Mistress America Page #10
KAREN:
Mamie-Claire!
MAMIE-CLAIRE
Sorry, Karen.
EXT. BACKYARD. DAY
Brooke, still worked up, marches across the lawn. Her phonevibrates.
BROOKE:
Hey Dad - what’s up? I can’t
really talk right now.
DAD:
Brooke...
BROOKE:
I’ll call you tomorrow, I’m in themiddle of something.
DAD:
I know you probably don’t care --
BROOKE:
-- I care about things!
68.
DAD:
But I’m not getting married.
BROOKE:
Oh, really?
DAD:
No... We called it off last night.
It’s for the best. I don’t reallyknow her.
BROOKE:
Yeah.
DAD:
She wasn’t committed to the church,
either. I think that was all
forced.
BROOKE:
Sure, sure.
DAD:
Are you okay?
BROOKE:
Yes, I just... You’re really notdoing it? I thought you guys werereally symbiotic. Wasn’t it a web
algorithm that got you together?
She seems amazing.
DAD:
You never even met Stevie.
BROOKE:
Through you, I met her. I don’t
know, Dad. Come on...
Tears run down Brooke’s face.
BROOKE:
Don’t just bail. That’s what the
Cardinases always do, move on tosomething else. Hang in there.
DAD:
Frankly I’m surprised you’re soinvested in this. Believe me, it’sfor the best.
BROOKE:
(wiping her face)
I have to go.
(MORE)
69.
BROOKE (CONT'D)
I have a really important businessmeeting. I love you.
DAD:
We can do Thanksgiving at my houseif you want - since there won’t bea wedding.
BROOKE:
Nah, I’ll probably just end updoing something depressing but
young.
DAD:
Home is only a bus ride away.
BROOKE:
Is it? Just kidding, it is.
There is a silence between them for a second.
BROOKE:
So what does this make me and
Tracy?
DAD:
Who’s Tracy?
BROOKE:
Never mind.
DAD:
Oh, oh, right, her daughter -
nothing, I guess.
INT. MAMIE-CLAIRE’S DEN. DAY
Tracy is looking through an old datebook in the den. She
picks up a 1970’s subway token and puts in her pocket.
TRACY:
(startles)
Hello.
TONY:
Sorry, I didn’t mean to sneak.
TRACY:
(saucily)
Are you stalking me?
TONY:
I left my backpack in here. I need
my migrane pills.
70.
He goes to his backpack and gets out an pill bottle. He
fixes himself a scotch and then downs a pill.
TRACY:
Let me have a sip.
She takes the glass from him. He looks at her.
TONY:
How much longer do you think we’llbe here?
TRACY:
I don’t know, however long ittakes. After Dylan comes homemaybe.
TONY:
What are you really trying toaccomplish here?
TRACY:
(looking around the room)
I’m enjoying this really stylishhouse. When you live in suburbiayou have to really like being inyour house.
TONY:
That’s not what I - what are youdoing with this whole thing?
Nicolette appears in the doorway for a second and thenretreats, listening.
TRACY:
I want Brooke to get herrestaurant. I’m helping out.
Tony goes to his backpack, which was thrown on the couch.
Opens it and retrieves the pages she had given him.
TONY:
I read your story, by the way.
(he holds up the pages)
Brooke is the woman in your piece.
You’re collecting material.
TRACY:
Did you like it?
71.
TONY:
(evasive)
That’s not what we’re talkingabout.
TRACY:
Why are you here?
TONY:
(vaguely)
You needed a ride. You forced me.
Tracy quickly walks over to Tony.
TRACY:
How does it feel to be forced?
TONY:
It feels...uncomfortable.
Tracy puts her face close to his. She removes his glasses.
TRACY:
And how do you feel now?
TONY:
Still uncomfortable.
Tracy kisses Tony passionately on the mouth. Nicolette
reacts.
TONY:
(pushing her off)
That’s not what I want!
TRACY:
It is what you want, but it makes
you feel like a bad person to wantit.
TONY:
(wiping his mouth)
don’t like this.
He puts the story back into his backpack.
TRACY:
Why can’t you say you liked mystory?
72.
TONY:
(upset)
I don’t know! I’m jealous! It’s
better than mine! Sheesh!
TRACY:
You want other people to do thethings that you can’t so you canblame them.
TONY:
You used to be so nice.
TRACY:
I’m the same. I’m just the same inanother direction now.
Tony and Tracy leave. Nicolette enters, goes to Tony’sbackpack and takes out the story.
MAMIE-CLAIRE (O.S.)
YOU’RE HOME!
INT. MAMIE-CLAIRE’S HOUSE. DAY
Dylan, a round annoyed-looking blonde man, is fixing a drinkand doing dishes and Mamie Claire is trying to really hug himwith her face in his neck.
DYLAN:
I don’t like it when you try toforce affection onto me.
MAMIE-CLAIRE
I’m just trying to hug you.
DYLAN:
Do you have to put your face soclose to mine?
MAMIE-CLAIRE
It’s nice....
DYLAN:
You know how upset I get when Ivisit the home...
MAMIE-CLAIRE
I want you to share it with me.
DYLAN:
Rosella and Lorene may not even beALIVE next time I’m there, okay?
(MORE)
73.
DYLAN (CONT'D)
Just keep your face a little awaywhile I process that.
MAMIE-CLAIRE
(pouting)
Fine.
Dylan looks up -- he clocks Tony, Tracy and Karen, theabandoned Pregnant Woman, at the top of the stairs.
DYLAN:
Who are all these people?! MC, whydo you never tell me who is in thehouse?
KAREN:
I wondered if I could have some
water.
MAMIE-CLAIRE
Of course, Karen.
She goes to retrieve a glass.
DYLAN:
Oh, hi Karen, I don’t mean you.
TONY:
(reaching out his hand)
Tony, nice to meet you. Beautiful
house sir.
DYLAN:
(confused)
Thank you.
TONY:
Have you seen a girl about thishigh -
(demonstrates with hishand)
-that’s my girlfriend.
DYLAN:
No, uh, there’s more of you?
Tracy steps in a little:
TRACY:
I’m Tracy.
DYLAN:
(pointing at himself)
(MORE)
74.
DYLAN (CONT'D)
It’s a name that totally is a namebut I don’t know anyone actuallynamed Tracy, you know?
TRACY:
BROOKE (O.S.)
Tracy-
TRACY:
(turning)
Yeah?
Brooke enters. Dylan sees Brooke.
DYLAN:
Brooke.
Brooke now notices Dylan.
BROOKE:
Hey Dylan.
They stand apart almost shyly.
MAMIE-CLAIRE
Brooke’s here with some
kindergartners.
TRACY:
(to Brooke)
What were you going to say?
BROOKE:
(smiling at Dylan)
In a minute.
TONY:
Has anyone seen Nicolette?
TRACY:
Forget about Nicolette for asecond.
TONY:
Mamie-Claire hands Karen her water.
KAREN:
Thanks, I got a little parched. I
think I’m sitting by a heatingduct.
75.
MAMIE-CLAIRE
(shoves a stool in herdirection)
Stay here. Have a glass of wine.
KAREN:
soon.
MAMIE-CLAIRE
Karen!
Karen sits on the stool. Tony looks distraught.
TONY:
Can I have a snack? Stress makes
me hungry.
Mamie-Claire gestures to the refrigerator. Tony opens thefreezer and fridge stands in front of it. Dylan considersBrooke. Mamie-Claire watches.
DYLAN:
Brooke -- I haven’t seen you in asecond.
BROOKE:
I know, right?
DYLAN:
What brings you to the burbs?
BROOKE:
We were-
MAMIE-CLAIRE
Brooke needs money.
BROOKE:
No, I don’t “need money” - I cometo you with an opportunity.
MAMIE-CLAIRE
I told her about the taxi
medallions.
DYLAN:
Let me make you a drink. What’s
the opportunity?
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"Mistress America" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/mistress_america_623>.
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