Murder 3 Page #3

Synopsis: A hot-shot fashion and wildlife photographer Vikram gets into a relationship with Nisha. She moves in with him in his palatial house outside of the city. The old world house, made decades ago is as beautiful as it is scary. It holds many secrets which Nisha is soon to unearth; of the life of the man who made it and of Vikram, who is dealing with the mysterious disappearance of his former girlfriend Roshni.
Genre: Thriller
Director(s): Vishesh Bhatt
Production: Fox International
 
IMDB:
4.9
NOT RATED
Year:
2013
124 min
Website
346 Views


for the presentation?

Almost.

Met the contractor?

Not yet.

See you this evening.

Vikram...

Is Naomi only your stylist

or something more?

What?

Do you have to be available

for her all the time?

She got worried that

you didn't answer and...

has sent a dozen text messages.

You checked my text messages?

I asked you a question first.

People send work related

text messages too.

'Where are you?'

'What are you doing?'...

'Had lunch?', 'I'm missing you. '

Work related messages, huh?

Can't friends send those?

Please!

A few days ago, I suggested setting

up CCTV cameras as a joke.

Now is a good time

to really do it.

We just work together...

trust me.

I do and that's why

I am still with you.

The day I realize there's

someone else...

I will break up with you.

You will be responsible for it.

You know me well...

I follow through

with what I say.

I wont listen to anyone.

Vikram, it will break my hear-t

but I will do it.

Nothing is going on.

You should go or you'll be late.

You look upset about something.

What's the matter, Roshni?

You can talk to me.

Perhaps I can help you.

Mrs. Fields,

I love Vikram very much.

And he loves me too.

But...

he is different from

who he was in South Africa.

How do I explain?

Take your time...

tell me.

I can help you.

I feel...

Mumbai and the fashion

industry have changed him.

Or is changing him.

He only asked me once and

I quit everything to follow him.

Now it seems his work is

tearing us apart.

It seems he is slipping away.

Work stress is to blame.

People these days believe

work is most important.

I know what you're feeling.

That's what I'm afraid of.

I mean, does Vikram even

understand what I'm feeling.

What do I mean to him?

That's what I don't know.

If I went away or died...

what would he do?

I know it sounds strange...

but I wish there was some

way to find out.

There is a way.

If you wish, you can test

Vikram's love for you.

Test?

H ow?

Come with me.

After India gained independence...

my mother didn't want to

return to England...

and my father couldn't live

without her.

Some English officers were killed

and my parents thought that...

the freedom fighters would

attack them and their families.

And so...

they built this bomb

proof secret room

to hide with their families

in case of an emergency.

Come in.

You can look into the bathroom

and the bedroom from in here.

Nothing can be seen from outside.

One way reinforced glass.

Like the ones used in

air conditioned train compartments.

These speakers help you

hear the outside world.

You can hear every word

from anywhere in the house.

But no sound can

escape this room.

This is the electricity

connection...

it still works.

This way,

you can stay out of sight...

and yet keep an eye on him.

Good luck.

Take care.

Thank you for sharing

this secret with me.

You take care in London.

Take care, Roshni.

You too Mrs. Fields

Bye.

- Bye.

Vikram...

I met someone in the gym.

And he is really hot.

No...

Vikram, I am mad at you...

It should seem real.

Tears... sad face...

Okay.?'-

Vikram, it's not

easy for me to say this.

So, please listen to me carefully.

We can't be together because...

I don't understand

you any more.

I tried to console myself

but it's impossible.

I am leaving you.

I chose to record this

message because...

I don't want to talk to you.

No discussion...

no arguments.

I suggest you forget me.

And don't try to look for me.

Bye...

take care.

Roshni...

Roshni...

Keep looking.

White orchids.

I'm impressed.

Pick it up...

Pick it up...

Come on.

Damn.

Roshni, I saw the video.

What is this silliness?

Why?

Call me please.

Roshni...

where are you?

Is this some kind of a joke?

It's not a joke, it's a test.

And I think you will clear it.

Okay... I was wrong!

You have cleared it.

Vikram...

Vikram...

Vikram...

Vikram...

I am sorry, Vikram.

I am sorry...

I love you.

Please help me!

Please!

Please help me!

Please!

And don't try to look for me.

Bye.

It's unfortunate that the

last time you saw her...

was on 14th February...

Valentine's day.

Yeah.

If you don't mind, there's

something I want to say.

She is an educated adult.

And since she has left of

her own free will...

what can the cops do?

I think something is not right.

You mean to say

something is wrong.

Do you suspect anyone?

No...

in fact Roshni didn't

have many contacts.

You know Roshni, don't you?

By the way,

what's your name?

DK...

DK Bose.

DK Bose?

Sounds very familiar.

Well, a song by that name

was very popular.

Of course!

That's right.

Songs have such weird

names and lyrics these days.

When was the last time

you met Roshni?

A few days ago,

when she dropped by the set.

Vikram, why don't you tell him?

Are you keeping something

from us?

No...

it's not important.

Everything is important.

It's nothing big but...

Roshni saw Vikram having a drink

with Naomi in the trailer.

And she was upset about it.

That is not important.

What's important is,

where is Roshni right now?

Her family and friends

haven't heard from her.

I don't think she has

been kidnapped.

Nonetheless, we will check the

major exit points from the city.

Thank you, sir.

There's one more thing.

Often in such situations...

the person lodging the

complaint is the first suspect.

You may do as you please.

But don't waste time,

find Roshni, please.

The room was built to

hide from freedom fighters.

But my fate brought me here.

No discussion...

no arguments.

I suggest you forget me.

All the best.

Vikram...

Why did you say, 'all the best'?

Vikram...

Why did you say that?

Vikram...

why?

Vikram why?

Vikram, look at the water.

Vikram, look at the water.

Please...

Please, look at the water.

Vikram...

Vikram, look at the water.

Vikram...

Vikram...

Vikram...

Vikram, look at the water.

Vikram...

Stupid test!

God, please help me.

No... No...

This can't be happening.

Please...

Please... come on!

Who are you?

Vikram.

No...

No... Please... No...

Vikram...

No..

No, please...

No...

Stop!

No...

Please don't do this...

No...

Stop!

Please!

Please!

Stop!

Stop it.

Stop it.

Please, stop it.

Stop it.

Please...

How did you land here to

twist our story?

How can you look at yourself

after what you have done!

Of all the men...

you got Vikram.

That's my toothbrush.

Keep it back.

Keep it back or I'll smash

your teeth.

Witch!

Witch!

You can hear me?

Help me...

help me, please.

Please help me.

What's wrong?

Bad scald, huh?

So sad.

I had no other choice.

Nisha...

Nisha...

Nisha...

Damn!

Why are you jumping like a child...

on my bed?

Since you and Vikram didn't break it

last night, you want to break it now?

If you continue to jump,

your pea-sized brain will fall out.

My bed...

that's where the key fell.

Nisha, think...

Think where the

keyhole could be.

That's not a necklace, it's a key.

Don't pose, you look like an idiot.

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Mahesh Bhatt

Mahesh Bhatt (born 20 September 1948) is an Indian film director, producer and screenwriter known for his works exclusively in Hindi cinema. A stand-out film from his earlier period is Saaransh (1984), screened at the 14th Moscow International Film Festival. It became India's official entry for the Academy Award for Best Foreign Language Film for that year. The 1986 film Naam was his first piece of commercial cinema. In 1987, he turned producer with the film Kabzaa under the banner, "Vishesh Films", with his brother Mukesh Bhatt. Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as Daddy (1989) and Swayam (1991), as well as commercial romantic hits like Awaargi (1990), Aashiqui (1990) and Dil Hai Ki Manta Nahin (1991), in which he cast Pooja with actor Aamir Khan. He next directed Sadak (1991) which remains his highest grossing either directed or produced under the banner, "Vishesh Films". During the 1990s Bhatt won critical acclaim for Sir (1993), along with other hits such as Gumraah (1993) and Criminal (1994). In 1994 he won the National Film Award – Special Jury Award for directing Hum Hain Rahi Pyar Ke (1993). In 1999, he directed the autobiographical Zakhm, which has garnered the Nargis Dutt Award for Best Feature Film on National Integration. Bhatt has produced contemporary films such as Jism, Murder and Woh Lamhe. He co-owns film producing company Vishesh Films with his brother Mukesh Bhatt. more…

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Submitted on August 05, 2018

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