

Mamie-Claire!

MAMIE-CLAIRE

Sorry, Karen.

EXT. BACKYARD. DAY

Brooke, still worked up, marches across the lawn. Her phonevibrates.

BROOKE:

Hey Dad - what’s up? I can’t

really talk right now.

DAD:

Brooke...

BROOKE:

I’ll call you tomorrow, I’m in themiddle of something.

DAD:

I know you probably don’t care --

BROOKE:

-- I care about things!

68.

DAD:

But I’m not getting married.

BROOKE:

Oh, really?

DAD:

No... We called it off last night.

It’s for the best. I don’t reallyknow her.

BROOKE:

Yeah.

DAD:

She wasn’t committed to the church,

either. I think that was all

forced.

BROOKE:

Sure, sure.

DAD:

Are you okay?

BROOKE:

Yes, I just... You’re really notdoing it? I thought you guys werereally symbiotic. Wasn’t it a web

algorithm that got you together?

She seems amazing.

DAD:

You never even met Stevie.

BROOKE:

Through you, I met her. I don’t

know, Dad. Come on...

Tears run down Brooke’s face.

BROOKE:

Don’t just bail. That’s what the

Cardinases always do, move on tosomething else. Hang in there.

DAD:

Frankly I’m surprised you’re soinvested in this. Believe me, it’sfor the best.

BROOKE:

(wiping her face)

I have to go.

(MORE)

69.

BROOKE (CONT'D)

I have a really important businessmeeting. I love you.

DAD:

We can do Thanksgiving at my houseif you want - since there won’t bea wedding.

BROOKE:

Nah, I’ll probably just end updoing something depressing but

young.

DAD:

Home is only a bus ride away.

BROOKE:

Is it? Just kidding, it is.

There is a silence between them for a second.

BROOKE:

So what does this make me and

Tracy?

DAD:

Who’s Tracy?

BROOKE:

Never mind.

DAD:

Oh, oh, right, her daughter -

nothing, I guess.

INT. MAMIE-CLAIRE’S DEN. DAY

Tracy is looking through an old datebook in the den. She

picks up a 1970’s subway token and puts in her pocket.

TRACY:

(startles)

Hello.

TONY:

Sorry, I didn’t mean to sneak.

TRACY:

(saucily)

Are you stalking me?

TONY:

I left my backpack in here. I need

my migrane pills.

70.

He goes to his backpack and gets out an pill bottle. He

fixes himself a scotch and then downs a pill.

TRACY:

Let me have a sip.

She takes the glass from him. He looks at her.

TONY:

How much longer do you think we’llbe here?

TRACY:

I don’t know, however long ittakes. After Dylan comes homemaybe.

TONY:

What are you really trying toaccomplish here?

TRACY:

(looking around the room)

I’m enjoying this really stylishhouse. When you live in suburbiayou have to really like being inyour house.

TONY:

That’s not what I - what are youdoing with this whole thing?

Nicolette appears in the doorway for a second and thenretreats, listening.

TRACY:

I want Brooke to get herrestaurant. I’m helping out.

Tony goes to his backpack, which was thrown on the couch.

Opens it and retrieves the pages she had given him.

TONY:

I read your story, by the way.

(he holds up the pages)

Brooke is the woman in your piece.

You’re collecting material.

TRACY:

Did you like it?

71.

TONY:

(evasive)

That’s not what we’re talkingabout.

TRACY:

Why are you here?

TONY:

(vaguely)

You needed a ride. You forced me.

Tracy quickly walks over to Tony.

TRACY:

How does it feel to be forced?

TONY:

It feels...uncomfortable.

Tracy puts her face close to his. She removes his glasses.

TRACY:

And how do you feel now?

TONY:

Still uncomfortable.

Tracy kisses Tony passionately on the mouth. Nicolette

reacts.

TONY:

(pushing her off)

That’s not what I want!

TRACY:

It is what you want, but it makes

you feel like a bad person to wantit.

TONY:

(wiping his mouth)

You’re acting really crazy. I

don’t like this.

He puts the story back into his backpack.

TRACY:

Why can’t you say you liked mystory?

72.

TONY:

(upset)

I don’t know! I’m jealous! It’s

better than mine! Sheesh!

TRACY:

You want other people to do thethings that you can’t so you canblame them.

TONY:

You used to be so nice.

TRACY:

I’m the same. I’m just the same inanother direction now.

Tony and Tracy leave. Nicolette enters, goes to Tony’sbackpack and takes out the story.

MAMIE-CLAIRE (O.S.)

YOU’RE HOME!

INT. MAMIE-CLAIRE’S HOUSE. DAY

Dylan, a round annoyed-looking blonde man, is fixing a drinkand doing dishes and Mamie Claire is trying to really hug himwith her face in his neck.

DYLAN:

I don’t like it when you try toforce affection onto me.

MAMIE-CLAIRE

I’m just trying to hug you.

DYLAN:

Do you have to put your face soclose to mine?

MAMIE-CLAIRE

It’s nice....

DYLAN:

You know how upset I get when Ivisit the home...

MAMIE-CLAIRE

I want you to share it with me.

DYLAN:

Rosella and Lorene may not even beALIVE next time I’m there, okay?

(MORE)

73.

DYLAN (CONT'D)

Just keep your face a little awaywhile I process that.

MAMIE-CLAIRE

(pouting)

Fine.

Dylan looks up -- he clocks Tony, Tracy and Karen, theabandoned Pregnant Woman, at the top of the stairs.

DYLAN:

Who are all these people?! MC, whydo you never tell me who is in thehouse?

KAREN:

I wondered if I could have some

water.

MAMIE-CLAIRE

Of course, Karen.

She goes to retrieve a glass.

DYLAN:

Oh, hi Karen, I don’t mean you.

TONY:

(reaching out his hand)

Tony, nice to meet you. Beautiful

house sir.

DYLAN:

(confused)

Thank you.

TONY:

Have you seen a girl about thishigh -

(demonstrates with hishand)

-that’s my girlfriend.

DYLAN:

No, uh, there’s more of you?

Tracy steps in a little:

TRACY:

I’m Tracy.

DYLAN:

(pointing at himself)

Dylan. Tracy is a tight name.

(MORE)

74.

DYLAN (CONT'D)

It’s a name that totally is a namebut I don’t know anyone actuallynamed Tracy, you know?

TRACY:

I am actually named Tracy.

BROOKE (O.S.)

Tracy-

TRACY:

(turning)

Yeah?

Brooke enters. Dylan sees Brooke.

DYLAN:

Brooke.

Brooke now notices Dylan.

BROOKE:

Hey Dylan.

They stand apart almost shyly.

MAMIE-CLAIRE

Brooke’s here with some

kindergartners.

TRACY:

(to Brooke)

What were you going to say?

BROOKE:

(smiling at Dylan)

In a minute.

TONY:

Has anyone seen Nicolette?

TRACY:

Forget about Nicolette for asecond.

TONY:

Stop trying to seduce me!

Mamie-Claire hands Karen her water.

KAREN:

Thanks, I got a little parched. I

think I’m sitting by a heatingduct.

75.

MAMIE-CLAIRE

(shoves a stool in herdirection)

Stay here. Have a glass of wine.

KAREN:

No. Ted really should be here

soon.

MAMIE-CLAIRE

Karen!

Karen sits on the stool. Tony looks distraught.

TONY:

Can I have a snack? Stress makes

me hungry.

Mamie-Claire gestures to the refrigerator. Tony opens thefreezer and fridge stands in front of it. Dylan considersBrooke. Mamie-Claire watches.

DYLAN:

Brooke -- I haven’t seen you in asecond.

BROOKE:

I know, right?

DYLAN:

What brings you to the burbs?

BROOKE:

We were-

MAMIE-CLAIRE

Brooke needs money.

BROOKE:

No, I don’t “need money” - I cometo you with an opportunity.

MAMIE-CLAIRE

I told her about the taxi

medallions.

DYLAN:

Let me make you a drink. What’s

the opportunity?

Rate this script:3.0 / 2 votes

Noah Baumbach

Noah Baumbach is an American independent filmmaker. He was nominated for the Academy Award for Best Original Screenplay for The Squid and the Whale and is known for making dramatic comedies. more…

All Noah Baumbach scripts | Noah Baumbach Scripts

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Submitted by aviv on November 15, 2016

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