Murder 2 Page #4

Synopsis: Orphaned at a young age, former officer with Goa Police, Arjun Vishnu Bhaagwat, now lives alone, though he has a sweetheart in gorgeous model, Priya. Amidst reports of police extending their search for missing prostitutes, specifically the Caucasian daughter of a high-profile Russian Diplomat, Arjun is hired by a gangster, Sameer, and for a fee, must not only locate missing call-girls but also their abductor. Unable to get any clues, he than enlists the assistance of Sameer to recruit a bait, Reshma, who comes from an impoverished family, for the killer. Shortly thereafter Reshma goes missing, and Arjun loses contact with her. Guilt-ridden, he decides to use all possible resources to try and locate her before she herself becomes included in the official 'missing persons' list.
Genre: Action, Drama, Horror
Director(s): Mohit Suri
Production: Eros International
  1 nomination.
 
IMDB:
6.2
NOT RATED
Year:
2011
127 min
1,034 Views


What are you doing?

What do you think?

This girl is that boy's partner.

Don't you understand partner?

Girlfriend.

If he sees it, then

you'll be in trouble.

John, don't waste time.

Come on. Open the lock.

Why? Will your earnings stop

if you stay here for a night?

Are you jealous of my earnings?

You too are no less than a dealer.

Did you understand?

You take bribes under-the-table.

You take bribes from

the dealers of girls.

What's the difference

between you and them?

What did you call me?

You called me a pimp?

Did it make you furious?

- You scoundrel!

I will teach you a lesson!

- Sir. Sir.

You abused me! I won't spare you!

You called me a pimp!

I won't spare you!

John, what is going on?

What is going on?

Arjun, let go of him. Let go of him.

What the hell is happening here?

Is this a police station or

a boxing ring? - Sorry, sir.

Come on. Come out.

Oh.

So, you are here too.

Officer Arjun Bhaagwat.

Come. You also come.

You quit the police job,

but you didn't spare us.

Who is Dheeraj Pandey?

Sada.

Sir.

What do you think?

Nothing yet, sir.

But he has confessed.

Use his confession.

Gather evidence against him.

- Yes, sir.

But remember something.

Keep this news away from

the media and the public.

Do you understand?

But sir, this man is confessing

it himself. This is big news.

I know, Sada. But what can I do?

I have got the

orders from my seniors...

...to conceal this news

of the missing girls.

Moreover, this serial killer.

If this news is leaked, then

both of us will lose ourjobs.

We have no choice, Sada.

We will work on this case,

but on the sly.

That too after Christmas

and New Year's. All right?

Yes, dear. Yes. I have left.

Yes, the party is at 11 o'clock.

- Right, sir.

The party is at 11 o'clock.

I will be there.

On the way. Okay.

I am telling you. He

threw the phone on the road...

...and ran away on seeing me.

Who won't run away on seeing you?

You are a hooligan.

A man like you should be

beaten up with shoes on the road.

Beat me. Beat me.

- Arjun.

Beat me.

- Arjun, come on. - Beat me.

Arjun.

- You lock him up.

Scoundrel.

- He is talking nonsense.

Listen to me.

- You don't know him. - Listen!

Do you want to go to prison? Should

I pour cold water on your head?

He is acting and fooling

everyone for the last three hours.

Please. Listen to me. Please.

Go and find Pandey. Look

for him wherever you want to.

I give you the permission.

Wear the uniform for a night.

Become the same officer.

Arjun Bhaagwat.

No.

Because these people

who are sitting inside...

...only want to save

their reputation.

No one will do anything

until Christmas and New Year.

Only you can do something. Only you.

Just don't make noise.

Did you understand?

- "My heart is thirsty."

Did you understand?

"Your body seems like a cloud to me."

"Pour yourself on me."

"You are my..."

- Hey, Dheeraj Pandey.

I've heard that you

murdered seven women.

Yes, sir.

- Why?

Why did you murderjust women?

I feel like killing them.

So, I kill them.

Do you kill only call

girls or the others too?

I kill any woman.

Clean or tainted. Big or small.

A prostitute or a decent woman.

Anyone, sir. Anyone.

Why weren't you caught till today?

What do I tell you, sir?

The police didn't find

any evidence till today.

So...

- How?

Sir, the fun of killing someone

and getting away is different.

No one can arrest me.

What do you do with the

corpses of the people that you kill?

The corpses...

I cut them into small pieces

with the knife and throw them.

What else can I do? Tell me.

I throw them in a gutter

or bury them in the ground.

Someone's hand in some

place and leg in the other.

The head somewhere else.

The skin of the head

in some other place.

But I must say, sir.

You need a lot of

strength to cut the body.

But it feels good.

Once you practice well, sir...

Yes, boss.

This is Jyoti and this is Sheena.

But who of these is Reshma?

We don't have her photo, boss.

- Why?

Because she joined just yesterday.

She is a college student.

She stays at a hostel.

And she has gone for the

first time today, boss.

She is not regular.

This is her room.

This is Reshma.

Any problem?

What's her age?

She must be 16 or 17 years old.

The girls of your hostel do

this work and you permit them?

No. All this doesn't

happen in my hostel.

But Reshma's case is different.

There are a lot of

problems in her family.

That's why I gave her

the permission at my risk.

You risked her life at your risk.

Why? Did something happen?

Don't worry. Easy money, baby.

You risked the life of

a college girl?

Couldn't you have sent someone else?

You should have at least

thought about her age!

The girl told me that

she needs money.

So, if the customer calls,

I should send her.

This is a case of human trafficking.

Do you understand?

We don't know how many

people are involved in this.

You trapped a kid?

Oh, God! I didn't trap her. You

trapped her. Did you understand?

You had said that if I

give the girl some money...

...she will keep her

mouth shut, right?

You had said that if I

want to hunt a lion...

...I must use a goat

as its prey, right?

But you didn't tell me what the

age and size of the goat should be.

You are saying that I trapped her?

Sada.

Where...

What did you do to Reshma?

What did you do? - Don't kill me.

What did you do?

What did you do to Reshma?

- Don't kill me. - Where is she?

Arjun, let go of him.

Arjun, let go of him.

- What did you do?

Arjun. - What did you do

to Reshma? - Let go of him.

What's wrong with you, Sada?

- What did you do to Reshma?

I want to talk to you.

- She is a kid.

Listen! This man is not normal.

He killed notjust Reshma,

but also 11 other women.

He confessed it himself.

And the way he

ruthlessly killed those women...

...I don't think

anyone must have survived.

Sada!

- Keep quiet.

Stop wandering on the streets.

Go home and sleep.

Sada, don't listen to him.

Just come with me.

Let's search at the place where we

found that taxi. I am telling you.

We will find Reshma and the rest

of the girls over there, Sada.

Just come with me.

- Let go of my hand!

Why don't you understand?

We are suppressing and

hiding every such case.

And you are thinking

only about your benefit.

Yes. I am thinking

only about my benefit.

I am concerned about

the lives of those girls.

I gave up the job of a policeman

to earn illegal money, Sada.

But the matter is different today.

Today something happened

that shouldn't have happened.

Today, because of one mistake of

mine, all my principles broke.

And now I won't let that girl's

life be sacrificed for this city.

I won't let this case be suppressed.

To hell with your orders. To

hell with the business of this city.

And to hell with all of you.

- Go! Do what you want to.

Reshma is dead. She is dead.

And the rest of them are dead too.

No, Sada. She is not dead.

She is alive.

She is in this city and is

Rate this script:5.0 / 1 vote

Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

All Mahesh Bhatt scripts | Mahesh Bhatt Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Murder 2" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/murder_2_14234>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "cold open" in screenwriting?
    A A montage sequence
    B A scene set in a cold location
    C The opening credits of a film
    D An opening scene that jumps directly into the story