Mrs Dalloway Page #2

Synopsis: London, summer 1923. Clarissa, MP Richard Dalloway's wife, sets out on a beautiful morning; she's shopping for flowers for her party that evening. At the same time Septimus Warren Smith, a young man who survived the battlefields of Europe, is suffering from a nightmarish delayed-onset form of shell-shock. Clarissa's nearly-grown daughter is distant, and preoccupied. In the course of one day, Peter, Clarissa's passionate old suitor, returns from India and is invited to her party; Septimus commits suicide; Clarissa relives a day in her youth (and her reasons for her choice of a life with the reliable Richard Dalloway).
Genre: Drama, Romance
Director(s): Marleen Gorris
Production: BMG
  2 wins & 1 nomination.
 
IMDB:
6.9
Rotten Tomatoes:
71%
PG-13
Year:
1997
97 min
946 Views


The reverend Whitacker is also |a historian, Mother.

He can put this true religion | in a proper perspective.

I wonder what that is.

I've never wanted to convert anyone, I hope. | I just want everyone to be themselves.

I've often thought that religious fanaticism | can make a person ...

rather careless.

Mother! We just going to talk to him.

You won't forget about my party |tonight, Elizabeth!

I was going to help Mrs. Kilman | sort the clothes for the mission.

Well, I dare say Ms. Kilman could |spare you for one evening.

I'll see, Mother. We must go, | or we'll be late.

It all seems useless. Going on being in love. |Going on quarreling.

Going on making out. | But Peter, you want so much from me!

You leave me nothing to myself. | You want every little bit of me!

Well, I do! I want us| to be everything to each other.

But that's all so suffocating!

God! God! God!

Peter Walsh!

Clarissa. | Peter!

But you're in India.

No, didn't you get my last letter? | I said I'd be here in June.

No. Your last letter said|that you might be back ...

But I never suspected it.

It's extraordinary how Peter | can put me in this state, just by coming here.

He looks awfully well.

It's heavenly to see you again, Peter.

I arrived last night.

Playing with his knife. | How is everything? How are you?

Oh, so like him. | How is Richard?

Richard's with some committee. | Something to do with his constituents.

What's this? What's all this here?

I'm mending my dress. | It's for my party tonight.

Which I shan't invite you to, | my dear Peter.

Why? | Why won't you ask me?

It is extraordinary that| you shown up this morning.

I've been thinking | about Bordon all day.

I heard about your father. |I should've written to you, of course.

Although I never really got on with him. |He never liked anyone who...

who wanted to marry you.

Herbert has Bordon now. | I never go there.

And what happened to you? | Millions of things.

Should I tell you?

Should I make a clean brast of it?

I'm in love, I'm in love with a girl | in India.

And who is she? |A younger woman, of course.

Well, I'm not old, you know? | My life isn't over not by any means.

Well, you of course ...

think me as a failure, | wich I suppose I am compared to all that.

But who is she? Tell me.

A married woman. | Unfortunately.

She's the wife of a major | in the Indian Army.

She has two young children, | a boy and a girl.

And it's a bit of a mess.

I'm here to see the lawyers | about a divorce.

Just called Daisy.

Yes?

Yes

But what should you do?

The lawyers and the solicitors|they can judge...

For heaven's sake, |leave that knife alone!

I know what I'm up against.

I know what I'm up against.

All is all up! And am I behaving like a fool, | weepping, being emotional!

Probably annoyed you, |turning up at this hour ...

and told you everything, | as usual?

Are you happy, Clarissa? | Does Richard ...

Excuse me, ma'am. The gentlemen| are here from Rumplemayers.

Oh, thank you, Lucy.

Good bye, Clarissa.

My party tonight

Please come to my party, | tonight.

Come on! Let's get out of this.

I want to do another!

Come on.

Is this what you want? | Staying here and go to parties?

But I like parties! | Oh, Clarissa!

You always tie me up|with your queen standard, Breitl.

It's my turn to shuffle, | Herbert.

Hugh, do you |ever stop eating?

Did you know |Wingate's married again?

Yes, they came to call |last week.

The woman use to be his housemaid.

He had a nerve. | Bringing a housemaid to Cork.

Yes! She was absurdly overdressed. |She looked like a cockatoo.

And she never stopped talking!

She probably thought |you all knew.

Knew what?

That she had a baby| before she was married.

- I don't think I should ever be up to speak to her again! | - Don't be ridiculous, Clarissa.

If this is true we should certainly| not receive her again.

I should think not. If we start receiving | women like that, you don't know where it'll end?

Oh, you snob! You represent all that's | detestable in british middle class life.

It's men like you who's responsible | for prostitutes around Piccadilly.

Me! | Yes, men like you.

That's enough, Sally. We'll have no more | of this conversation.

I'm glad I walked out. They're all | such snobs and Hugh is a fraud.

Clarissa is so prudish | and arrogant.

Not really.

It's just what she's been brought up to. | Wish she would see things more clearly.

Clearly enough to marry you, |you mean?

I see.

This is Mr. Wickham, Peter. | My name is Dalloway.

Richard Dalloway.

But I've introduced you|to everyone as Mr. Wickham.

Still Dalloway. | My name is Dalloway.

Dalloway.

So definitly you're going|to go to politics?

Yes, I think so. | What is with your friend, Mr. ..?

"My name is Dalloway".

What's the matter?

Somebody's just walking | on my grave.

I took another friend. | She's gonna marry that man!

I went into the sea.

I have been dead.

But now I'm alive.

I must rest, I must rest.

Septimus, I'm going to ask | someone the time.

I think we have to go now.

It's nowhere to go, |nowhere to hide.

Septimus, you know we are going to see | a doctor who will help you.

No more doctors!

No more lies! | Septimus, please!

Irvin!

Thank you.

Evans?

Evans!

For God's sake, don't come!

Septimus, it isn't Evans, allright? | It isn't Evans.

There is nothing to worry about. | The man is not Evans.

Really, he isn't.

Come on.

Let's go for a walk.

Clarissa! It's such a lovely evening. | Let's go to the lake.

Yes! We can go boating.

Let's get our shoulds. | It might be cold.

Peter! We're going boating| on the lake. Aren't you coming?

I think Mr. Dalloway | likes you.

Oh, aren't we being | the perfect hostess?

Oh, don't come than if you're going |to be beastly in the wood.

"Dalloway. It's still Dalloway."

Come on.

They're all waiting.

Poor old woman.

Septimus, you won't tell | the doctor, will you?

You mustn't. | They will take you away from me.

Sir William BRADSHAW | M.D.

I've looked at Dr. Holmes's notes. | He's been seeing your husband for some six weeks?

Yes. | He is our landlady's doctor.

She send for him because | I told her I was worried about Septimus.

He threatened to kill himself? | He didn't mean it.

No. Of course not.

And Dr. Holmes prescribed ...

bromine? | Yes

He said that there was nothing really wrong. |

|But Septimus keeps talking to the dead man, Evans, |his friend who was killed in the war. |

And Septimus wasn't like this| when I met him.

It's happened in just the last few months.

He says people are talking | behind bedroom walls...

and he saw a woman's head| in the middle of a fern.

He says he's on trial | for some terrible crime ...

but, of course, he's done nothing.

And then he seems to forget |it all and seems happy again, as he used to be.

We went to Hampton Court, |on top of a bus, the other day...

and told of red and yellow flowers. He said |they looked like floating lamps.

And he was fun, as he used to be | and made me laugh. I was so happy.

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Eileen Atkins

Dame Eileen June Atkins, (born 16 June 1934) is an English actress and occasional screenwriter. She has worked in the theatre, film, and television consistently since 1953. In 2008, she won the BAFTA TV Award for Best Actress and the Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for Cranford. She is also a three-time Olivier Award winner, winning Best Supporting Performance in 1988 (for Multiple roles) and Best Actress for The Unexpected Man (1999) and Honour (2004). She was appointed Commander of the Order of the British Empire (CBE) in 1990 and Dame Commander of the Order of the British Empire (DBE) in 2001. Atkins joined the Royal Shakespeare Company in 1957 and made her Broadway debut in the 1966 production of The Killing of Sister George, for which she received the first of four Tony Award nominations for Best Actress in a Play in 1967. She received subsequent nominations for, Vivat! Vivat Regina! (1972), Indiscretions (1995) and The Retreat from Moscow (2004). Other stage credits include The Tempest (Old Vic 1962), Exit the King (Edinburgh Festival and Royal Court 1963), The Promise (New York 1967), The Night of the Tribades (New York 1977), Medea (Young Vic 1985), A Delicate Balance (Haymarket, West End 1997) and Doubt (New York 2006). Atkins co-created the television dramas Upstairs, Downstairs (1971–75) and The House of Elliot (1991–93) with Jean Marsh. She also wrote the screenplay for the 1997 film Mrs Dalloway. Her film appearances include Equus (1977), The Dresser (1983), Let Him Have It (1991), Wolf (1994), Jack and Sarah (1995), Gosford Park (2001), Evening (2005), Last Chance Harvey (2008), Robin Hood (2010) and Magic in the Moonlight (2014). more…

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Submitted on August 05, 2018

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