Monte Carlo Page #3
But you cannot
walk to the airport.
- Airport?
- Yeah.
Airport. Thank you.
No! No, we're not...
Au revoir!
MEG:
They reallydo think you're her.
(STAMMERS)
What? I want to know
where we're going.
We're going back
to our crap tour.
We are going
to Monte Carlo.
Wherever that is.
Hilarious.
Grace, what does "priv"mean?
Is that an airline?
Let me see this.
Forget it.
The trip is paid for,
whether Cordelia takes it or not.
And she is
It's stealing.
It's seizing the moment.
We will get caught.
And then you'll get to say,
"I told you so."
Like you're going
to pass that up.
- Thank you.
- You're welcome.
Warm nuts.
I am never flying
commercial again.
I shouldn't.
Oh!
Hello.
Let's read all about you.
Wait a minute, that's her?
I don't look
anything like that.
No, no, she has
a better nose.
It's a better slope.
Mmm!
"Jet-setting heiress
Cordelia Winthrop Scott..."
You're an heiress.
"...was caught by paparazzi
in Reykjavik when she..."
Oh.
- Escandalo.
- What?
Cordelia,
you are a bad, bad girl.
Give me that.
What did I do?
What didn't you do?
(THANKING IN FRENCH)
(APOLOGIZING IN FRENCH)
(SPEAKING FRENCH)
- And I'm here.
- Late.
I still made it before
Look, here it is.
Miss Scott!
On behalf of
the Marchand Family Foundation
and Save the Children,
it's my pleasure
to welcome you to Monte Carlo.
I am Bernard Marchand
and my son, Theo.
Miss Scott.
And you've brought
some friends?
this is Emma Perkins and Meg Kelly.
Friends from the States
that I picked up somehow.
Just follow my lead.
Beaujolais!
How do you do?
(IN FRENCH)
It's pleasure to meet you.
I hope we're not disturbing you.
- Meg speaks French.
- Yeah, I just got that.
BERNARD:
Let's get you settledand Theo will be back
to pick you up this evening.
Yes, I will escort you
to the ball.
This keeps getting
better and better.
I'm sorry, the what?
The ball.
Ball?
The Prince's ball.
The one being thrown in her honor.
Oh, that ball.
Yes, that ball.
- Perfect.
- THEO:
Come on, please.(SPEAKING FRENCH)
MEG:
Thank you. Merci.Thank you. Thank you.
Merci. Thank you.
Thank you.
We've got to
get out of here.
Why?
This is all paid for.
You never leave when it's paid for.
What are they
teaching you in college?
Emma, Meg is right.
This is too crazy.
You guys.
You don't take somebody's
private jet to Monte Carlo...
But you made us!
...find out they're
throwing you a ball in your honor
and then go, "Oh, no,
I couldn't possibly!"
You go.
Is this a real conversation?
Emma,
we are way
out of our league.
They're going to see
right through me.
Grace, you'll be fine.
Just keep up the accent
and look down your nose.
I'm sure Meg can
help you out with that.
You know,
I'm out, okay?
This was never
part of the plan. I'm out.
(SIGHS) The plan.
You know what
the problem is with you two?
It's that you are
exactly alike.
- We are nothing alike.
- We are nothing alike.
Hmm.
Okay, fine,
you kids want a plan?
Here is the plan.
We go to that ball,
real Cordelia gets to play
hooky for a few days,
Frere Jacques gets
his charity girl,
and we
all get the vacation
that I deserve.
(SIGHS) How's that for a plan?
(GASPS)
All right, I'll tell you
one thing right now, heels are a no.
Grace Bennett
in an Oscar de la Renta.
Oh, I just did
my make-up.
Save the tears
for the police.
Can you just
for one minute...
Nice, Meg.
Thank you.
Y'all, I think
mine is on backwards.
has a little more going on upstairs.
Just feels like something...
Is missing?
Maybe two things.
No. Just one.
(BRIGHTLIGHTS BIGGER CITY
PLAYING)
You're late.
He's so mean.
Are you coming?
Thank you.
So ding-dangy delicious.
(SINGING) So I guess
I'll have to wait and see
How is Owen?
But I'm just gonna
let something brand new happen to me
And it's all right
It's all right
It's all right
It's all right
It's all right
Bright lights
and the big city
Belong to us tonight...
(ALL CLAMORING)
Say, Owen.
Hey, man, how you doing?
What are you hearing
from the girls?
Nothing much.
Paris, man,
that is far out.
Yeah, how so?
We don't call it
the City of Love for nothing.
It's the City of Lights.
(CELL PHONE RINGING)
(GROANS)
Hello.
Hello, who's this?
Who's this?
- It's Owen.
- (GIGGLES)
Is that Emma?
Is Emma there?
She is...
She's what?
Not available to you.
Not available to me.
Yeah, well,
we'll see about that.
(CAR ENGINE STARTING)
EMMA:
Would you relax?She is with French fry.
I thought
you were keeping an eye on her.
No, no, no.
We need
to stay focused.
Why?
MAN:
Hello.Focus, Meg.
You're ridiculous.
(WHISPERING) Why do people keep staring?
Is something slipping?
It's the necklace.
Your donation
for Friday's auction.
For Friday's auction.
On Friday.
Because I'll be here
all week.
Oh. My father says
we can build 20 schools
with the money
we will raise.
That's amazing.
That's a lot of futures
you're changing.
It almost makes
dressing up worth it.
Well, people are
maybe looking at your necklace,
but me, I have been
admiring the boots.
- Theo.
- Dom, how are you?
Good. You?
This is Cordelia
Winthrop Scott.
Prince Domenico da Silvano.
Oh, uh, how do you do?
Fine, thank you.
Hello.
- Hey, how you doing?
- MEG:
Yeah, hi.Hey, Cordelia,
you were supposed to wait by the door.
I was,
but then he had me working the room.
DOM:
Would youcare to dance?
No, thank you, Dom.
He's not talking to you.
Enchante.
My father is very
grateful to your aunt.
She persuaded your mother
to donate to our charity.
My aunt?
was married to your late Uncle William.
How do you know that?
Well, hello, it's called
HELLO! magazine for a reason.
He died two years ago
on safari.
Who? What?
Okay, you were born
in Shropshire, parents divorced.
Schooled at Le Rosey,
but you were expelled
because you set
your roommate's hair on fire
in her sleep.
Cordelia!
Aunt Alicia! Oh.
Well, don't you look lovely.
I'm so glad to see
that you're here.
Well, where else
would I be than here,
in Monte Carlo, where
I'm supposed to be?
At my ball, Aunt Alicia.
(CHUCKLES)
Yes.
I just wanted to come
and verify your presence for myself.
Some peace of mind
for your poor mother.
Well, lovely to see you.
Now if you'll excuse me.
There's something
different about you.
Different?
Yes. Yes, I can't quite
put my finger on it.
People do change,
Aunt Alicia.
Well, here's hoping.
I'm bored.
You can report
back to Mother that I'm doing as told.
Now, if you'll excuse me,
I want to dance.
Excuse me.
Well, you two seem
very close.
Mmm-hmm.
Everything is okay?
I'm so worried
about Cordelia.
(LOVE TODAYPLAYING)
(SINGING) I've been crying
for so long
Fighting tears
just to carry on
How long are you
here in Monte Carlo?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Monte Carlo" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/monte_carlo_14022>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In