Mrs Dalloway Page #4

Synopsis: London, summer 1923. Clarissa, MP Richard Dalloway's wife, sets out on a beautiful morning; she's shopping for flowers for her party that evening. At the same time Septimus Warren Smith, a young man who survived the battlefields of Europe, is suffering from a nightmarish delayed-onset form of shell-shock. Clarissa's nearly-grown daughter is distant, and preoccupied. In the course of one day, Peter, Clarissa's passionate old suitor, returns from India and is invited to her party; Septimus commits suicide; Clarissa relives a day in her youth (and her reasons for her choice of a life with the reliable Richard Dalloway).
Genre: Drama, Romance
Director(s): Marleen Gorris
Production: BMG
  2 wins & 1 nomination.
 
IMDB:
6.9
Rotten Tomatoes:
71%
PG-13
Year:
1997
97 min
886 Views


She wants him to write | a letter to The Times.

One of her schemes | to put in the world in order.

What's all this?

Richard, you couldn't have forgotten! | It's for my party!

And now, it will all be spoiled.

Come here.

Let's sit down for five minutes.

Why would it all be spoiled?

Ms. Marsham has just |sent me this note to say ...

that she's quite sure | I wouldn't mind ...

she's invited Ellie Henderson. | What's so dreadful about that?

Richard! She's one of the dullest |women in the world.

She'll bore everyone. And than Elizabeth said |she isn't coming to the party tonight.

She's gone off to pray | with that dreadful Mrs. Kilman.

You worry too much |about your parties, Clarissa.

Richard, it's all that I can do.

Give people one night | in which everything seems enchanted ...

when all the women seem beautiful, | all the men are handsome ...

and everyone's made to feel| they're amusing ...

Yes, liked.

And go home thinking: | "Ah, what fun it was!"

"What a wonderful evening!" | "How good it is to be alive!"

I don't think poor old Ellie Henderson | could put a stop to that.

You're laughing at me. |Not in the least.

Richard! | You're so much nicer than I am.

You should never have | married me.

Then what would you've done? | Married Peter Walsh, I suppose.

Would you believe that|he was here this morning?

Yes, Minnie Bruton |tell me he was in town.

He's in love with some| woman in India.

He's here to see about |the divorce.

He's just the same. | He hasn't changed the slightest.

You choose a cake, sir. | Thank you.

Did you understand what | the Reverend was saying this morning ...

about knowidge | coming out from suffering?

Not really, no. |But than ...

I suppose I haven't really suffered | yet.

Maybe you'll never will.

Not that I wish that one.

But as he says, real | knowledge is only gained thru suffering.

What was you wanted to buy here?

A petticoat. Mine is in shreds, | I hung on to it as long as I could.

They have some pretty striped ones.

I couldn't possibly afford the striped ones.

I might have to go to the party tonight.

I've forgotten all about it when I |said I'll help with the mission.

Mommy will be upset | if I don't go.

It's a great pity that women like your mother | have nothing better to do ...

with their time than get parties.

Oh, I know it's not her fault.

Women like your mother can't help it |if they'll been spoiled.

She likes giving parties. |I never go to parties.

Why should they ask me? | I'm plain ...

I'm unhappy. But I don't pity | myself. I pity other people more.

Your bill, madam.

You finish your tea. | I pay to set the desk.

I'll help another night at the mission. |I'm sorry. I have to go.

Fear not.

Fear no more.

Who you making that hat for? | Mrs. Filmore's married daughter.

And what's the name of Mrs. Filmore's |married daughter? Mrs. Peters.

I don't like it, but Mrs. Filmore | has been so good to us.

That's too small for Mrs. Peters. | She's enormous.

That's an organ grinding | monkey's hat.

There.

Now, the poor woman looks| like a pig at the fair.

Come on, let's see what else you|have in your workbox.

She shall have a beautiful hat.

There. Now, stitch that together | very, very carefully.

Evans?

Mrs. Filmore, I shall be to busy |looking after Septimus.

It will take a long time. | We thank you for the paper.

Evans?

It was only the evening paper. | Mrs Filmore with the evening paper.

They going to take me away, Rezia.

Sir William Bradshaw said that| you must learn to rest.

It's "must". "Must".

Why "must"? What right has he | to say "must" to me?

It is because you talk | of killing yourself.

So ...

I'm in their power.

Where are my writings, Rezia?

Burn them! | Some are very beautiful!

I'm going with you, Septimus. They can't | separate us against our will.

You're a flowering tree.

You're a sanctuary.

You fear no more!

Not Holmes, not Bradshaw.

You've triumphed.

I'm going to pack our things, | Septimus.

I shall tie this with silk | and hide them away.

Good afternoon, Mrs. Filmore. | Good afternoon, dr.

They send Holmes. | I won't let him come in here.

Ms. Warrensmith, Sir William Bradshaw | is a physician of up most integrity.

He promised not to send you. | Is your husband upstairs?

Look! I will not allow. | It is the law.

Please, go away. | I can not allow you.

Leave my husband alone, | I beg you.

Mr. Warrensmith!

You want my life?

I'll give it to you.

God | God!

Why the devil did he do it?

One of the triumphs | of modern civilization.

Good afternoon.

I'm 12, please.

Thank you. | This came for you, Mr. Walsh.

Thank you.

Thank you.

" Peter, it was heavenly to see you, | I must tell you that. Clarissa. "

We could play tennis.

No. It's too hot | and scorchy for tennis.

Beside, |we need a fourth person to play doubles.

Hugh's gone to visit his mother. |And Herbert won't play.

Maybe "My name is Dalloway" will turn up.

In his perfect whites | matching his perfect teeth.

"My name is Dalloway".

I think we've had enough of |that feeble joke.

She can't be | serious about him!

I'm gonna have this out.

You've come to an understanding | with Dalloway, haven't you?

Haven't you?

It's so difficult, Peter.

Just tell me the truth.

Tell me the truth.

Tell me the truth!

He makes me feel safe. | Safe? Is that what you want?

You want so much of me, Peter. | I just can't do it!

Throw everything away|and go across the world with you.

I'm just not brave in that way. | And Richard ...

and Richard will pamper you

and keep you in a perfectly | beautiful safe prison...

filled with flowers and stuffed | with elegant antique furniture.

He'll make all the decisions for you | and you'll never have to think again.

You demand so much from me! | Because I love you, for God's sake!

Richard will leave me room,|room to breath.

Clarissa, he is a fool!

And unimaginative, | dull fool!

You want to much of me, Peter. | I can't give it.

So, it's no use.

This is the end.

I'm sorry, Peter. | Clarissa!

Clarissa! Clarissa!

Lord Lexham. | Lord Lexham.

How delightful to see you.

I'm so sorry, but my dear wife |has a cold.

Oh, dear!

She simply would not wear her furs to| the garden party at Buckhurst.

And it was bitterly cold. | Richard!

Oh, dear! It's going to be a failure. | A complete failure.

How delightful of you to come. |Lovely to see you.

We're delighted to see you. | I'm glad you could come.

Why do I do it?

How lovely of you to come. | It was nice of you to invite me.

Mr. Peter Walsh.

Peter, you came! | How delightful to see you.

Peter! Back from India, right?

Yes, back from India. |Must be years since we've seen you.

It was a mistake to invite him. | You'll all know

when he's sorry to come.

And he's criticizing me. | I know he is.

Accusing me of being insincere. | Why do I do this things?

Why seek pinnacles | and stand drenched in fire?

I feel burned to a cinder.

Miss Henderson.

Better that...than |to brindle away like Ellie Henderson.

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Eileen Atkins

Dame Eileen June Atkins, (born 16 June 1934) is an English actress and occasional screenwriter. She has worked in the theatre, film, and television consistently since 1953. In 2008, she won the BAFTA TV Award for Best Actress and the Emmy Award for Outstanding Supporting Actress in a Miniseries or Movie for Cranford. She is also a three-time Olivier Award winner, winning Best Supporting Performance in 1988 (for Multiple roles) and Best Actress for The Unexpected Man (1999) and Honour (2004). She was appointed Commander of the Order of the British Empire (CBE) in 1990 and Dame Commander of the Order of the British Empire (DBE) in 2001. Atkins joined the Royal Shakespeare Company in 1957 and made her Broadway debut in the 1966 production of The Killing of Sister George, for which she received the first of four Tony Award nominations for Best Actress in a Play in 1967. She received subsequent nominations for, Vivat! Vivat Regina! (1972), Indiscretions (1995) and The Retreat from Moscow (2004). Other stage credits include The Tempest (Old Vic 1962), Exit the King (Edinburgh Festival and Royal Court 1963), The Promise (New York 1967), The Night of the Tribades (New York 1977), Medea (Young Vic 1985), A Delicate Balance (Haymarket, West End 1997) and Doubt (New York 2006). Atkins co-created the television dramas Upstairs, Downstairs (1971–75) and The House of Elliot (1991–93) with Jean Marsh. She also wrote the screenplay for the 1997 film Mrs Dalloway. Her film appearances include Equus (1977), The Dresser (1983), Let Him Have It (1991), Wolf (1994), Jack and Sarah (1995), Gosford Park (2001), Evening (2005), Last Chance Harvey (2008), Robin Hood (2010) and Magic in the Moonlight (2014). more…

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Submitted on August 05, 2018

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    "Mrs Dalloway" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/mrs_dalloway_14178>.

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