Mobsters Page #21
- R
- Year:
- 1991
- 104 min
- 628 Views
HIS LEG HURT IN THE FALL - CHARLIE CRAWLS TOWARD THE GUN
as the Department store Manager and two Security Guards come
charging down the aisle. As Charlie reaches for the gun,
Coll snatches it up, and levels it at Charlie. The Store
manager calls out from behind.
STORE MANAGER:
MY GOOD SIR! WHAT DO YOU THINK...
Coll turns on his heel and plants a bullet deep into the
Manager's forehead, knocking him flat on his back. The
Security Guards dive for cover. Charlie crawls behind a
display case. Coll charges for the door.
OUTSIDE:
Coll shoves an older man away from the door of a cab and
climbs inside. He jams his gun into the back of the driver's
head.
MAD DOG COLL:
425 Park Avenue.
CUT TO:
A car pulls to the curb in front of the office building.
Lansky and his "accountants" get out, briefcases in hand.
CUT TO:
INT:
MARANZANO'S INNER OFFICE - DAYMaranzano sits at his desk. Two Bodyguards hover by the door.
His intercom buzzes.
MARANZANO:
What is it, Grace?
GRACE:
(ON INTERCOM)
There are some men here from the
Internal Revenue. They say they need
to speak to you personally.
MARANZANO:
I'll be out.
Lansky stays to the back of the group as the "accountants"
open their briefcases. The Bodyguards emerge from the inner
office, followed by a jovial Maranzano.
MARANZANO:
You government people are never
satisfied to do something once.
The accountants pull their weapons from their briefcases and
aim them at the Boss and his Bodyguards. Lansky steps forward.
LANSKY:
Take him inside.
Lansky and the First Accountant shove Maranzano into his
office. The other Accountants push the Bodyguards against
the wall and pat them down.
Lansky pulls out two knives and tosses one to the First
Accountant.
LANSKY:
We don't want to disturb your
neighbors.
As Lansky advances, Maranzano backs up, begging, "No. Please.
No." Lansky plunges his knife deep into Maranzano's chest.
The other two Accountants stand with their backs to the door,
their guns trained on the Bodyguards. Grace sits trembling
at her desk. She gasps as the door swings open.
One of the Bodyguards turns toward the door, and Coll opens
fire. BLAM! BLAM! BLAM! BLAM! He blasts away both Accountants
and the Bodyguards. As an afterthought, he turns toward Grace,
whimpering behind her desk. Can't have a witness running
around. BLAM!
Maranzano bellows like a dying elephant, swinging his arms
wildly, trying to ward off the knives as he crawls backwards
on the floor. Blood bubbles from his chest.
The glass shattering as it slams against the wall. Mad Dog
Coll stands in the doorway. His gun trained on Lansky.
Maranzano gasps for air.
MAD DOG COLL:
What a cozy little scene.
MARANZANO:
Kill them! Kill them!
MAD DOG COLL:
What's it worth to ya, Boss?
MARANZANO:
Anything!
MAD DOG COLL:
Anything ain't a very hard number.
MARANZANO:
One hundred thousand. No... three
hundred thousand.
MAD DOG COLL:
Now that's a hard number.
Coll aims carefully at Lansky. Squeezes the trigger. BLAM!
COLL'S FOREHEAD EXPLODES.
A sawed-off shotgun smoking in his hands. He advances on
Maranzano, whose whole body shakes. He lowers the barrel to
Maranzano's head.
LANSKY:
No way, Charlie.
Charlie trembles, fighting his lust for revenge, as Lansky
moves to his side.
CLOSE - ON CHARLIE'S FACE
As Lansky takes the weapon from Charlie, and aims it at
Maranzano. BLAM!
CUT TO:
INT:
CONFERENCE ROOM - NIGHTThirty top mobsters are arrayed around a conference table.
Mangano. Profaci. Bonnano. Anastasia. Gagliano. Dalitz. Hoff.
Costello. Siegel. Lansky. A single chair, at the head of the
table, remains empty. Al Capone sits to the right of it.
Looks around the table for a place to sit. Capone calls him
to the head of the table.
CAPONE:
Up here, Boss.
LUCIANO:
That ain't exactly been the lucky
spot lately.
CAPONE:
But from now on it's Lucky's spot.
The men applaud and call out in agreement as Charlie makes
his way to the head of the table and settles in.
LUCIANO:
Maybe you better hear what I got to
say first.
CAPONE:
Whatever you say, Boss.
LUCIANO:
No, Al. Whatever we say. We're all
Bosses here. We don' need another.
JOE PROFACI:
Come on, Charlie. We gotta have a
top guy. Otherwise these wars ain't
never gonna stop.
LUCIANO:
As long as ya got one top Boss,
somebody else's always gonna be
looking to knock him off. And that's
war on top of war.
JOE PROFACI:
Who'll make the rules?
LUCIANO:
We'll make 'em, and we'll enforce
'em. All of us. Together. We all get
one vote. Includin' me.
JOE PROFACI:
Charlie, I'm from the old country,
and these American ways get me
sometimes confused. You tellin' us
you refuse the title of Boss of All
the Bosses?
LUCIANO:
I don't care what anybody calls me,
Joe. Long as it ain't to dirty. And
if you fellas get together every
year and say, "Charlie, we still
want you to run things for us", I
ain't gonna insult ya by sayin' no.
Costello stands up at his chair.
FRANK:
I propose we make Charlie Luciano
head of our National Commission for
the next year. All in favor?
Several hands shot up quickly, others respond more slowly,
uncomfortable with this new-fangled democracy. Finally, only
Profaci's hand remains down.
LUCIANO:
You wanna be Boss, Joe?
Profaci lifts his hand up.
JOE PROFACI:
Julius Caesar never took no vote.
LUCIANO:
And maybe that's why he ended up
dead in the streets of Rome.
The men LAUGH and Profaci joins in.
CUT TO:
INT:
GRAND CONCOURSE HALL - NIGHTWith the same set of three hundred mobsters gathered together
to hail a new leader for the second time in two weeks.
Charlie makes his way through a throng of well-wishers. Al
Capone catches Charlie in a bear hug and slips a fat envelope
into his hand. Charlie shakes his head and gives it back.
LUCIANO:
Why should you be payin' me when
we're all equals?
CAPONE:
You scare me, Charlie.
LUCIANO:
Maybe that's why I'm the Boss.
INSIDE THE HALL:
As Charlie makes his way up the center aisle with Lansky,
Siegel, and Costello, accepting the cheers and handshakes of
the crowd.
CUT TO:
INT:
CHARLIE'S APARTMENT - NIGHTStill dressed from the banquet, Charlie comes through the
front door. He removes his coat, and tosses it across the
sofa.
CHARLIE WALKS DOWN THE HALLWAY
rubbing the exhaustion from his face. At the bedroom door,
THE SCALLOP-SHELL LAMP
casts it's mournful glow across the empty bed. Charlie stares
wistfully for a moment, then flips the light back off.
Charlie lays back in the foamy bubbles in the tub. Lifting a
cigar to his mouth, he strikes a match and lights it. He
inhales deeply, holds the smoke for a moment, then expels it
suddenly. He tosses the cigar into the toilet, where it
sizzles and dies. He reaches over and flushes the toilet,
then lays back into the bubbles, deep in thought.
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"Mobsters" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/mobsters_910>.
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