Murder 2 Page #3

Synopsis: Orphaned at a young age, former officer with Goa Police, Arjun Vishnu Bhaagwat, now lives alone, though he has a sweetheart in gorgeous model, Priya. Amidst reports of police extending their search for missing prostitutes, specifically the Caucasian daughter of a high-profile Russian Diplomat, Arjun is hired by a gangster, Sameer, and for a fee, must not only locate missing call-girls but also their abductor. Unable to get any clues, he than enlists the assistance of Sameer to recruit a bait, Reshma, who comes from an impoverished family, for the killer. Shortly thereafter Reshma goes missing, and Arjun loses contact with her. Guilt-ridden, he decides to use all possible resources to try and locate her before she herself becomes included in the official 'missing persons' list.
Genre: Action, Drama, Horror
Director(s): Mohit Suri
Production: Eros International
  1 nomination.
 
IMDB:
6.2
NOT RATED
Year:
2011
127 min
1,085 Views


- Hang on. Hang on.

Morjim. Morjim.

The cab driver had dropped

Jyoti at Morjim, right? - Yes.

Give me the number.

- Number.

Of Morjim client.

Number. - Give me.

You are whiling away time.

Check there.

Number.

Where did it go?

I had noted it here.

Very good. Found that scoundrel.

Which scoundrel?

The one who is making

your girls disappear.

See this.

- What?

In the past 20 days you

got the call four times.

See this.

You had sent Jyoti there.

And you have sent the

third girl also there.

Yes.

What's the name of the third girl?

Reshma.

The number you are trying

to reach is not responding.

She is not answering the phone.

- She ran away.

She didn't run away.

She is in trouble.

Come.

- Yes.

What happened? Come.

I left my cell phone on the table.

Don't worry.

I will get it.

Come.

Come. Why did you stop?

Why is it so dark and quiet here?

"I hate loud noises."

"Light makes me nervous."

Power.

- Yes, boss.

Did you find the address of

that number? - No, boss. Not yet.

Today is Christmas. That's why

we won't find anyone today, boss.

You have contacts in the telephone

company, don't you? - Yes. I have.

Still, I will try, boss.

Okay. Fine. I am going to the

same place where the cab was found.

I think that man

lives in its vicinity.

If Reshma calls up,

call me immediately.

Okay, boss.

I made all this.

I am an artist.

That's why.

I will freshen up and come.

"Spend a night with me."

"Till dawn I will..."

"It will be fun."

"I will hack you into four pieces."

What happened, Reshma?

You are scared?

You got scared to see

that hacked ear?

It is Jyoti's ear.

You know Jyoti, don't you?

You don't know her?

Jyoti was a very good dancer.

It was her destiny that she met me.

She got into trouble.

The way you have got into trouble.

What to do?

What to do?

Sir, please let me go.

I want to go home, sir. Please.

Why?

So that you can deck up.

You will go out.

And entice men.

No. No.

No. - You became a

prostitute at such a young age.

Sir.

My mother is alone.

- Now, you will be hacked.

You will be hacked.

- I have two sisters.

Nuisance has to be uprooted.

They don't have anyone besides me.

We are very poor, sir.

That's why I did all this.

It has to be uprooted.

They won't be able to

live without me, sir.

Now, you will be hacked.

You will be hacked.

- My mother, sir.

Why are you harping on mother?

Nobody is concerned about you.

Scream. Scream.

Scream.

This...

- Sir.

This...

- Leave me.

With this face...

...with this body, you entice men.

Take this.

Sorry.

After tonight, you

won't be able to do this.

Sorry. Sorry.

Don't move. Don't move.

Scream.

Answer the phone.

Quiet.

Answer the phone.

What is it?

Quiet.

"Your wet lips."

"My yearning heart."

- Oh, no.

Saridon.

- Yes, sir.

How much?

- Rs.45.

Band aid.

Band aid.

Dettol. I want Dettol.

One moment. First

let me give him change.

Give it.

How much?

- Rs.12.

Did you fight with someone?

I fell down from the bike.

Sir, I don't have change. Keep this.

Yes. Fine. Keep it.

Thank you.

Oh, God.

"Your wet lips."

"My yearning heart."

Hello.

Hello.

- Turn around.

Turn around.

Very good.

Hey.

Thank you, buddy.

Where are the girls?

- Don't beat me.

Where are the girls?

- Don't beat me.

What did you do with them?

Did you sell them?

Did you sell them?

- I have brain tumor.

Wrong answer.

Don't beat me.

Where do you live?

- Don't beat me.

Don't beat me. I have brain tumor.

Where do you live?

I have brain tumor.

- Where is your address?

Where is your address?

- Is somebody there?

Is somebody there? Help.

Help. Leave me.

You live in Parole?

You live in Parole?

What are you doing here?

What are you doing here?

Why are you fighting?

- What are you doing here?

What did you do with the girls?

- He has gone crazy.

What did you do with the girls?

- Sit in the car.

Come on.

Come on.

Come on.

Carefully.

Come on. Sit here.

You fight on the road.

Sir is coming.

Yes, sir.

What, hero?

Your face shows...

...that a woman has

slapped you very hard.

Right?

Yes. Your wife slapped me.

I didn't sleep with her last night.

She was infuriated.

Scoundrel.

Don't take my wife's name.

No wife.

What charge did you

press against him?

He thrashed a man on the road.

Tarzan.

- John, don't act too smugly.

He is kidnapping Sameer's call girls.

Four girls have disappeared.

Ask him where he

lives and what did he do.

Not he.

But you did it.

Why do you blame a

decent man needlessly?

You think he is decent?

You think he is decent?

What else? Are you decent?

Tell me. Are you decent?

You left police's job and

you became a drug peddler.

You work with goons.

You work for pimps.

I hate men like you. I hate them.

I am also not craving for

your love. Did you understand?

Ask him what he is

doing to the girls.

I will ask him whatever

I have to ask. In my way.

You just shut up.

Hey, hero.

Write down.

Write down what he did with you.

I will put him behind bars.

I...

I...

- What?

Your address. Your phone number.

Write down everything.

Sir, I don't remember my address.

What?

I have brain tumor. So...

My memory is weak.

Okay.

What special ailment do you have?

That you don't remember

your address.

Hit him a few times. He

will remember everything.

Sir.

- I will hit you as well.

After some time.

Sir.

- What happened?

These are his car's papers.

I found it next to the chemist.

Whose car is it?

Yours?

No, sir.

It's my uncle's car.

What's your uncle's name?

He had a nice name.

But I don't remember it right now.

But I have a diary.

I have written his name in it.

But that diary is in my house.

Your uncle's name is in the diary.

The diary is at home.

And you don't know your address.

Hero.

Tell me.

Whose car is it?

Sir, I told you just now.

It's my uncle's car.

Mr. Amit Yadav.

Yadav.

Butjust now you said you

don't remember his name.

No, sir.

I said it's my uncle's car.

Is that so?

I...

I don't know what has

happened to me.

Okay.

What did you do with Sameer's girls?

Who is Sameer, sir?

Where did you sell them?

Where did you sell them?

Sir, I don't know Sameer. So...

What did I sell, sir?

Did you sell or not?

No, sir. I didn't sell.

I didn't sell, sir.

I hacked and threw them away.

What? He cut it?

- Yes, sir.

He must be drunk. Ask him again.

No, sir. He confessed it

himself in front of Mr. John.

Is it?

- Yes, sir.

Back off. Kadam,

tell them to back off.

Sir, tell us. Please tell us.

- Back off.

We want clarity.

What happened, sir?

It was Shinde's call.

Arjun is in the lockup.

Tilak, do you remember?

We found the dead bodies

of four girls a year ago.

Someone's hand,

someone's leg or some other part.

You will have to tell us.

You will have to tell us.

Which one, sir?

Is this the Vasco case?

But sir, that case was shut.

It was shut. But it wasn't solved.

- Right, sir.

I want the file of the Vasco case.

- Okay, sir.

Come on.

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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