Monte Carlo Page #2

Synopsis: Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all?
Director(s): Ernst Lubitsch
Production: Paramount Pictures
 
IMDB:
7.0
PASSED
Year:
1930
90 min
267 Views


But I warn you - | fail to do this, and you'll have no luck.

You'll lose everything. | You'll come out a beggar.

But don't blame me when it's too late.

Armand, if she wins now - | the rest'll be easy.

- Bye-bye, old boy! | - Good luck!

- Who is she? | - She lives in the Palace Hotel.

Think her name is Countess Mara.

Sixteen!

She shall win. She must win. | She must win. She must win.

She shall win. She mu -

Sixteen!

All on 16, please.

Sixteen!

All on 16 again, please.

Sixteen!

All on 16!

Hello? Hello? | Palais de Danse?

This is Count Rudolph Farriere speaking. | I want a private dining room for two.

Twenty-nine! Black! Odd!

Eleven - Four- Five -

Five hundred thousand -

Eleven and nine and four-

Makes two million...

Six hundred | and thirty thousand francs.

That is up until | the 15th of September.

One, two, three, four, five, six, seven, | eight, nine, 10, 11-

Nine, 10, 11- | Four, eight, six, 11...

Five, six, 11-

Five million -

Good evening, Countess.

You engaged the servants, | didn't you?

Yes, Countess, I did.

Two valets, a chauffeur, a footman, | a hairdresser and an extry maid.

That's good.

And tomorrow they promised us | the other five rooms.

We will have the entire floor.

That's very good.

"Dear Countess, please pardon me | for sending these flowers so late...

But I had to get | the little flower girl out of bed first."

Such impudence!

- Good night. | - Good night, Countess.

Hello?

Can't you go to sleep either, Countess?

# Pardon me, madame, if I #

# Seem a trifle bold #

# But my little story #

# Must be told #

#You are very rude #

#Who you are I do not know #

# But no true gentleman #

#Would annoy a lady so #

# Give me a moment, please #

#A moment, please #

# One word, one smile #

# One thrill #

# Fill me with ecstasy #

#And speak to me #

#You should, you must #

#You will #

# I never knew #

#That one like you #

# Could bring me to #

# My knees #

# Lift me #

#And let me rise #

#To paradise #

# For just a moment #

# Please #

# Give me a moment, please #

#A moment, please #

# One word, one smile #

# One thrill #

# Fill me with ecstasy #

#And speak to me #

#You should, you must #

# You will #

# I never knew #

#That one like you #

# Could bring me #

#To my knees #

# Lift me and let me rise #

#To paradise ##

I tell you, she doesn't | even know you're alive.

Certainly she does. | I've written her every day this week.

Yes, and nothing doing.

I don't understand it. | I've tried everything.

No one could be fresher than I was. | I don't know what to do next.

# Give me a moment, please #

#A moment, please #

#A word, a smile, a -##

You, uh -You know this lady too?

Do I know her?

She's, uh, the Countess Mara, | isn't she?

Quite right. Countess Mara. | Lives at the Palace Hotel.

Third floor. Rooms 300-325.

Entrance. 306.

- Where do you live, may I ask? | - At the Palace Hotel, of course.

Uh, formerly I lived | at the Grand Hotel...

But she insisted | that I move to the Palace.

Well, you know what one will do | to please a woman.

Especially when she's so beautiful.

Beautiful? | That hardly describes her.

You have no idea how she looks. How could | you tell, just seeing her on the street?

Of course.

How does a woman look in the morning? | That's the time to tell.

You should see her | in her negligee.

Her neck and her shoulders -

And that lovely blonde hair.

But there's only one drawback- | she has no money.

- What do you mean? | - She has no money at all.

Well, one can't live on fresh air.

You've said enough! | Do you know what you are?

Oh, no, I'm not, I assure you. | For pity's sake, speak low.

I'll do whatever you want. | Only be quiet. Otherwise, I'll lose my position.

Your position? | Who are you?

I'm a hairdresser. | The personal hairdresser of Countess Mara.

- Her hairdresser? | - Yes, sir.

Well! This is getting interesting.

Now you won't do | anything against me?

On the contrary. | I'm delighted to meet you.

- We must see a lot of each other. | - Yes.

We -We have mutual interests.

- We, uh -We must exchange ideas. | - Yes, of course.

- We -We must become friends. | - Oh, yes.

But there. What am I saying?

- We are friends! | - Yes, of course we are!

- Friends. | - Armand.

I want you to meet | a very great friend of mine.

- How do you do? | - How do you do?

Yes.

Who is he?

- You don't know who he is? | - No.

He is her hairdresser...

And I -

I am his very best friend.

Allow me to introduce myself. | My name is Count Rudolph Farriere.

I'm delighted to meet you. | My name is, uh -

Just call me Paul.

Just call him Paul.

Paul?

# Here's a lucky devil | and I surely envy him #

# For his store | of inside information #

# He is in his glory | when a lady wants a trim #

#Work to me is like a recreation #

# Oh, boy, what an occupation #

#Why waste away your youth #

# Searching for the naked truth #

#Why attend a college | Get your knowledge #

#Trimmin' the women #

Ha! | #Who needs a lot of Greek #

#To caress a lady's cheek #

# Couldn't you contrive it | while in private #

#Trimmin' the women #

# Now, if you care for beauties #

# Be a beauty specialist #

# He caresses ladies' tresses #

#And they never resist #

# But why ply another trade #

# Barbers pet and yet get paid #

#You could make a sort of | indoor sport of #

#Trimmin' the women #

Come here.

#Why try to figure out #

#What this world is all about #

# Never mind the great books | Fill your date books #

#Trimmin' the women #

# Shy guys and those who feel #

#That they have no sex appeal #

# Get a lot of chances | for romances #

#Trimmin' the women #

# No hairdresser ever #

# Has to lead a double life #

# Now, he can pet a cute brunette #

#And still be true to his wife #

# But why sigh and yearn so much #

# For the skin you love to touch #

# Satisfy the craving | finger-waving #

#Trimmin' the women ##

Ahh!

I've just heard a puzzle!

It's a hot one.

She jumps on the train. | She comes from the wedding.

The husband is not with her. | She is not dressed.

She has no ticket. | She doesn't know where she wants to go.

And she goes to Monte Carlo!

How old is the hus -

- Oh, you are the new hairdresser? | - Brand-new, mademoiselle.

You may come in.

Try and keep me out.

I hope the countess will like you.

Paul has told me everything about her. | I know exactly what to do.

That isn't what counts. The thing for you | to know is what you mustn't do.

Don't ever try to tell her stories. | Don't mention gambling.

Don't talk about money in any way. | In fact, don't talk at all.

I understand.

And remember, | the countess is very strict about this -

never flirt with chambermaids.

- I never do. | - Quite right.

But to avoid any future misunderstandings -

I am not a chambermaid.

Still, I - | I never do.

Now I will announce you to the countess.

Bring her in. | I am ready.

How do you do?

- How long have you been a hairdresser? | - Oh, a long time, madame.

Rate this script:0.0 / 0 votes

Ernest Vajda

Ernest Vajda (born Ernő Vajda; 27 May 1886 in Komárno, Austria-Hungary, today Slovakia – 3 April 1954 in Woodland Hills, California) was a Hungarian actor, playwright and novelist, but is more famous today for his screenplays. He co-wrote the screenplay for the film Smilin' Through (1932), based on the hit play by Jane Cowl and Jane Murfin. Vajda also wrote the screenplay for the first film version of Rudolph Besier's The Barretts of Wimpole Street (1934). more…

All Ernest Vajda scripts | Ernest Vajda Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Monte Carlo" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/monte_carlo_14023>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Monte Carlo

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which film won the Academy Award for Best Picture in 2010?
    A Avatar
    B Up
    C The Hurt Locker
    D Inglourious Basterds