Morning Glory Page #5

Synopsis: Becky (Rachel McAdams) is a hard-working morning TV show producer, or at least she was until she got fired. Desperate to get a job, she finally gets an interview with Jerry (Jeff Goldblum) - who is desperate to hire a producer for the struggling show "Daybreak". Becky accepts the job and it proves to be more difficult than even she might be able to handle. She has to fire the sexist co-host, then try to convince egotistical news reporter, Mike Pomeroy (Harrison Ford), to take the job, and then try and get him to actually do the job, properly. And she has to do this while falling for handsome Adam (Patrick Wilson), and trying to save the show from plummeting ratings. Will Becky be able to hold on to her dream job and her sanity?
Genre: Comedy, Drama, Romance
Director(s): Roger Michell
Production: Paramount Studios
  1 win & 3 nominations.
 
IMDB:
6.5
Metacritic:
57
Rotten Tomatoes:
56%
PG-13
Year:
2010
107 min
$30,982,329
Website
3,517 Views


- Yeah.

He was just mentioning that

he might be somewhere. I mean...

Come on, please, I think I would

know if I was being asked out on a date.

- It's a date.

- So, we've got the bird whisperer

- confirmed for Tuesday?

- Yes.

Great. And...

Al Green on the plaza Wednesday.

- Two songs.

- OK.

And Colleen, do you want to do

the interview between the songs?

No, let me.

Yeah, I'll do it.

OK. Mike, so we have this great story

on children's water safety.

- That's the...

- Not my thing.

OK, how about a rundown of the new

shows on the fall television season?

- Oh, yeah. That's a no.

- OK.

The boom in organic farming.

Very hot topic right now.

That's newsy, right?

What do you want me to do?

Fire another anchor?

Then we're gonna be stuck with

that guy who counts with his hooves.

Colleen can't do every story

that's not hard news.

It's Mike Pomeroy. He's a legend.

What am I supposed to tell him?

- There she is.

- What? Oh, hi.

Interesting, Jerry hired you.

No polish. No pedigree.

Those bangs.

What was he thinking?

Just wondering.

- He's a peach.

- Yeah.

Coming soon to Daybreak,

one of the most legendary newsmen

of all time.

Soon, he'll be bringing his

experience to morning television.

Let Mike Pomeroy show you the world

over your first cup of coffee!

- Oh, for Christ's sake.

- What? What, what, what is it now?

It's embarrassing. I mean,

what's in the briefcase?

- What do you mean? What?

- Special anchorman papers?

- It doesn't matter.

- My lunch? Where am I going?

- We've been over this eight times!

- I'm running to nowhere.

- I look like a jackass!

- No... Yes, you do.

You know, whoever gave you

promo approval was smoking crack!

- I want to meet that person.

- I was mopping the floor

- with Peter Jennings at the time.

- I want to have words with...

I could have had hookers and

eight balls written into my contract.

- How nice for you.

...over your first cup of coffee.

Why do we have to mention that first

cup of coffee? Why not just say,

"Watch Mike Pomeroy

before your morning dump?"

One of the most legendary newsmen...

So for the fashion segments, I think

it's important that we interpret

runway trends for our viewers because

they're not all six foot and size zero.

- Man, he's cute.

- I went to Yale with him.

- Shut up.

- You did not.

Everyone was madly in love with him.

Actually, just me and

every single person I knew.

- Can we just?

- His dad was editor of Newsweek.

His mom's family is rich as hell.

They own like Tupperware or something.

He rowed crew for Yale when they won

the national championship.

Hi.

- You know him?

- No. Yeah, well, yes, I mean, I...

- Yes.

- Don't you think he's smokin'?

- Smokin'.

- Yeah.

I don't know, I don't know.

Let me see. I don't know.

- Not a hard question.

- He's walking away.

So jeans and belts.

You have a rash or something

spreading on your neck.

Well, you know,

I asked him to do a piece on Trump.

And he actually picked up my Diet Coke

and hurled it across the room.

- Wow, he picked it up.

- Just missed me. He did.

I asked him to cover

a bumper crop of cranberries

and he slapped me in the face.

- He did?

- It's true.

- Really?

- Of course, he was drunk off his ass.

Adam!

- Hi.

- Hi. How are ya?

- I'm good.

- Hi.

- You never called me!

- I'm sorry.

We... I was...

I've been workin' a lot.

Well, maybe I'll see you at

Barton's regatta party on Saturday.

- Great, great.

- OK, great.

Yeah, cool.

- Sorry, I was just...

- That's OK.

Absolutely fine. That's fine, fine.

- Bye.

- See you later.

- Yeah.

- So, anyway,

the reason that I came by tonight,

was because I don't really know

that many people who know Mike,

and I thought, that, you know,

I could get your professional feedback.

- My feedback?

- Yeah, you know.

I mean, 'cause I'm actually

new in town and I don't...

- Come on.

- No, please.

...have that many work contacts, so...

Great. So... we'll be contacts?

That would be great.

Well, you can never

have enough of those.

No, you can't.

So, definitely be seeing you around.

- OK.

- OK.

Sh*t.

OK. Good rehearsal. Good stuff.

So let's just alternate the

voiceover intros of the headlines.

- OK.

- And then ad-lib.

So, let's say, for example, we're doing

a story about, I don't know,

- a midterm election.

- But we won't.

Because the morning shows

don't do news.

Pompous. That's really interesting.

That's a different color for you.

- That's...

- OK, and you two should just sort of,

you know, banter back and forth

a little bit.

Banter, from the Latin word,

meaning "to gibber like a moron?"

Just, you know,

talk about the headlines.

That's... that's what I mean.

I'm not gonna sit here and rehearse

like I'm in summer stock.

I've been on the air for 40 years,

for Christ's sake.

I think I know how to ad-lib.

The spill began

when the tanker was damaged

in heavy seas outside Galveston.

Knock, knock.

Can I come in?

I just wanted to say,

you know, good luck.

Colleen's Pap smear.

A television classic.

Are you drunk?

Insufficiently.

Current weather conditions

are complicating efforts

...to contain the...

- That's my chair.

What?

That's where I belong. There.

...authorities have asked

the federal government...

Took it away from me,

those motherfu...

I think maybe you should just go home...

- See this?

- Yes. What is that?

Forty-year-old Bruichladdich.

I only drink this

when I'm practically suicidal.

OK.

You're, you're very funny.

Well, I'm gonna see you tomorrow...

right?

...is almost impossible to calculate.

Hi.

- Hi.

- Hi.

Hi. I...

Sorry. I thought that I might

swing by to...

...see if...

What are you working on?

We're working on a piece

on the communist rebels

in the Philippines.

Good. That sounds great. So I went to

the bar the other night to see you.

Yeah, I could tell. By the way

you ran in the other direction.

Your arms, pinwheeling.

Yeah. OK, fair, true.

I think that you're sort of...

...comically great.

And I thought it seemed

so promising so I bungled it,

because that's what I do.

I bungle things.

I bungle and I ramble, and that's

kind of like what I'm doing right now,

talking about it.

You threw me off guard.

You, with your...

And the... and the, this...

And the...

My working on a loom?

- My, my...

- No.

...double-handed craps. My...

- I...

- My Jazzercise.

- Rowing. Rowing.

- Rowing?

- Championship?

I never would have got that.

But you know what I mean.

That I didn't think that you...

liked me.

But I do. Oddly.

You're... different.

And a deeply terrible mime.

Well, I asked you out.

Then when I saw you at the bar,

I practically tackled you to the ground.

What part of that was confusing?

Here, here, here, sit down.

Look, my radar for that kind of thing

is so bad.

I mean, I don't know if a man's

interested in me until he's naked.

I mean, the pants come off

and then I'm like,

Rate this script:0.0 / 0 votes

Aline Brosh McKenna

Aline Brosh McKenna (born August 2, 1967) is a French-born American screenwriter and producer. She is known for writing The Devil Wears Prada (2006), 27 Dresses (2008), Morning Glory (2010) and We Bought a Zoo (2011), and for co-creating The CW's Crazy Ex-Girlfriend. more…

All Aline Brosh McKenna scripts | Aline Brosh McKenna Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Morning Glory" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/morning_glory_14062>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Morning Glory

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "exposition" in screenwriting?
    A The climax of the story
    B The introduction of background information
    C The dialogue between characters
    D The ending of the story